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Cedar City Arts Committee Collection
No full textThis collection contains the records of the Cedar City Arts Committee from 1943-2013. The collection includes annual art exhibit programs, correspondence, newspaper clippings, and reports
An Ideal Candidate: A Functional Analysis of Madam Secretary's Political Campaign Discourse
No full textThesis submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Professional Communication
The Effects of Attentional Focus Cues on the Kinematic Characteristics of a Maximal Effort Soccer Kick
No full textA master's thesis submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Science in Sports Conditioning and Performance
Raising Awareness for Utah's First Osteopathic Medical School
No full textA thesis submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication
Wholeness through Joy: A Practical Event Planning and Marketing Project
No full textThesis submitted to the faculty of Southern Utah University in partial fulfillment of the requirement for the degree: Master of Arts in Professional Communication
Coverage for Kids
No full textCapstone project submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication
Target Marketing for International Recruitment: An Experience in China
No full textA capstone internship submitted to Southern Utah University in fulfillment of the requirement for the degree of: Master of Arts in Professional Communication
2017 Commencement Program
No full textCommencement program listing the ceremonies and activities surrounding academic graduation
Un-Selfies: The Dissolution of Identity in 20th- and 21st- Century Art
No full textDelivered as the Distinguished Faculty Honors Lecture at SUU, February 2, 2017. One of the more curious recent identifying features of the anthropocene has been the "selfie" - typically a close-cropped digital photographic portrait image featuring a telltale strain at one shoulder of the subject indicating that the sitter is also the artist and that the camera (a common feature of a "smart"-phone) was held at arm's length in order to effect the work's successful execution. Most often these selfies are intended to be distributed without delay - usually among an improbably large circle of intimate "friends." The selfie's greater purpose, however, can become a topic of bewildered and often irritated speculation among the image's recipients. I want to talk today about the development of the faceless
portrait in modem and post-modern art from its beginnings at the end of the 19th century to its current manifestation in the selfie culture of our time - and in what we will herein describe as the phenomenon of the un-selfie, which operates less within the public sector of social media and popular entertainment, and more in the context of the contemporary art scene