9,619 research outputs found
Guglielmo Giannini e il teatro agitprop liberale
No full textF. Perrelli, Guglielmo Giannini and the Liberal Agitprop Theatre
This essay through the analysis of Il ragionier Ventura (1947) demonstrates how Guglielmo Giannini’s dramaturgy could construct an unusual model of liberal agitprop play, absolutely unique in the panorama of twentieth-century political theatre
Il parlato dei mass media: analisi multilingue del parlato dei telegiornali
No full textThe results of experimental surveys carried out on a corpus of spoken Italian on
both radio and television show unequivocally that the rhythmic-prosodic
characteristics of the speech used on radio and television news programmes have
changed radically over the past fifty years. Several studies show certain marked
changes that indicate a well-defined direction. It must be pointed out that the
changes involved do not relate to the text of the utterance, but to the way it is
delivered (articulation rate, speech rate, fluency, silence percentage and tonal
range). Do the rhythmic/prosodic changes relate only to Italian, or, because of mass
means of communication, are they true of other languages? Do different language
systems share the same model of rhythmic/prosodic patterns? Can we be said to be
approaching a global type of speech? The results of this experimental research
carried out on television information speech in Italian, English, French, Slovenian
and Japanese show a surprising parallelism in the development of these languages.
In fact, the television news speech of the 1960‟s and up to the mid-1970‟s, compared
with television news today, shows less speech rate, longer pauses, a lower level of
fluency, an intonation trend which is less varied, and minimum differences in rate of
articulation. In particular, the data reveal that recent television news, in all the
languages analysed, are characterised by a drastic diminishing of the percentage of
silence as compared to past ones. Fluency too, though in a different way, shows a
net increase in today‟s television news. Another interesting fact common to all the
television news broadcasts is the stability of the articulation rate. The fact is that the
television news is read by professionals, the articulation positioning must be
precise, the target audiences must be reached and the speaker must be clear and
unambiguous
M. Ormos, La Montée, 1982
No full textGiannini Mirella. M. Ormos, La Montée, 1982. In: Sociologie du travail, 25ᵉ année n°1, Janvier-mars 1983. pp. 109-110
Shunt-connected microstrip radial stubs
No full textRadial line stubs provide an interesting alternative to low-impedance conventional straight stubs. They are useful as filter elements in both series and shunt configurations. The planar circuit analysis previously performed (F. Giannini et al. ; ibid. , vol. MTT-32, no. 12, pp. 1652-1655, 1984) for a series-connected radial stub is extended to the shunt configuration. Theoretical and experimental results are presented to verify the equivalent model for the shunt-connected radial stub
Un cineasta “qualunque”? Anticipazioni del pensiero politico di Guglielmo Giannini nella sua opera cinematografica
No full textIl testo esamina la produzione cinematografica di Guglielmo Giannini cercandovi anticipazioni dei programmi e delle idee politiche che lo stesso Giannini svilupperà nel dopoguerra, quando fonderà il Fronte dell'Uomo Qualunqu
Viaggi attraverso il mondo. La scienza giuridica. Cesare Pinelli intervista Massimo Severo Giannini
No full textL'intervista, col medesimo titolo, era stata pubblicata già in Mondoperaio, 198
Dallo spettacolo all'impegno politico: Guglielmo Giannini e il qualunquismo "storico"
No full textIl contributo, tenuto contro della riflessione di storici e politologi sulla parabola politica di Guglielmo Giannini, individua e analizza alcuni aspetti della sua proposta e della sua impostazione ideologica, cogliendone gli elementi di continuità e discontinuità con il passato prefascista e fascista, leggendole alla luce degli umori e degli orientamenti degli uomini di cultura negli anni della guerra e cogliendone contraddizioni ed equivoche posizioni alla prova dell'incandescente congiuntura dell'immediato secondo dopoguerra
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