17,149 research outputs found
Eustace Ziegler, painter, May 1965
No full textHandwritten on mount: May 1965. Mary Randlett
On label on verso: #134, Eustace Ziegler, Painter, May 1965
Series IIITo order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order NumberScanned from a photographic print using a Microtek Scanmaker 9600XL at 100 dpi in JPEG format at compression rate 3 and resized to 768x600 ppi. 2004
Uncertainty Following the Reversal of Roe v. Wade
No full textMary Ziegler, a Professor at UC Davis Law School, discusses the options to protect abortion rights now that the Supreme Court has wiped out the constitutional right to abortion. Neal Devins, a Professor at William & Mary Law School, discusses whether state supreme courts in Republican states are likely to protect abortion rights. June Grasso hosts
Women's life writing 1760-1830 : spiritual selves, sexual characters, and revolutionary subjects
No full textPhDThis thesis uses print and manuscript sources to analyse and interpret women's life
writing at the end of the eighteenth and beginning of the nineteenth centuries. I
explore printed works by Catharine Phillips, Mary Dudley, Priscilla Hannah Gurney,
Ann Freeman, Elizabeth Steele, Mary Robinson, Helen Maria Williams, Mary
Wollstonecraft, Grace Dalrymple Elliott, and Charlotte West and discuss the
manuscripts of Mary Fletcher, Mary Tooth, Sarah Ryan, and Elizabeth Fox. Of these
sources, five have never been analysed in the critical literature and six have received
little attention. Considered as a group, this large corpus of texts offers new insights
into the personal and political implications of different models of female selfhood and
social being.
In chapter one, I compare the religious identities presented in the spiritual
autobiographies of Quakers and Methodists. For these women, religious identification
provides a powerful sense of social belonging and enables public participation.
However, it may also lead to a loss of self in the demand for religious conformity and
self-abnegation. In chapter two, I consider the life writing of late eighteenth-century
courtesans. These women adapt available models of femininity and female authorship
in order to establish themselves as socially connected subjects. However, their
narratives also reveal that dependence on the sexual and literary marketplace puts
female selfhood under pressure. In chapter three, I explore the eyewitness accounts of
British women in the French Revolution. I argue that, for these writers, connecting
personal identity to political history is an enabling source of self-definition but it also
exposes them to the risks of self-fragmentation.
In my focus on the social function of women's life writing, I present an alternative to
the traditional alignment of the eighteenth-century autobiographical subject with the
autonomous self of individualism. These narratives allow us to reconsider the
productive and problematic dialectic between personal expression and representative
selfhood, self-authorship and collective narratives, and individualism and social
being. They suggest that women's life writing has the potential to be both the self-expression
of a unique heroine and the self-inscription of a politicised subject
Letter from Mary Garvey, Irish immigrant, to her mother, October 24, 1850
No full textMary Garvey, an Irish immigrant, was the servant of Rescarrick Moore Smith, a Hightstown businessman and New Jersey State Treasurer. This letter was dictated to and transcribed by Smith's daughter, Mary Elizabeth. In this letter to her mother in Ireland, Garvey asks after various family members and friends. She asks her mother many time to consider leaving the "poor state of Ireland" to emigrate to America. She also discusses her work duties, wages, and social life
Perceiving Orientation: Defining Sexuality After \u3cem\u3eObergefell\u3c/em\u3e
No full textMary Ziegler is the Stearns, Weaver, Miller Professor at Florida State University College of Law. In addition to more than twenty articles on the legal history of reproduction and sexuality, she is the author of After Roe: The Lost History of the Abortion Debate, published by Harvard University Press in 2015. For After Roe, she is the recipient of the biannual Thomas J. Wilson Prize for the best book published by the press in any discipline
Canary in a Coal Mine: What It Means to Lose a Constitutional Right
Get PDFRemarks on Dobbs v. Jackson Women\u27s Health Organization by Mary Ziegler at the 66th Henry J. Miller Distinguished Lectur
Canary in a Coal Mine: What It Means to Lose a Constitutional Right
No full textRemarks on Dobbs v. Jackson Women\u27s Health Organization by Mary Ziegler at the 66th Henry J. Miller Distinguished Lectur
A more comprehensive and commanding delineation: Mary Shelley's narrative strategy in Frankenstein
Get PDFThis thesis argues that the first edition of Frankenstein challenges conventional reading by employing what Simpson in Irony and Authority in Romantic Poetry calls Romantic irony, where the absence of a stable 'metacomment' precludes an authoritative reading. The novel hints at such readings but prevents them. The insights offered by Tropp's Mary Shelley's Monster, Baldick's In Frankenstein's Shadow, Poovey's The Proper Lady and the woman writer and Swingle's, 'Frankenstein's Monster and its Relatives: Problems of Knowledge in English Romanticism' are considered, but none recognises the full implications of the instability deriving from multiple first- person narratives. Clemit's The Godwinian Navel acknowledges the novel's indeterminacy, but reads a specific ideological purpose in it. Paradise Last provides a language to describe the relationship between the monster and Frankenstein, but proves too unstable to fix identity or establish moral value. Similarly, Necessity ultimately fails to provide a stable explanation in terms of cause and effect. The status of nature shifts between foreground and background, never allowing final definition. These uncertainties destabilise knowledge which is compromised by its provisional nature: no authoritative reading is possible, yet the novel has narrative coherence. The reader is encouraged to try to develop a reading the structure prevents. The radical nature of the first edition is highlighted by comparison with the 1831 edition, which removes much of the ambivalence and gives the novel a clearer morality. The novel challenges conventional methods of deriving authority by disturbing the reader's orthodox orientation in the world around him' (Simpson) in order to afford 'a point of view to the imagination for the delineation of human passions more comprehensive and commanding than any which the ordinary relations of existing events can yield' (Mary Shelley)
Beyond abortion: Roe v. Wade and the battle for privacy/ Mary Ziegler.
No full textIncludes bibliographical references and index.More than four decades into the culture wars, Roe v. Wade has become shorthand for the American abortion debate. Rights to Privacy: The Forgotten Legacy of Roe v. Wade illuminates an entirely different and unexpected legacy of America's most controversial Supreme Court decision. Drawing on archives and extensive interviews with key participants, Rights to Privacy opens a window onto an intense debate about the right to privacy that continues to this day. In the 1970s and beyond, activists set out bold ideas about government responsibility, sexual consent, consumer rights, digital data, individual identity, and end-of-life care. These unanticipated visions of a right to choose gradually (but never completely) gave way to a more limited freedom from government. Ziegler captures the rise of contemporary ideas about privacy, all the while explaining the continuing hold that this right--and Roe--have on the public imagination.--A history of privacy politics -- Sexual liberty -- Mental illness and the right to refuse treatment -- Deregulation and the future of medicine -- Death, discrimination, and equality -- Conscientious objection, Roe, and the role of the judiciary.1 online resource (383 pages
Mary Shepard: the artist who brought Mary Poppins to life
Get PDFThe success of Disney’s 1964 movie Mary Poppins has often obscured the fact the popular series of books describing the experiences of the enigmatic nanny were in fact written by the Australian born author P.L. Travers.
Travers’ own sense of ownership of her creation in turn obscured the contribution made by the illustrator Mary Shepard. Despite a 54 year collaboration, Shepard is regularly ignored in discussions of the books: the 2013 movie Saving Mr Banks, which detailed the genesis of the film, did not even mention Shepard or the pivotal role she played in the books’ success.
'The Conversation' articles provides important insights into Mary Shepard's contribution to the Mary Poppins series of books
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