1,730,736 research outputs found
ESF PROJECT: Language and Social Action: A Comparative Study of Affiliation and Disaffiliation across National Communities and Institutional Contexts
No full textPROGETTO DI EUROPEAN SCIENCE FOUNDATION (PARTNER: SVEZIA (COORDINAMENTO GENERALE), FINLANDIA, DANIMARCA, GRAN BRETAGNA. ITALIA).
Daniela Zorzi è responsabile del gruppo italian
Introduction
No full textIntroduction to 'Journey among Dervishes between Past and Present', edited by Thomas Dähnhardt and Giovanni De Zorzi. The book intends to invite readers on a multi-dimensional and multi-faceted journey meeting dervishes in different places and environments of the Muslim world; its peculiarity is to bring together a classical orientalist approach, based on texts and written documents, with the approach typical of Anthropology, Ethnography and Ethnomusicology, based on research in the field and oral sources: the ethnographic study of the present sheds new light on practices, methods and theories exposed in treatises of the Past while, at the same time, practices of the present may be clarified and illuminated by the study of ancient Sufi texts and authors. These different approaches want to draw attention to the multiple dimensions embraced by tasawwuf (Sufism) both in its historical and social context and in its non-temporal aspect, concerning spirituality and the ways the latter is conveyed and transmitted, both in the past and present
Voci dello spirito. Il Suono nelle comunità religiose di Milano
Full text linkProgrammi di sala del Focus "Voci dell spirito. Il Suono nelle comunità religiose di Milano", a cura di Giovanni De Zorzi e Ortensia Giovannini, nell'ambito del festival internazionale MiTO Milano Torino Settembre Music
Premessa a Il greco bizantino di registro alto: studi linguistici e filologici/High-register Byzantine Greek: Linguistic and Philological Studies.
No full textStato dell'arte e prospettive di ricerca sul tema cui è dedicata la sezione monografica della rivista, che raccoglie, a cura di Antonio Rollo e Niccolà Zorzi, contributi dedicati a: "Il greco bizantino di registro alto: studi linguistici e filologici/High-register Byzantine Greek: Linguistic and Philological Studies" [rielaborazione degli interventi tenuti alle due tavole rotonde tenutesi al XXIII Congresso Intern. di Studi Bizantini, Belgrado, 22-27 agosto 2016]
"Zoom in on Masters: IISMC Online Conversations" 1 Kudsi Erguner and the Bîrûn Project
No full textZoom in on Masters is a new project created by the Intercultural Institute of Comparative Musical Studies (IISMC) and focused on “masters” of important musical and dance traditions, who had been due to perform on the island of San Giorgio. In a virtual space, they converse on music topics of common interest and describe their own activities as well as some IISMC projects which, because of the international coronavirus health emergency, have inevitably been suspended but will resume as soon as possible.
In the first conversation, online at: https://www.youtube.com/watch?v=ERA5MIhueWc, Kudsi Erguner, artistic director of the long-standing Bîrûn project devoted to Ottoman classical music, talks to Giovanni De Zorzi (Ca’ Foscari University of Venice) and some musicians who participated in previous Bîrûn workshops as scholarship holders. They will reflect on the overall value of the project and its benefits for training and research. They will also introduce the theme of the next seminar: the instrumental compositions of Prince Dimitri Cantemir (1673-1723).
Music performance:
Pencgâh Saz Semâ‘î, Dimitrie Cantemir (ney solo) at 20:30
Bûselik Peşrev, Dimitrie Cantemir (ney & viola) at 26:22
Rast Berefşan Peşrev Dimitrie Cantemir (tutti) at 50:02
Online conversation published on 4 June 2020
Conversation moderated by Giovanni De Zorzi (Ca’ Foscari University of Venice)
Project coordinated by Simone Tarsitani (Durham University)
In order of appearance:
Giovanni Giuriati
Giovanni De Zorzi
Kudsi Erguner
Selman Erguner
Tristan Driessens
Michalis Cholevas
Giannis Koutis
Reza Mirjalali
Zeynep Yıldız Abbasoğl
Ensemble Marâghî "Sounds from the Seray The Young Bobowski at the Ottoman Court in 17th Century"
Full text linkCD of the Ensemble Marâghî, "Sounds from the Seray. The Young Bobowski at the Ottoman Court in 17th Century", Turin, Felmay, 2021, fy 8278.
Stefano Albarello, plucked zithers qānūn, cánon
Giovanni De Zorzi, flute ney
Fabio Tricomi frame drums daf, zillidef, bendir, goblet drums zar
improvising in the community of philosophical inquiry: a way to learn to inhabit uncertainty|improvisar na comunidade de investigação filosófica: uma forma de aprender a habitar a incerteza|improvisar en la comunidad de investigación filosófica: una forma de aprender a habitar la incertidumbre
No full textThis theoretical contribution proposes an open reflection on uncertainty, present in contemporary social and educational discussions, and on the value that learning to inhabit such “uncertainties” can have for the well-being of individuals and communities. Perceiving different alternatives before making a choice, finding yourself lost when faced with the ambiguity of some information, and feeling disorientated when faced with complexity, are all characteristics of this elusive “uncertainty” (Barreneche & Santi, 2022). Uncertainty can be perceived negatively if it provokes fear, worry, anxiety, perception of vulnerability (Hillen et al., 2017) or in a constructive way if it appears as a vital engine for research (Tauritz, 2019). Community of philosophical inquiry (CPI) – as conceptualized and promoted in the Philosophy for Children (P4C) curriculum - becomes a “safe creativity environment” (Weinstein, 2016), in which to learn to inhabit uncertainty. A CPI that improvises (Zorzi & Santi, 2023), develops and makes conscious dispositions towards uncertainty, learning to see alternatives as a resource, ambiguities as creative horizons of meaning, and complexity as a collective performance to be experienced. Six improvisational dimensions – (1) respecting diversities, (2) trusting possibilities, (3) building a sense of community, (4) opening attitude towards changes, (5) explorative attitude, (6) creative passion, emerged from other previous researches (Zorzi, Camedda, Santi, 2019), are proposed to orient facilitators’ and CoI's training, dialoguing with the “nine recurring moments of disequilibrium” suggested by Karin Murris (2008)
La gestione dell’affettività in conversazioni mediate da interprete
No full textQuesto contributo intende descrivere la costruzione congiunta dell’affettività in incontri mediati da interprete e i problemi che emergono nella gestione dell’affettività quando è coinvolta un’attività di traduzione. Saranno presi in considerazione due diversi contesti istituzionali già in parte esplorati: l’ambito medico (Baraldi & Gavioli 2007; Gavioli & Zorzi, 2008) e l’ambito giuridico (Zorzi, 2009). In particolare si osserveranno sia le manifestazioni affettive dei parlanti primari, sia come l’interprete gestisce (traduce, inserisce o sopprime) la dimensione relazionale dell’interazione fra rappresentanti dell’istituzione e interlocutori stranieri. Ci poniamo quindi il duplice obiettivo di vedere: a) in che modo le manifestazioni emotive vengono trattate nell’interazione mediata da interprete, b) come la gestione conversazionale delle manifestazioni emotive e della loro traduzione si riflette nell’interazione istituzionale
"Zoom in on Masters: IISMC Online Conversations" 2) "Masters of Syrian maqām"
No full textZoom in on Masters is a new project created by the Intercultural Institute of Comparative Musical Studies (IISMC) and focused on “masters” of important musical and dance traditions, who had been due to perform on the island of San Giorgio. In a virtual space, they converse on music topics of common interest and describe their own activities as well as some IISMC projects which, because of the international coronavirus health emergency, have inevitably been suspended but will resume as soon as possible.
In this second conversation, Giovanni De Zorzi (University of Venice Ca’ Foscari) talks to Sabine Châtel, a music promoter particularly active in Syrian music circles, Adel Shams El Din (riqq player), Khadija El Afrit (qānūn player), and historian Massimiliano Trentin (University of Bologna). The musicians, including the famous singer Omar Sarmini, had been scheduled to give a concert of classical Aleppo singing, an unusual, refined style that will be described in the conversation. They discuss the importance of the Syrian musical tradition in the Arab and Middle Eastern world and beyond. They also give their views on the special existential and professional condition of a generation of musicians who have had to live with the civil war and now with the pandemic, many of them far from their home country, and how music making continues even in these difficult conditions by adapting to circumstances. Special guest is Omar Sarmini, who sent his voice to join this online conversation via mobile phone recordings.
Music performance:
1. Short improvisation (taqāsim) on qānūn (00:00)
2. Samā‘ī Bayatī qadīm on qānūn and riqq (19:08)
3. Short improvisation on riqq (41:04)
4. Short improvisation in maqām Rast on voice and qānūn (43:29)
Online conversation published on 18 June 2020
Conversation moderated by Giovanni De Zorzi (Ca’ Foscari University of Venice)
Project coordinated by Simone Tarsitani (Durham University)
In order of appearance:
Khadija El Afrit
Giovanni Giuriati
Omar Sarmini (mobile phone recordings)
Giovanni De Zorzi
Sabine Châtel
Adel Shams El Din
Massimiliano Trenti
"Ascoltando il flauto ney" in "appunti del MAO" https://www.youtube.com/watch?v=kQjea_KCrI4
No full textIl termine ney, oppure nāy, indica genericamente un flauto diffuso in tutte le musiche d'arte del mondo mediorientale e centroasiatico: se il termine è lo stesso, lo strumento è, però, radicalmente differente da un'area all'altra, un po' come accade per le stesse musiche d'arte, dette ovunque maqām ma poi diverse fra loro. Ce ne parla Giovanni De Zorzi, suonatore di ney e docente di Etnomusicologia all'Università Ca' Foscari di Venezia
- …
