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Delius's Dream for B flat Clarinet and Piano; dreamily ♩=60 and animated (faster ♩=88)
No full textEngraved score for B flat Clarinet and Piano. Includes music for clarinet.Clarinet, Pianoscore 13 pages, part 4 pages; 8 1/2 x 1
Dragon Land: The Last Emperor's Palace; fast ♩=120 and Summer Palace; slowly ♩=64 and The Warrior Monk; with energy ♩=120
No full textEngraved score. The title says "for Solo B flat Clarinet and Wind Ensemble" but the score shows other brass instruments and percussion. This is only the score. Notation at the bottom of the title page says, "© 2012 by Carl Vollrath".Band65 pages; 8 1/2 x 1
Diane's Day Dreams: Cinderella's Dream; playful ♩=126 – Butterflies on Lilacs; slowly ♩=80 – Giraffes on Parade for Piano; comical ♩=144
No full textOriginal manuscript with musical notes in black felt pen. Cover page, titles, and musical notations are typed. Notation at the bottom of the title page says, "Copyright by Carl Vollrath © 2002".Piano17 pages; 8 1/2 x 1
Fire Flight for Guitar & B flat Clarinet; fiery ♩=120 then slower, more relaxed then animated ♩=138
No full textEngraved score for Guitar and B flat Clarinet duet. Includes music for both instruments.Guitar, Clarinetscore 8 pages, parts 3 pages; 8 1/2 x 1
But It's a Proven Fact, that a Jukebox has No Ears; moves between slow and fast with eighth note = sixteenth note and visa versa
No full textOriginal manuscript for a duet. The musical notes and words are in pencil. The words are from Kenneth Fearing's poem "King Juke".Vocal, Piano9 pages; 8 1/2 x 11With its throat of brass, the juke-box eats live nickels raw; It can turn itself on or shut itself off; It has no hangovers, knows no regrets, and it never feels the need for sleep. Can you do that Can you do that Can you do that What can you do that a juke-box can’t, and do it ten times better than you And it hammers at your nerves and stabs you through the heart and beats upon your soul But can you do that to the box Its resourceful mind, filled with thoughts that range from love to grief, from the gutter to the stars from pole to pole Can seize its thoughts between the fingers of steel Begin them at the start and follow them through in an orderly fashion to the very end Can you do that Can you do that And what can you say that a juke-box can’t and say it in a clearer louder voice than yours? What have you got, a juke-box hasn’t got? What have you got, a juke-box hasn’t got? Well, a juke-box has no ears they say The box, it is believed, cannot even hear itself It simply has no ears at all It simply has no ears at all It simply has no ears no ears at all it has no ears no ears at all at al
Coco & Igor; swayingly ♩=65 and dreamily
No full textOriginal manuscript for Clarinet and Piano. Musical notes and title written in pencil. This is only the score. Note at bottom of first page says "Copyright © by Carl Vollrath 2011".Clarinet, Piano11 pages; 8 1/2 x 1
For the Mark of Time for Trumpet in C & Piano; tempos include restful ♩=69, agitated ♩=120, and ♩=92
No full textOriginal manuscript for Trumpet in C and Piano. Includes music for trumpet. Musical notes in black felt pen on music staff paper, titles typed. Notation at the bottom of the title pages says, "Copyright © by Carl Vollrath 2000". Includes a page which gives information about the inspiration for this piece, as well as, suggestion for performance. The estimated timing is 4-5 minutes.The Jim Zingara pieces for trumpet and pianoTrumpet, Pianoscore 13 pages, part 4 pages; 8 1/2 x 11A memorial to young musicians who were not allowed to realize their potential, 4-5 minute
Concert Piece for Horn in F and Piano; somber, faster, broad
No full textEngraved score on vellum music score paper. Includes music for French horn.Horn in F, Pianoscore 11 pages, part 4 pages; 11 x 13 1/
Come Away; slowly (♩=56)
No full textOriginal manuscript for soprano, alto, tenor, and bass. The musical notes are in pencil and the words are typed. The words are from the "Song of Solomon".From Songs of Solomon, music by VollrathVocal, Piano13 pages; 8 1/2 x 11Rise up, my darling; my fairest, come away. For now the winter is past, the rains are over and gone; the flowers appear in the countryside; the time is coming when the birds will sing, and the turtledoves cooing will be heard in our land; heard in our land; when the green figs will ripen on the fig trees and the vines give forth their fragrance. the time is coming when the birds will sing, and the turtledoves cooing will be heard in our land; in our land; when the green figs will ripen on the fig trees and the vines give forth their fragrance. For now the winter is past, the rains are over and gone; Rise up, my darling; my fairest, come away Rise up, my darling; my fairest; come away. come away. away. my darling; my fairest, come away
Aftermath; slow
No full textOriginal manuscript. The musical notes and words are written in pencil on music staff paper. The words are from Henry Wadsworth Longfellow's poem "Aftermath".Vocal, Piano4 pages; 8 1/2 x 11When the summer fields are mown, when the birds are fledged and flown, and the dry leaves strew the path; with the falling of the snow, with the falling of the snow, with the cowing of the crow, once again the fields we mow, and gather in the aftermath not the sweet new grass with flowers is this harvesting of ours not the upland clover bloom but the rowen mixed with weeds Tangled tufts from marsh and meads where the poppy drops its seeds In the silence and the gloom when the summer fields are mown, when the birds are fledged and flown, and the dry leaves strew the path; with the falling of the snow with the cowing of the crow, once again the fields we mow and gather in the aftermat