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Art and Ornament: Embroidered Chinese Vestments exhibition, Baltimore Museum of Art, July 14 – October 25, 1987
No full textArt and Ornament: Embroidered Chinese Vestments, on view at the Baltimore Museum of Art from July 14 through October 25, 1987, featured a selection of Imperial robes from the Qing dynasty, religious vestments, and more casual attire to highlight embroidered garments from the Museum's textile collection
Aubrey Bodine: Baltimore Pictorialist exhibition, Baltimore Museum of Art, April 26 – June 28, 1987
No full textAubrey Bodine: Baltimore Pictorialist, on view at the Baltimore Museum of Art from April 26 through June 28, 1987, exhibits 50 photographs by internationally acclaimed photographer for the Baltimore Sun, A. Aubrey Bodine. Bodine was best known for his photographs of Maryland, particularly of the Chesapeake Bay
Dr. Seuss From Then to Now exhibition, Baltimore Museum of Art, December 6, 1987 – January 17, 1988
No full textDr. Seuss From Then to Now, on view at the Baltimore Museum of Art, December 6, 1987 - January 17, 1988, was a lighthearted retrospective of the 60-year career of Theodor Seuss Geisel. Best known for his fanciful children's books, this collection features a broader overview of his work, with 250 drawings, illustrations, political cartoons, and other graphic materials
Bent Wood and Metal Furniture exhibition, Baltimore Museum of Art, September 20 – November 15, 1987
No full textBent Wood and Metal Furniture, on view at the Baltimore Museum of Art from September 20 through November 15, 1987, was a comprehensive survey of trends and innovations in furniture-making, focused on the technique of bending materials for structural and aesthetic reasons. The exhibition had over 100 objects, with a wide variety of furniture types, and included items borrowed from collections in the United States, Canada, and Europe
Arthur B. Davies: Drawings and Watercolors exhibition, Baltimore Museum of Art, May 19 – July 12, 1987
No full textArthur B. Davies: Drawings and Watercolors, on view at the Baltimore Museum of Art from May 19 through July 12, 1987, exhibits a collection of drawings and watercolors by one of the American painters who made up the group known as The Eight. Davies' work was uniquely ethreal and dreamy, in comparison to the more realistic style of his seven colleagues
Opening, Picasso Linoleum Cuts: The Mr. and Mrs. Charles Kramer Collection, Baltimore Museum of Art, 1987
No full textThe event welcomed visitors to experience the "Picasso Linoleum Cuts: The Mr. and Mrs. Charles Kramer Collection" exhibition at The Baltimore Museum of Art
Dog Observed: Photographs 1844-1983 exhibition, Baltimore Museum of Art, September 1-27, 1987
No full textDog Observed: Photographs 1844-1983, on view at the Baltimore Museum of Art from September 1-27, 1987, included 75 photographs, ranging from early daguerreotypes to contemporary color photographs, spanning 150 years documenting man's special relationship with the dog
Dr. Seuss from Then to Now exhibition, opening, Baltimore Museum of Art, December 6, 1987 – January 17, 1988
No full textDr. Seuss from Then to Now opening held at the Baltimore Museum of Art December 5, 1987
Frederick R. Weisman Collection exhibition, Baltimore Museum of Art, March 1 – April 19, 1987
No full textThe Weismans worked with other local collectors to develop the Modern and Contemporary Art Council, promoting the interest and involvement in contemporary art. The Weismans also discovered the rejuvenating power of art through Fredrick Wiesmans brain injury, resulting in art initiations in hospitals around the country. Mr. Wiesman developed two distinct collections, the first being a personal collection and the second consisting of Japanese and American contemporary art. These artworks made their way to areas where contemporary art was limited with the collection expanding to increase European and Asian artists. In February 1987, the Weisman Collection began its second American tour with multiple national galleries including The Baltimore Museum of Art
Picasso Linoleum Cuts: The Mr. and Mrs. Charles Kramer Collection, The Metropolitan Museum of Art, New York, Baltimore Museum of Art, November 22, 1987 – January 3, 1988
No full textPicasso's prints total approximately two thousand various images imprinted from metal, stone, wood, linoleum, and even celluloid. His obsessive interest in linoleum cuts began later at the age of seventy. He revolutionized the technique by using a single paper nailed to a plank of wood with the final image delivering an amalgamation of processes. Most of his linoleum cuts were published during his lifetime with invention and brilliant colors