55 research outputs found
Hernani
No full textThis critical edition of Victor Hugo\u27s theatrical masterpiece Hernani presents for the first time, the text as the author wanted it to appear. The vast majority of the existing versions of the play are based on editions that were flawed because they did not take into account all of the corrections made by the author. Through the use of different fonts, the reader sees which lines were censored in the first edition and all textual differences between that edition and the one published in 1836. (Text in French)https://cornerstone.lib.mnsu.edu/university-archives-msu-authors/1213/thumbnail.jp
Hernani de Irajá: art and science of a Brazilian sexologist
No full textTendo como fontes primárias romances autobiográficos, um livro de
memórias e obras de divulgação científica, este estudo biográfico visa compreender
vida e obra de Hernani de Irajá, médico, pintor e jornalista. Além de suas atividades
como médico sexólogo, Hernani de Irajá dedicou-se ao desenho e à pintura, ao
jornalismo como crítico de artes e publicou pelo menos 10 obras de divulgação
científica em Sexologia. E participou ativamente dos eventos sociais e artísticos
promovidos no Rio de Janeiro no período de 1920 a 1960. É discutido o fenômeno da
proscrição deste autor, aclamado por artistas e profissionais de sua época, porém com
referências muito escassas entre os sexólogos brasileirosHaving as primary sources autobiographical novels, a memoir and works of
popular science, this biographical study seeks to understand life and work of Hernani de
Irajá, doctor, painter and journalist. Besides his activities as a sexologist, Hernani de
Irajá devoted himself to drawing and painting, to journalism as a critic of art and
published at least 10 works of popular science in Sexology. And actively participated in
social events and promoted art in Rio de Janeiro in the period 1920-1960. We discuss
the phenomenon of the proscription of this author, acclaimed by artists and
professionals of his time, but with very few references among Brazilian sexologistsCoordenação de Aperfeiçoamento de Pessoal de Nível Superio
The first year pre-service teachers’ chemical literacy in individual learning case using the fuel cell technology based-chemical enrichment book
No full text
The implementation of integrated science teaching materials based socio-scientific issues to improve students scientific literacy for environmental pollution theme
No full textThe force of the romantic fate in Don Álvaro, Hernani and Antony
No full textMuchos críticos románticos se esforzaron en alejar Don Álvaro o la fuerza del sino de los dos
dramas franceses que le sirvieron de modelos indirectos: Hernani de Victor Hugo y Antony
de Alexandre Dumas, por considerarlos corruptos e inmorales. Pero no hay que olvidar que
la obra de Rivas fue gestada en Francia, durante el exilio del autor; en pleno contacto con
la revolución liberal y romántica en Europa. Este artículo pretende, a través de un estudio
comparativo entre estos tres dramas fundamentales del Romanticismo europeo, demostrar
su estrecha relación. Las tres obras sorprenden por la fuerza de ese destino nefasto, causante
de desgracia y muerte, que está directamente vinculado con la schicksalstragödie alemana y
evidencian la superación de la vieja y rígida frontera entre Orden y Caos; entre lo Apolíneo
y lo Dionisíaco.Many romantic critics strove to separate Don Álvaro or the force of the fate from the two
French dramas which served as indirect models: Victor Hugo’s Hernani and Alexandre
Dumas’ Antony, for considering them corrupt and immoral. But it should not be forgotten
that Rivas’ play was conceived in France, during the exile of the author; in full contact with
the liberal and romantic revolution in Europe. This article aims, through a comparative
study of these three fundamental dramas of European romanticism, to demonstrate their
close relationship. These three plays surprise by the force of this nefarious fate, cause of
misfortune and death, which is directly linked with the German Schicksalstragödie and
evidence the overcoming of the old and rigid frontier between Order and Chaos; between
the Apollonian and the Dionysian traditions
La fuerza del sino romántico en Don Álvaro, Hernani y Antony
No full textMany romantic critics strove to separate Don Álvaro or the force of the fate from the two
French dramas which served as indirect models: Victor Hugo’s Hernani and Alexandre
Dumas’ Antony, for considering them corrupt and immoral. But it should not be forgotten
that Rivas’ play was conceived in France, during the exile of the author; in full contact with
the liberal and romantic revolution in Europe. This article aims, through a comparative
study of these three fundamental dramas of European romanticism, to demonstrate their
close relationship. These three plays surprise by the force of this nefarious fate, cause of
misfortune and death, which is directly linked with the German Schicksalstragödie and
evidence the overcoming of the old and rigid frontier between Order and Chaos; between
the Apollonian and the Dionysian traditions.Muchos críticos románticos se esforzaron en alejar Don Álvaro o la fuerza del sino de los dos
dramas franceses que le sirvieron de modelos indirectos: Hernani de Victor Hugo y Antony
de Alexandre Dumas, por considerarlos corruptos e inmorales. Pero no hay que olvidar que
la obra de Rivas fue gestada en Francia, durante el exilio del autor; en pleno contacto con
la revolución liberal y romántica en Europa. Este artículo pretende, a través de un estudio
comparativo entre estos tres dramas fundamentales del Romanticismo europeo, demostrar
su estrecha relación. Las tres obras sorprenden por la fuerza de ese destino nefasto, causante
de desgracia y muerte, que está directamente vinculado con la schicksalstragödie alemana y
evidencian la superación de la vieja y rígida frontera entre Orden y Caos; entre lo Apolíneo
y lo Dionisíaco
Civilization and violence in São Paulo´s lands: notes about on the novel Chão Bruto, by Hernani Donato
No full textThis paper purports to analyze Hernani Donato’s Chão Bruto in order to show how the narrator elaborates the text by mobilizing categories such as civilization and progress, considered as physical and cultural barriers in rural areas. The book recounts the occupation of western São Paulo State in the beginning of the twentieth century and the violence that came about as a consequence of the struggle for land. In order to accomplish this, the author employs notions such as civilization and progress as implicit categories in the development of the plot. The analysis proposed here focuses on the confrontation between civilization and violence and the concept of structure of feelings, which will help understanding the permanence of bucolic images in narratives about the rural
Contribution from philosophy of chemistry to chemistry education: In a case of ionic liquids as technochemistry
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