University of Naples - L'Orientale
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Il sacello-heroon di Poseidonia: problemi e prospettive di ricerche alla luce delle recenti indagini
No full textThe heroon of Poseidonia represents a monument particularly linked to the memory of Dinu Theodorescu: discovered by P.C. Sestieri in 1954, the building was correctly interpreted only thanks to the research that Dinu, in collaboration with Emanuele Greco, conducted in the 1970s in Paestum with the Italian-French mission. These investigations were very significant for the correct interpretation of the monument, identified as a herôon, and for the restitution of the topographical context of the agora within the urban layout of the Greek city. The careful drawings of the building structures and the study of the architectural remains that lie in the surrounding space, allowed Dinu to put forward some hypotheses on the restitution of the monument which, in his opinion, was covered by a mound and also equipped with an altar: the archaeological
investigations carried out in 2018 in the area in which the altar was hypothesized, while not allowing to confirm its existence, made it possible to collect clues that corroborate the hypothesis of the mound and revealed a complex stratigraphic situation that would require further insights.
Starting from the results of recent explorations, the new hypotheses, unresolved problems and prospects for future research are exposed
Quali altre parole vi aspettate che aggiunga ? Scritti in memoria di Alfredo M. Cadonna (1948-2020)
No full textQuali altre parole vi aspettate che aggiunga? è una raccolta di saggi dedicata alla memoria di Alfredo Cadonna (1948-2020), filologo, traduttore e studioso delle religioni della Cina. Gli undici capitoli di questo volume, tutti a opera di suoi allievi, propongono la traduzione annotata di brani appartenenti a varie epoche e a differenti tradizioni religiose e cosmologiche, e rappresentativi di generi letterari e registri linguistici diversi. I testi qui raccolti includono scritti della Cina arcaica, brani di letteratura a tema religioso composti da funzionari letterati dell’Impero, varie tipologie di opere del Taoismo e del Buddhismo medievali e tardo imperiali ed esempi delle loro espressioni più moderne
“Time out of Time: Transworld Identity and the Collapse of Ontological Boundaries in The Accidental by Ali Smith”
No full textThis article looks at Ali Smith’s The Accidental as a novel in which pastiche and mashups of content create a kind of cross media storytelling that pushes the ontological boundaries of narrative. At the centre of the novel is Amber, a mysterious visitor introduced here as a transworld identity who weaves the novel’s plot by using contents and knowledge belonging to extradiegetic worlds and their timelines. Thus, she is in a position to interact with the other characters as if they were metareferential elements of the story and change their fate. By using Amber as a literary device which oscillates between different temporalities, Smith also explores how language mediates contemporary subjectivity, which is divided into a variety of fictional realities
Dipingere i silenzi e « disegnare con parole » (Boezio, Cons. Fil., III, I). « Il dir d’Orfeo » e lo specchio di Narciso per Boccaccio poeta-pittore dell’Amorosa visione
No full textL’article explore le thème du silence dans l’Amorosa visione de Boccace, à travers l’étude du voir qui fait entendre ce qui en soi n’a pas de voix, et cette voix donne le sentiment que ce que l’on voit arrive sous forme de vision. Dans la fiction du poème, le poète est le viator qui visite un château dont les parois sont peintes à fresque avec des personnages mythologiques et littéraires, ombres plongées dans le silence et à qui le poète, nouvel Orphée, redonne vie et voix par le biais de la poésie. Grâce à cette faculté propre aux poètes, dans l’Amorosa visione le poète donne vie aux images qui, sans la vue, resteraient silencieuses. Mais celle-ci peut tromper, et l’article s’attache à montrer que la voyage doit servir au viator à ne pas tomber dans l’erreur de Narcisse et à apprendre à “voir” les images, parce qu’elles sont trompeuses. Enfin, le viator, qui se présente comme poète-peintre de l’Amorosa visione, peintre dont le talent dépasse celui de Giotto et de la Nature, donne voix aux silences à travers la vue, mais doit apprendre à ne se fier qu’aux yeux de l’esprit pour aller au delà des apparences et de la surface des choses, dans une œuvre qui se présente comme une réflexion sur les silences trompeurs de la peinture et sur la parole vraie de la poésie
Iscrizioni reali dall'Elam
No full textStudio delle iscrizioni reali in elamico e accadico nella Collezione del Pontificio Istituto Biblico oggi conservata presso i Musei Vaticani
A VARIAÇÃO DIAMÉSICA E A COMUNICAÇÃO POLÍTICA INSTITUCIONAL A interação “político-jornalista” no Brasil de Bolsonaro entre velhas e novas formas de diálogo
No full textThis contribution proposes an analysis of the political language of Jair Bolsonaro, the current Brazialian president. Starting from the diamesic dichotomy between written-written and spoken-spoken (Nencioni, 1976) and considering the scheduled interviews (interactions via videocall) and the questions of journalists in the public interventions of the Brazilian president (face-to-face interactions), it is possible to observe how, in cases like those here mentioned, the medium does not influence communication, only allow-ing a distinction between planned and unplanned communication. Furthermore, in line with the scientific research on conversation analysis, an analysis of the dialogue between Brazilian politicians and journalists is proposed as a form of unequal communication: in all cases, the asymmetry of social positions between the speaker and his interviewers is eviden
