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    Politici e parlanti? I Cinocefali, i Pigmei e un gigante

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    The human being is a political and speaking animal. Other beings, even with monstrous features, like Pygmees and Cynocephales in particular, seem to have similar characteristics. This article analyzes some elements of the debate on the humanity of these beings

    Dai volgarizzamenti agli scrittori: “conversare” nel Convivio di Dante

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    Conversatio / communicatio in Middle Ages means not a linguistic, but a moral condivision. By developing this concept of conversazione, in the third book of the Convivio, Dante reveals to the reader the real essence of Aristotelian knowledge: the Wisdom beloved by Solomon in the Bible. In Aristotelian terms, he says, Love is the «form» of the relationship between man and Knowledge because Wisdom loves the one who loves her (III xi). Thus, the desire for knowledge quoted by Dante at the beginning of the Convivio is not a mechanic impulse leading to an actualization of human potential, because the essence of Science revealed in the third treatise is the personal, mutual relationship between the knowing subject and the object known. This radically new essence of Science proposed by Dante is based upon the Love- Knowledge conceived by Saint Paul in I Cor 13, 12

    Parole et stratégies de communication aux limites de l’humain

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    The medieval world is a universe populated by monstrous creatures; thinkers aimed to establish whether or not this throng of anomalous anthropomorphic figures belonged to the human species. In this respect, the use of language and speech is recognized as an important prerequisite for developing the associative and political propensities of human beings. The inability to communicate thus becomes a fundamental yardstick for measuring the savagery of the individual or people in question. This article will analyse the relationship between the boundaries of the human and language, firstly by briefly outlining the metaphorical use made of expressions associated with devoration and secondly by examining the relationship between cannibalism, metamorphosis and speech. A special focus will be placed on lycanthropy

    Faire société avec les démons ? Le magicien et la question du pacte aux derniers siècles du Moyen Âge

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    This paper intends to confront the theology of the magic pact with demons such as it is defined in the XIVth century by the inquisitor Nicholas Eymerich – one of the best advocates of the qualification of magic as heresy – with the way the contemporary texts of ritual magic defined for their part the relationship between the magician and the devils. Indeed, the magic books that Eymerich seems to know quite well give to see a much more complex reality that the manichean vision of the theologians between the demonic worship of the apostate magician and the divine worship of the christian believer. The magician who adresses the devils by words and signs is the initiator of a true pact with God, who is the only One who can delegate to him the potestas ligandi necessary to subdue the evil spirits. This pact is based on his faith and on his spiritual purity. But at the same time, and without systematic mind, he turns to practices, such as the sacrifices, which draw a more ambivalent relationship with the spirits and seem de facto to define a kind of secondary pact. Obviously, this type of practices could only feed the traditional negative vision of magic shared by the theologians and the inquisitors at the end of the Middle Ages

    Empatía y humillación: sobre La Violencia en Colombia

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    This text attempts an answer to the following question: How should we interpret the extreme and alarming conditions that characterize the rural war during the time of La Violenciain Colombia? I proceed first by analyzing the answer given to this question by the Colombian anthropologist María Victoria Uribe. According to Uribe, the sustained and sanguinary harm imposed upon the enemy’s body during the years of La Violenciais to be explained by the fact that the perpetrators didn’t truly seetheir victims as human beings. Taking into account the meanings of the terms “empathy” and “humiliation” proposed respectively by E. Husserl y A. Margalit, I move on to show how – given conditions of normality – it is not possible to attribute a determinate meaning to the idea of “seeing” employed by Uribe to support her own interpretation. &nbsp

    Amanita, amarguísima amanita… (a propósito de Musa Paradisíaca de José Alejandro Restrepo)

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    The following text is a commentary by philosopher Bruno Mazzoldi of José Alejandro Restrepo’s most recent exhibition and montage of Musa Paradisiaca(Bogotá, FLORA, 2015). The installation was accompanied this time, in the third floor of the gallery, by a series of works that evoke the history of the conception of the original montage (see the images included in this article), together with the engravings of the lost paradise and photographs by the artist staging Adam and Eve with the “forbidden fruit” (in Restrepo’s work, a banana). Mazzoldi combines the reference to this ‘forbidden fruit’ to Restrepo’s use of hallucinogen mushrooms (Amanita Muscaria) as a frame and a framework for his commentary.&nbsp

    Gli exempla monastici nel De vita solitaria. Sui Dialogi di san Gregorio Magno

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    On the basis of vernacularization of the Vitae Patrum and of the Dialogi of Domenico Cavalca, we examine the influence of hagiographic literature in the debate between solitary life and community life. In the Vitae the model of life is the solitary one, like the fathers of the desert, in the gregorian Dialogi the community model prevails, embodied by St. Benedict of Norcia. Petrarca in the De vita solitaria theorized his ideal of solitude as free choice of the subject devotes himself to the study that he free from passions. Petrarca retrives in the treaty many exempla of Vitae and Dialogi to create a translation with which to legitimize their choice. Boccaccio, to this mythizaton of solitary life, answers with two novellas of the Decameron (III, 10 e IV, Introduzione), in which the exempla of hagiographic literature are overturned natural drives thriumph over moral impositions

    Faire communauté, bâtir la société idéale. Aspects du silence dans la tradition monastique médiévale

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    Alongside purely mystical silence, there is another silence in Christian tradition, not unrelated to it. This silence, which can be described as "disciplinary”, was particularly important in the monastic communities and was more or less precisely codified in many rules. In contrary to what people generally think, it was for centuries an instrument of communication which aimed at building a collective identity directly prefiguring the heavenly Jerusalem. All the texts used in this article show that silence was not conceived as an absence of sound but as an inversion of the profane speech. To silence did not mean to be silent in solitude but rather to cultivate harmony in a community that allowed the holy colloquium. By reversing the values of the world and replacing the word with silence, the monks claimed to build the heavenly City together on earth

    La inteligencia periférica. Fragmentos de la imaginación del borde en la obra de Ezequiel Martínez Estrada

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    The following paper develops some considerations around the ideas of border and frontier in the works of Ezequiel Martínez Estrada (Argentina, 1895-1964). His work Radiografía de la pampa(1933) is presented as a major cornerstone of thought in a via negativaapproach to the world, and the basis for a complex understanding of (Benjaminian) transits and residues in 20th century Latin America.&nbsp

    Extending the Limits of Nature. Political Animals, Artefacts, and Social Institutions

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    This essay discusses how medieval authors from the thirteenth and fourteenth centuries dealt with a philosophical problem that social institutions pose for the Aristotelian dichotomy between natural and artificial entities. It is argued that marriage, political community, and language provided a particular challenge for the conception that things which are designed by human beings are artefacts. Medieval philosophers based their arguments for the naturalness of social institutions on the anthropological view that human beings are political animals by nature, but this strategy required rethinking the borderline between nature and art. The limits of nature were extended, as social institutions were considered to be natural even though they are in many ways similar to artificial products

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