21,334 research outputs found
Adaptively combined forecasting for discrete response time series
No full textXinyu Zhang, Zudi Lu, Guohua Zo
Ksavers Andermanis – LU Akadēmiskās nozīmītes meta autors
No full textRaksts tapis kā turpinājums 2024. gada septembra mēneša priekšmetam par Latvijas Universitātes (LU) Akadēmisko nozīmīti, kur uzmanība pievērsta LU Akadēmiskās nozīmītes meta autoram, LU Arhitektūras fakultātes studentam un novadpētniekam, vācbaltietim Ksaveram Andermanim. K. Andermanis ne tikai ir sniedzis ieguldījumu Latvijas etnogrāfijas pētniecībā, bet arī LU simbolu izgatavošanā, kas mūsdienās saglabā savu unikalitāti un vērtību. Meta autora piederība pie LU saimes sakņojusies jau viņa ģimenē, jo viņa tēvs ir absolvējis Rīgas Politehnisko institūtu, LU priekšteci starpkaru periodā, un strādājis LU Saimniecības padomē par inspektoru.The article is a continuation of the September 2024 Museum Object on the Academic Badge of the University of Latvia (UL), which focuses on the author of the UL Academic Badge design, the student of the Faculty of Architecture and local historian, the Baltic German Ksavers Andermanis. K. Andermanis has not only contributed to the research of Latvian ethnography, but also to the production of symbols of the UL, which today retain their uniqueness and value. The author's belonging to the UL family is rooted in his family, as his father graduated from the Riga Polytechnic Institute, the predecessor of UL during the interwar period, and worked as an inspector at the UL Economical council
Lu Xuangong ji: er shi si juan. v.1
No full text[V.1]. 順宗實錄傳 / 韓文公 -- 唐陸宣公翰苑集敘 / 權德與撰 -- 乞挍正陸贄奏議箚子 / 蘇文忠公 -- 新唐書本傳 / 宋景文公 -- 總目 -- 目錄 -- [V.1-3]. 制誥 : 卷一至十 -- [v.3-5]. 奏草: 卷十一至十七 -- [v.5-6]. 奏議 : 卷十八至二十四.Detailed table of contents in vernacular field only.陸贄 ; 陳仁錫評閱.綫裝, 1函.框21.2x14.6公分, 9行18字, 白口, 單魚尾, 左右雙邊, 版心上鐫"陸宣公集", 中鐫卷次, 下鐫葉次. 眉端刻評.題名據版心.Xian zhuang, 1 han.Kuang 21.2 x 14.6 gong fen, 9 hang 18 zi, bai kou, dan yu wei, zuo you shuang bian, ban xin shang juan "Lu Xuangong ji", zhong juan juan ci, xia juan ye ci. mei duan ke ping.Ti ming ju ban xin.Lu Zhi ; Chen Renxi ping yue
Lu Xuangong quan ji: er shi si juan. v.1
No full text[V.1]. 陸宣公全集敍 / 權德輿撰 -- 宋朝名臣進奏議箚子 -- 進唐陸宣公奏議表 -- 淳煕講筵箚子 -- 目錄 -- [V.1-3]. 制誥: 卷一至十 -- [v.3-5]. 奏草: 卷十一至十七 -- [v.5-6]. 奏議:卷十八至二十四.[V.1]. Lu Xuangong quan ji xu / Quan Deyu zhuan -- Song chao ming chen jin zou yi zha zi -- Jin Tang Lu Xuangong zou yi biao -- Chunxi jiang yan zha zi -- Mu lu -- [V.1-3]. Zhi gao: juan yi zhi shi -- [v.3-5]. Zou cao: juan shi yi zhi shi qi -- [v.5-6]. Zou yi: juan shi ba zhi er shi si.陸贄著 ; 湯賓尹評 ; 馬元訂.綫裝, 1函.框20.3x14.3公分, 9行20字, 白口, 無魚尾, 四周單邊, 版心上鐫題名, 中鐫卷次, 下鐫葉次. 眉端刻評.内封題頁鐫"湯睡菴先生評, 一集制誥, 一集奏草, 一集奏議. 並云"方今聖上中□, 罷黜百家, 崇尚經濟, 而宣公奏議馳龜軼董, 凌□□□, 盛業不朽, 大事無過是矣. 爰求善本精校, □□□剞劂, 凡我同志□□. 披珍館主人識".內封頁題 ; 刻書年據序.鈐"本衙藏版"硃文印記.Xian zhuang, 1 han.Kuang 20.3 x 14.3 gong fen, 9 hang 20 zi, bai kou, wu yu wei, si zhou dan bian, ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci. Mei duan ke ping.Detailed notes in vernacular field only.Nei feng ye ti ; ke shu nian ju xu.Lu Zhi zhu ; Tang Binyin ping ; Ma Yuan ding.Qian "Ben ya cang ban" zhu wen yin ji
Lu Xun's Revolution : Writing in a Time of Violence /
No full textRecognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Electronic reproduction. :Mode of access: Internet via World Wide Web.DaviesGloria: Gloria Davies is a literary scholar and historian of China at Monash University in Australia. She is also Adjunct Director of the Australian Centre on China in the World at the Australian National University.Description based on online resource; title from PDF title page (publisher’s Web site, viewed May 26, 2011
Lu Xun zaoqi wenyan lunwen li suo tansuo de xin wenhua (The 'New Culture' formulated in Lu Xun's early classical-style essays)
No full textThis article links a number of the main themes expressed in Lu Xun's early wenyan essays, written in Japan in 1906-1908, with the concerns of the New Culture Movement, which emerged later (circa 1919) in China. The author argues that these book-length theses written in dense classical language were in fact intellectual precursors to the New Culture Movement and its aftermath. It delineates a partial outcome of the author's Australian Research Council (ARC) project on the early Lu Xun and his formative period in Japan
High-pressure pelitic granulites from the Jiao-Liao-Ji Belt, North China Craton: a complete P-T path and its tectonic implications
No full textAbstract not availableYi Zou, Mingguo Zhai, M. Santosh, Ligang Zhou, Lei Zhao, Junsheng Lu, Houxiang Sha
Fan Wenzheng gong po yang yi shi lu
No full text卷一至二. 奏議 -- 卷三. 狀 -- 子 -- 卷四. 表 -- 卷五. 賦 -- 卷六至七. 詩 -- 詩餘 -- 卷八. 序 -- 記 -- 易義 -- 說 -- 論 -- 贊 -- 頌 -- 述 -- 卷九. 書 -- 啟 -- 卷十. 尺牘 -- 家書 -- 卷十一. 祭文 -- 碑銘 -- 墓誌銘 -- 卷十二. 墓誌銘 -- 墓表 -- 書碑陰 -- 附錄: 范文正公年譜序.Juan yi zhi er. Zou yi -- juan san. Zhuang -- Zi -- juan si. Biao -- juan wu. Fu -- juan liu zhi qi. Shi -- Shi yu -- juan ba. Xu -- Ji -- Yi yi -- Shuo -- Lun -- Zan -- Song -- Shu -- juan jiu. Shu -- Qi -- juan shi. Chi du -- Jia shu -- juan shi yi. Ji wen -- Bei ming -- Mu zhi ming -- juan shi er. Mu zhi ming -- Mu biao -- Shu bei yin -- fu lu: Fan Wenzheng gong nian pu xu.毛一鷺彙編.綫裝, 1函.框21.5x15公分, 9行20字, 小字雙行同. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次及字數.毛序後鐫"天啟二年[1622]冬華亭縣學門人唐造國謹百拜書"見《香港中文大學圖書館古藉善本書錄》(2001, p. 223)前附: 范文正公鄱陽遺事錄 / 毛一鷺彙編.鈐有"北海狂士合清齋主人之印", "京兆禎夫", "禹山人", "隨齋", "大觀樓藏書", "蕭艾室藏"印.Xian zhuang, 1 han.Kuang 21.5 x 15 gong fen, 9 hang 20 zi, xiao zi shuang hang tong. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci ji zi shu.Mao xu hou juan "Tian qi er nian [1622] dong Huating Xian xue men ren Tang Zaoguo jin bai bai shu"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 223)Mao Yilu hui bian.Qian fu: Fan Wenzheng gong po yang yi shi lu / Mao Yilu hui bian.Qian you "Beihaikuangshi He qing zhai zhu ren zhi yin", "Jing zhao zhen fu", "Yu shan ren", "Sui zhai", "Da guan lou cang shu", "Xiao Ai shi cang" yin
Exploration on the thoughts of the novels by Lu-yin
No full text碩士五四女作家群的先鋒──廬隱(1899~1934)，在新舊變遷的過渡年代吸收紛複的氣息後，托出社會潛隱的問題，她認為「女性覺醒」是作為「個人發現」的重要向度，同時包含為「女」與為「人」的雙重自覺。因此，身為女性作家，廬隱的小說主題多半蘊涵當下社會中女性婚戀問題及人生歸程的探求，內容明顯地留下她的思想印跡。然而，目前關於廬隱小說的研究視角有不甚公允及全面的情況，因此本論有以下三大新方向：
首先，廬隱筆下的女性形象及其情感可謂真切細膩，具有濃厚的自傳性質，時代標籤也極為鮮明，是以唯有深入瞭解其不同於流俗的思想，對其思想進行探源，才能充分掌握作者與作品對時代的價值。
其次，筆者注意到目前關於廬隱小說的研究正面臨失衡的情況，研究或批評導向以「女性人物形象」、「女性意識」為主，而文本中男性的存在意義則受到刻意地忽略或模糊化。過去評論普遍認為女性創作中男性人物形象因為代表性不如女性人物，而研究價值低微，也認為男性人物形象在作品中受到邊緣化，甚至文本中的男性人物只是兩性對列下的反襯而已。然而，從文本中我們可以看到廬隱並未偏廢營造男性形象這一區塊，甚至不乏以男主人公為主述者的易性創作，並藉由不同類型的男性形象來凸顯女性在時代變遷中的真實處境。因此，筆者認為過去的一元論述只能看出個別性別的絕對位置，若將其同置一個時代語境才能還原相對位置，並進行性別意識的反思，對當代文化的精神建構將更為有利。
最後，隨著五四運動低潮的來臨，廬隱的思想也陷入了矛盾與退怯中，這種迷茫徘徊伴隨著她文學作品的終結。這些作品中暗示了父權社會中充斥虛假的真實，而有著覺醒姿態的女性如何在這種混沌的狀態中步履蹣跚地行走？對女性於身心靈的層層束縛是多麼難以解開？甚至連女性覺醒的先鋒者廬隱本身也不經意陷入父權再製的陷阱，這些過往研究中所疏略的內容皆是本論聚焦之處。The vanguard of the May Fourth female writers—Lu-yin (1899~1934), who discovered the hidden problems in Chinese society during and after the period of transition. Lu-yin thought that is the essence of "personal awakening" comes from "female awakening". In other words, she pointed out emphatically that a woman is not only a woman but a person. Therefore, as a female writer, most of Lu-yin’s novels contain those two topics: the awakening of female consciousness in the gender relations and marriage problems. To us the thoughts of Lu-yin’s novels are still enlightening as before. However, many researches on Lu-yin’s novels are not fair and all-round. Consequently, this research of new points includes following three main directions:
First, female images and emotions of Lu-yin’s novels are pretty realistic and touching. In the meantime, that also reflected the true life of this author. We have to go deep into her novels to differ from prevailing opinions and carry on exploring sources to our thoughts. So we could understand the value of Lu-yin and her novels through time.
Secondly, I observed that many researches on the novels by Lu-yin are biased or narrow-minded. Most critics gave importance to "female images" or "female consciousness" but ignored the male is in existence. Generally speaking, the male images in the female writers’ works were not worthy to analyze because they were dull. However, from the text we can see Lu-yin had never been to discard to construct the male images, and by the different types of male we can recognize the true circumstances at that time. Consequently, I think the monism to research the gender relations is not enough. If the research cover two sides between males and females, it will be beneficial to the contemporary cultural construction.
Lastly, Lu-yin was sinking into antinomy and fear after the end of the May Fourth movement. Confusion is filled with her literature works. She implied the deceitful reality in the unfair society and exposed the new female problems in these works. Even as a "new woman", we couldn’t omit to Lu-yin also paid no attention to fall into the trap of patriarchy. Above-mentioned points are this essay’s focuses.第一章 緒論………………………………………………1
第一節 研究動機………………………………………………1
第二節 前人研究回顧…………………………………………4
第三節 研究範圍與論文架構…………………………………14
第二章 作者思想探源……………………………………16
第一節 五四風潮的影響………………………………………17
第二節 成長背景造就灰色的眼睛……………………………21
第三節 中外哲學的影響………………………………………26
第四節 小結……………………………………………………31
第三章 男性形象書寫……………………………………32
第一節 父權制度的繼承者……………………………………33
第二節 父權制度的受害者……………………………………48
第三節 理想新式男性形象……………………………………62
第四節 小結……………………………………………………76
第四章 女性的勇進與退怯………………………………81
第一節 衝破婚姻藩籬…………………………………………82
第二節 反傳統戀愛模式………………………………………90
第三節 女性的退怯……………………………………………95
第四節 小結……………………………………………………98
第五章 結論………………………………………………100
參考書目……………………………………………………103學號: 692000309, 學年度: 9
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