218 research outputs found

    The clergy of the deaneries of Rochester and mailing in the diocese of Rochester, c. 1770 – 1870

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    This is a study of the concerns and life - style of the clergy of the established Church in two Kent Deaneries throughout the hundred year period, 1770 -1870. How far, it is considered, were episcopal hopes, which were expressed in the Charges of Bishop and Archdeacon, fulfilled in the parishes, especially in the matters of residence and education. The extent of non-residence is deduced from. such evidence as is available for the earlier part of the period and after 1830 from Visitation and other returns. The provision of Sunday Schools is used as an example of clerical response to a diocesan policy in the field of education. The exercise of patronage, residence, plurality, the length ofincumbencies, the employment of curates and their prospects, are looked at throughout the period. The provision of new churches, agrarian unrest, tithe and clerical emoluments, church rate, relationship with dissent, worship provision , the visitation process, the clergyman's role in society, the differing demands of town ministry and rural ministry are examined as events bring them to the fore . The priorities of successive bishops are noted and the lives of sample clergymen are taken for each period, both to flesh-out the statistics and to illustrate the evolving pattern of ministry

    Transmission line capacity enhancement with unified power flow controller considering loadability analysis

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    This paper proposes transmission line capacity enhancement with optimal location and sizing of UPFC on IEEE 14-bus network. This is necessary because of the increase in load growth with every passing day without an equivalent increase of line capacity which has brought many power systems closer to their stability limit. The dynamic and practical application of this proposed method is achieved by increasing linearly, the loading factor (?) from 1.25 to 1.50 of the base case value of 1.0 and then, its effect is investigated. In each of the increment, the power flow result is obtained using Newton-Raphson method, while the optimal location and sizing of UPFC are done using Grey Wolf Optimization (GWO) technique. This approach will help the bulk dispatcher of power to plan ahead so as to meet and supply the ever-growing in the demand for adequate and reliable power system as a result of population growth, improved living standards and technological advancement. The efficacy of the proposed method is verified on a standard IEEE 14-bus system. The simulation results show the effectiveness and suitable performance of the proposed methodology at enhancing transmission capacity and deferring or eliminating for transmission line upgrading

    Richardson, Barbauld, and the construction of an early modern fan club

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    MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him. This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director

    The theatre of the organised working class 1830-1930

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    This study of the theatre of the British Labour Movement had its roots in 1985 when History Workshop published a collection of documents relating to the Workers' Theatre Movements in Britain and America between 1880 and 1935. In his introductory essay in Theatres of the Left, Raphael Samuel concludes that there are no traditions in British Labour Theatre except those which have been broken or lost, that There is no continuous history of socialist or alternative history to be discovered, rather a succession of moments separated from one another by a rupture (1). Since this conclusion was reached, others have repeated Samuel's assertion in varying forms. So, Andrew Davies talks of "scanty Chartist theatrical activity" and of the mainstream lab6ur movement in the 1920s remaining "uninterested in cultural matters" and Ian Saville asserts that the conception of a partisan, organised theatre devoted to spreading the socialist message throughout the working classes only began to take shape in Britain in the mid-1920s (2). Yet a cursory glance at the theatre which preceded the Workers' Theatre Movement, a glance which Raphael Samuel provides in his introductory essay on theatre and socialism in Britain, reveals I a plethora of activity in the labour movement. From the Chartists and the Owlenites in the nineteenth century, through the Socialist Sunday Schools and the Socialist League to the Clarion movement, the Independent Labour Party and the Labour Party, the theatrical activity pointed to by Samuel is startling in comparison to anything we can see today. What follows is an attempt to look at some of those moments, to look at the plays they produced and at both how and why working class political organisations looked to the theatre, to try to ascertain if they were indeed no more than broken threads and if so to try to account for why this may be the case. It is also an attempt to re-examine some of our notions of what is political theatre, for since the discovery of the work of the Workers' Theatre Movement and subsequently of the Actresses Franchise League much has been made of these as the starting point of political theatre in Britain. Yet, for a country with one of the longest traditions of organised working class movements, such assertions seem at best strange, at worst dishonest. One clue as to the reason for such claims can be found in the characterisation of the theatre of the organised working class prior to the Workers' Theatre Movement which has become common currency. It was, in the words of Colin Chambers, primarily of ethical and anti-militarist rather than directly political", or in the words of Raphael Samuel: First, the belief that it is their mission to bring the working class into contact with "great" art (ie capitalist art) and second, the tendency to produce plays which may deal with the misery of the workerss may even deal with the class struggleg but which show no way out, and which therefore spread a feeling of defeat and despair (3). Such definitions of what is (or rather what is not) political theatre rest very heavily on a notion that political is most importantly propaganda. If the theatre that existed in connection with political organisations prior to 1926 was not propagandist then it follows for some that it was not political. What follows is therefore also an attempt to uncover a different approach, by looking at the groups own justifications for their involvement in theatrical ventures as part of the struggle for socialism

    OCCUPATIONAL HAZARDS AND SAFETY MANAGEMENT SYSTEM AMONG SMALL AND MEDIUM SCALE ENTERPRISES IN PORT HARCOURT METROPOLIS, RIVERS STATE

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    Abstract: This study investigated the occupational hazards and safety management system among small and medium scale enterprises in Port Harcourt metropolis, Rivers state. The descriptive, cross-sectional design was used for the study. The population of the study comprised of a total of about four thousand two hundred and twenty two (4,222) SME Operators, with a sample size of six hundred and sixty (660), comprising four hundred and forty (440) conventional SME workers and two hundred and twenty (220) SME operators/Manager/HSE officer which was determined using the Taro Yamane formula, and selected using the non-proportionate stratified random sampling technique. A structured questionnaire was used for data collection and analysis was done using frequency, percentages, mean and standard deviation for research questions and Z-test, one-way analysis of variance (ANOVA), Multiple Regression analysis for test of hypotheses. The finding of the study showed that there was a significant difference in exposure to occupational health hazards of SME workers in Port Harcourt based on age [F (3, 392) = 7.33; p>0.05]; there was significant difference in the level of SME workers exposure to occupational health hazards based on gender [Z (-4.348); p>0.05]; amongst others. The study concluded that the least hazards prevalent among SMEs were biological hazards and chemical hazards. Based on the findings of the study, it was recommended that government should become more proactive in implementing OHS legislations on industries especially agricultural and ICT industries by designing enforcement programmes to help protect the lives of millions of Nigerians working in these sectors, as well as to improve the productivity of this set of workers, amongst others. Keywords: Occupational hazards, safety management system, small and medium scale enterprises, Port Harcourt metropolis. Title: OCCUPATIONAL HAZARDS AND SAFETY MANAGEMENT SYSTEM AMONG SMALL AND MEDIUM SCALE ENTERPRISES IN PORT HARCOURT METROPOLIS, RIVERS STATE Author: Sunday, Barine Edwin, Chinda Samuel Chiburoma, Onyiri, Chinenyenwa Jacqueline, Amadi, Kingsley Moses International Journal of Novel Research in Marketing Management and Economics ISSN 2394-7322 Vol. 9, Issue 3, September 2022 - December 2022 Page No: 43-56 Novelty Journals Website: www.noveltyjournals.com Published Date: 12-October-2022 DOI: https://doi.org/10.5281/zenodo.7188689 Paper Download Link (Source) https://www.noveltyjournals.com/upload/paper/OCCUPATIONAL%20HAZARDS-12102022-2.pdfInternational Journal of Novel Research in Marketing Management and Economics, ISSN 2394-7322, Novelty Journals, Website: www.noveltyjournals.co

    'Conventions are conventions.....’: Some thoughts about the techniques of direction and misdirection – with particular reference to genre features - in the novels of Vladimir Nabokov, and an assessment of their intentions and effects.

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    The thesis deals with the development of Nabokov's treatment of a number of the more common routes and courses which are traditionally supplied by the author to ease the passage of the reader through fiction. It attempts to show how these marked paths and familiar signposts - 'melodrama,' 'totalitarian novel,' 'biography,' 'erotic confession,' 'critical edition,' 'family chronicle, 'mystery story,' and 'autobiographical confession' - emerge in the books as equally misguiding and misguided. The satisfactory application of such labels is demonstrated as becoming progressively more difficult as the novels proceed, with a rising degree of sophistication, to incorporate distinctive combinations of genre features usually considered as mutually exclusive. Further inquiries into the manner of fictional orientation and location encouraged by this regular disappointment of apparently familiar leads and landmarks, however, is increasingly seen to disclose the underlying procedures and desires of the reader to place and confine narrative. The manner in which Nabokov's reader is repeatedly obliged to return to a non-metaphorical 'first base' by way of these false trails, which seemingly point towards an authoritative text, and there to re-examine his own imaginative input is also traced..... Dull work recounting all this bores me to death. But yearn as I may to reach the crucial point quickly, a few preliminary explanations seem necessary

    The Paterson Sunday Chronicle, Vol. 24, No. 2, Jan. 13, 1952

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    Local information pertaining to Paterson, N.J. and surrounding Passaic County. Issues may include events, government, business, political cartoons, engagement and marriage announcements, and birth announcements

    A COMPARATIVE ANALYSIS OF THE ATTITUDE OF STUDENTS TOWARDS SCIENCE AND ART COURSES

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    This study did a comparative analysis of the attitude of students towards Science and Art courses. Also, a comparison of the attitude of male and female students towards Arts and Science courses was done. The population consisted of all the students of senior secondary schools from the six south-western states of Nigeria. The sample consisted of 1440 students, selected using stratified sampling technique. The instrument used was the Science-Oriented Attitudinal Scale (SOAS) adopted from Omirin (1999). The instrument was already validated by the author, with the item validity coefficients ranging between 0.31 and 0.57, and a reliability coefficient of 0.89. Two null hypotheses were generated and tested at 0.05 level of significance. The results revealed that there was a significant difference between the attitude of students towards Science and Art courses. The result further showed that the attitude of male and female students towards Science and Art courses are not different. Based on the results of this study, some recommendations were made. It was recommended that teachers should be encouraged to instil positive attitudes in students towards both Science and Art courses. Attitude and interest of students should be used as one of the yardsticks for admission into schools

    The city and landscapes beyond Harold Pinter's rooms

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    Pinter's dramas have been labelled as 'absurd', 'mysterious', 'enigmatic', 'taciturn'. There has been a constant tendency to reduce the idea of the 'Pinteresque' to language when Pinter is preoccupied with the tensions between reality and the world of the imagination. He has, actually and accurately, used theatre as a 'critical act' to denote the abstracted realities, and he has applied his language to embody his world-view - his concerns in the contemporary capitalist world. Pinter has journeyed from the room to the outside world, from the private to the public social space, and has identified an inescapable sense of pessimism and alienation, and investigated an alarming world of atrocities. There are cities and landscapes beyond Pinter's rooms, cities peopled by wandering, displaced figures surveying the self-estranged city that is modern consciousness, and landscapes where his people retreat into the private realms of memory and fantasy. This thesis explores the virtual geographies beyond Pinter's rooms through the vocabulary of some modernist theoreticians and social scientists, as there are significant parallels between their analytical observations and the poetic perceptions of Pinter, a practising artist, and the phantom images of his characters. Pinter's plays and film adaptations tend to portray the city as a colonial present, and the country as a mythological past. The 1970s' plays portray a community of isolation, urban decay, dispossession and suffering, through the figure of the 'flâneur' - his characters' subjective experiences, memories and fantasies in the metropolis. In these memory plays, men and women have different mental landscapes and desires. To some extent the city is both a male-constructed world and an image of the twentieth century; in both senses it is anti-human and in decline. In his 1980s mature plays, Pinter's lyrical interiors and serene landscapes are colonised by the metropolis. Here Pinter investigates a universally oppressive space filled with misery and social dislocation. The city destroys humanity in a decaying modem world. These plays identify the global city as the locus of existential alienation and as the centre of political power and oppression - a world of brute masculine power. The last two plays, in this study explore other wastelands of human isolation and suffering, and criticise the British suspicion of the 'intelligentsia'. Using scenes that are ingrained in the contemporary audience's physical memory, Pinter makes the distinction between being an active participant and being a witness, a 'spectator' in this alarming world. And thus, he criticises the tradition of mockery of the artistic and the intellectually curious in Britain, and urges a need for a 'politically curious', at politically questioning theatre-going society

    Influence of temperature and thickness on thin layer drying characteristics of onion (Allium cepa L.) varieties and rehydration capacity

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    Nonlinear regression analysis was conducted for thin layer drying characteristics of two onion varieties (white and red) and some quality characteristics were also examined. The experimental data obtained at drying temperatures of 40, 50, and 60 oC and thicknesses of 2, 4 and 6 mm, was subsequently fitted into four commonly used models (Henderson and Pabis, Lewis, Page, and logarithmic). Moisture diffusivity and activation energy ranged from 8.9 × 10-10 to 8.4 × 10-9 m2/s and 55.98 to 65.68 KJ/mol, respectively. Significant differences (p 0.9) and was found to be better in describing dried onion varieties, while the Lewis model provided the least fit
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