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Manifesto per un’altra economia e un’altra politica
No full textViviamo in un tempo segnato da crisi profonde e interconnesse: l’aumento vertiginoso delle disuguaglianze, la crisi ambientale e climatica, l’instabilità politica e l’insicurezza sociale. Mai come ora emerge con forza la necessità di ripensare radicalmente il nostro modello economico e politico. Ma cosa significa davvero costruire una società più giusta? E quali cambiamenti profondi sono indispensabili per realizzarla? Emanuele Felice affronta queste domande con rigore e passione civile, proponendo un’analisi accurata delle radici storiche e strutturali delle crisi che stiamo vivendo. Con uno stile lucido e argomentato, Felice esamina in modo critico i limiti dell’attuale sistema capitalistico, mostrando come le logiche di mercato abbiano progressivamente indebolito la coesione sociale, accentuato le disuguaglianze e reso precario il nostro stesso futuro. Attraverso una visione che unisce economia, storia e filosofia politica, Felice propone soluzioni innovative e concrete per un modello di sviluppo sostenibile e inclusivo, fondato su equità, solidarietà e rispetto per l’ambiente. Un manifesto ambizioso e convincente che invita cittadini, economisti e politici a rimettere al centro il bene comune, ridisegnando l’economia e la politica per affrontare le grandi sfide del presente e costruire un futuro realmente equo. È tempo di ripensare radicalmente il capitalismo e la politica progressista
Dai videoclip ai documentari: Il grande salto dell’AI
No full textA brief overview of Giovanni Abitante's work and his AI cinema productio
Italy and the" Shock of the Global" during the 1970s
No full textThis open access book explores how Italy experienced the crucial period of transition that has come to be known as the ‘Shock of the Global’ during the 1970s. This decade marked a change between the prevailing socio-political and economic structures of the post-war world – the ‘golden age’ of national and Fordist capitalism – and a new horizon which would become much more integrated at a global and transnational level. Drawing from a diverse range of sources, the collection focuses on the perceptions of the crisis and the novelties of the globalization process, as well as the complex process of adjustment that occurred as a result, revealing how events during the 1970s impacted Italy’s collective mentality, its social groups, political parties and culture. Comprising 23 brief chapters, each examining a symbolic event of the decade, this book acts as a starting point for studying the Italian perception of international change. An insightful read for anyone researching modern Italian history, globalization or transnational history, this book demonstrates how Italian culture, society and politics reacted to international stimuli from abroad during the 1970s
recensione di Pascal Riendeau, Regards sur le monde. Conflits éthiques et pensée romanesque dans la littérature française contemporaine, Québec, Presses de l’Université Laval, 2023, «Littérature et imaginaire contemporain», 214 pp.
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The Post-War Construction of a Sense of Belonging in Italian Film Criticism (1943–53)
Full text linkThe immediate post-war years in Italy were characterized by a dual focus: on the one hand, the phase of reconstruction and economic revival, and on the other, a vibrant debate surrounding the ‘defascization’ of politics and culture, which ultimately led to a process of self-absolution. During this time, periodicals underwent significant turmoil, marked by a revival of pre-war models alongside the emergence of new publications. In the realm of film criticism, there was a resurgence of old specialized magazines, along with the creation of new ones, reflecting a growing recognition of the importance of film critics in the dissemination and interpretation of cinema. Intense discussions arose as film critics sought to distance themselves from the fascist era, positioning themselves around three pivotal themes: navigating Italy’s complex socio-political landscape, addressing the evolution of Italian cinema during a transformative period marked by the birth of neorealism, and responding to the influx of foreign films — particularly Hollywood productions — that returned to theaters following the era of autarky. This article aims to analyze how a sense of belonging among film critics in post-war Italy was constructed by examining editorials from popular magazines such as Oggi (resuming publication in 1945) and Tempo (resuming in 1946), as well as specialized film magazines like Star (1944), Film d’oggi (1945), Film, and Bianco e Nero (both resuming in 1946), Cinema (resuming in 1948), Filmcritica (1950), and Cinema Nuovo (1952). Initially, the Years following the war fostered a spirit of collaboration among film critics; however, by the late 1940s, the onset of the Cold War and differing ideological affiliations contributed to a cultural confrontation that gave rise to militant film criticism
Viaggio lungo l’Italia. Il travelogue enogastronomico in tv: dal documentario d’autore alle food series contemporanee
No full textIl cibo e la cucina rappresentano da sempre un elemento identitario per la cultura italiana e uno strumento di divulgazione in ambito televisivo. Mario Soldati con il suo Viaggio nella valle del Po (1957) per primo fonde tradizione odeporica e interesse per le tradizioni culinarie: “Soldati’s gastronomic travels in the north of Italy look like modern travelogue” (Buscemi and Comunian, 2022). Il contributo indaga l’evoluzione del travelogue enogastronomico nella televisione italiana: la prima sezione è dedicata al documentario d’autore di Mario Soldati; la seconda ai "sabati del villaggio" nella Neotelevisione; la terza esplora la tendenza attuale all'ibridazione del travelogue con il format entertainment (4 Ristoranti - Sky Uno e O' Mare Mio - Discovery) e con la digital food culture (L’Italia a morsi - Food Network).Food and cooking have always been central to Italian cultural identity and a means of popularisation through television. Mario Soldati, with his Viaggio nella valle del Po (Rai, 1957), was the first to blend the tradition of travel writing with Italians’ burgeoning fascination with culinary heritage: “Soldati’s gastronomic travels in the north of Italy look like modern travelogue” (Buscemi, Comunian, 2022). The essay traces the evolution of the food and wine travelogue on Italian television. The first section focuses on Soldati’s auteur documentary; the second analyses the "Saturdays in the village" of Neotelevisione; finally, the third explores today’s hybrid formats, from factual entertainment-based travelogues (4 Ristoranti - Sky Uno and O' Mare Mio - Discovery) to digital food culture (L’Italia a Morsi - Food Network)
