67,066 research outputs found
Ming-Hui Lin, flute and Ayako Yoda, piano and harpsichord, April 25, 2015
No full textThis is the concert program of the Ming-Hui Lin, flute and Ayako Yoda, piano and harpsichord performance on Saturday, April 25, 2015 at 8:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Sonata in C major for Flute and Basso Continuo, BWV 1033 by Johann Sebastian Bach, Sonata for Flute and Piano, No. 3 by Philippe Gaubert, Sonatina for Flute and Piano by Eldin Burton, Syrinx for Flute solo by Claude Debussy, and Introduction and Variations on "Trockne Blumen" in E minor for Flute and Piano, D802 by Franz Schubert. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Integrating the two-stage of non-radial DEA model and BCG methods to evaluate the performance with strategic trajectory: a case study of securities industry
No full textThe article, "Integrating the two-stage of non-radial DEA model and BCG methods
to evaluate the performance with strategic trajectory: a case study of securities
industry," by -Chun-Yueh Lin has errors. Tables 1, 2, 3, and 4 and Figs. 1, 2, and 3
in the supplementary materials should be in the body of the text. The correct supplementary
materials has been uploaded.
The original article is corrected.info:eu-repo/semantics/publishedVersio
Ming maritime governance and the Suppression of Lin Feng
No full textPiracy in Ming China during the 1560s and 1570s, while not frequently discussed, posed a unique maritime problem for officials to tackle. One threat they faced in this period was Lin Feng (active 1568–1580s), a pirate appearing on the coasts of Guangdong and Fujian provinces since the early Longqing period (1567–1572). Lin Feng was constantly seen clashing with the Ming military and had considerable influence; in 1574, he even sailed to Luzon, part of the modern-day Philippines, and appointed himself as the lord there. Eventually, he was evicted back to the Ming coasts, where the military suppressed his forces in 1576, early in the reign of the Wanli emperor (1572–1620). Previous scholars have noted Lin Feng’s trans-local impacts and portrayed him as a cultural broker between imperial China and the Philippines. What they neglected to do, however, was treat the conflicts and encounters he shared with officials as instances of Ming maritime governance.
To revisit the case of Lin Feng from a political perspective, this thesis uses records from gazetteers, Ming shilu, memorials, legal codes, and letters. It places him with Longqing and Wanli officials to trace the complex processes through which officials reached their decisions. This thesis presents four seemingly separate incidents involving Lin Feng and various Ming officials that became the milestones of the Suppression of Lin Feng, the campaign to eliminate his forces. Each of the officials discussed in these examples came from diverse backgrounds with varying levels of prestige. Yet they were all, as this thesis argues, motivated by two kinds of factors interwoven with each other: structural—the broader political, geographic, social, and economic contexts as well as the experience of their predecessors—and personal—opportunities to keep their careers or elevate their statuses while gaining material benefits. Making this argument can help this thesis highlight the paramount roles that officials played in this campaign and, in doing so, offer new understandings of Lin Feng as a historical character and position county and provincial-level officials as being integral to creating and enforcing policies for Ming maritime governance.Arts, Faculty ofHistory, Department ofGraduat
Dr. Lin Sun, CAU, March 2013
No full textThis video is a conversation with Dr. Lin Sun. Dr. Sun talks about an exhibit at the Woodruff Library titled "At The Boundary." Jordan Moore, AUC Woodruff Library, is the interviewer
The study of Lin Hui Yin's new poems
No full text碩士林徽因，一位對於中國古代的建築學有著極大的貢獻的女建築師，同時也是位才女，在父親刻意的栽培下，她不但有著濃厚的國學基礎，而且對西方文學的涉獵也極廣博，究竟一位身兼藝術家與文學家的建築師，在大放異彩的新文化運動時代下，她所創作的新詩有何特色？中西方文學對於她的新詩又有何影響？她的詩與其他文學詩人又有何獨到之處呢？這都是非常值得探討與研究的；因此，本論文希望藉由考察林徽因的家世、生平來了解其成長的背景，並藉由對林徽因約六十首的詩歌題材，作品的藝術特色中去了解林徽因詩歌作品特色及當時詩壇的概況。
本文共分五章，第一章「緒論」，就研究動機、文獻探討與論文架構做說明。第二章「生平」，希望藉由她的家世背景、求學狀況，以及文學創作的過程與人生的經歷，來了解其背景，並作為後續研究之基礎。第三章「詩歌的內容分析」，將其詩歌歸類為『自我情感的抒發』、『大自然的感懷』、『對人生的哲思』及『現實的關懷』等四類，並對其內容作深入的分析與探討。第四章「詩歌的藝術特色」，主要從詩歌的格律與音節、譬喻與修辭、傳統古典意境美等三方面，來探討林徽因詩歌的藝術特色。第五章「結論」，綜合第二章到第四章對於林徽因詩歌各個方面的研究與分析，對於林徽因在新詩史上的評價作探討與歸結。Lin Hui Yin, a female architect who had great devotion and contribution to the Chinese ancient architecture, and meanwhile, a talented poet, under the intended cultivation of her father, not only had a very strong basis of Chinese education, but also formed extensive knowledge of Western literature. We cannot help but wonder that she being an architect, an artist and a poet as well, in the brilliant time of new cultural movements, what the characteristics of her new poems are. What were the influences of Chinese and Western literature on her poems? What made her poems so unique from other poets’ works? These are the issues I would like to make research on. Therefore, in this thesis, I would like to study on the family backgrounds of Lin Hui Yin, and the theme, the characteristics of her approximate sixty poems.
The thesis was divided into five chapters. In the first chapter, the research motives, the study status, and the study steps were reported. In the second chapter, I would like to elaborate her family backgrounds, education, and the road of her literature and art and her life experiences to understand her poems better. In the third chapter, the themes of her poems were analyzed into four categories including the expression of her own feelings, the recall of emotions to the nature, her philosophy of life, and the care toward the reality. In the fourth chapter, the main features of her poems were mainly explored in the following three fields: the forms and syllables, the metaphor and other figures of speech, and the artistic conception of traditional Chinese poems. In the fifth chapter, the conclusion of the analysis and the evaluation of Lin Hui Yin’s poems will be made according to the previous chapters.第一章 緒論-------------------------------------------1
第一節 研究動機---------------------------------------1
第二節 文獻探討---------------------------------------3
第三節 論文架構---------------------------------------9
第二章 生平-------------------------------------------11
第一節 家世、幼年與求學-------------------------------11
第二節 文學創作高峰期---------------------------------17
第三節 從抗戰到去世-----------------------------------23
第三章 詩歌的內容分析---------------------------------28
第一節 自我情感的抒發--------------------------------28
第二節 大自然的感懷----------------------------------37
第三節 對人生的哲思----------------------------------42
第四節 現實的關懷------------------------------------46
第四章 詩歌的藝術特色---------------------------------51
第一節 格律與音節-------------------------------------51
第二節 譬喻與修辭-------------------------------------80
第三節 傳統古典意境美---------------------------------91
第五章 結論------------------------------------------102
參考書目-----------------------------------------------107
附錄一 林徽因新詩作品繫年（依寫作發表年月排序）--------116
附錄二 林徽因新詩作品形式分類表------------------------121學號: 795010056, 學年度: 9
Domene (Macromene) hui Lin & Peng, 2021, new species
No full textDomene (Macromene) hui X.-B. Lin and Z. Peng, new species (Figs 1, 2A) Type material (3 ♂♂, 6 ♀♀). Holotype ♂: “ China: Guangdong Prov., Yingde, Shimentai, nr., Hengshitang, 24°24'22.6''N, 113°18'24.6''E, 150–330 m, 07. V.2021, Hu, Lin, Zhou & Li leg.” (SNUC). Paratypes: 1 ♂, 1 ♀: same data as holotype (SNUC); 1 ♂, 5 ♀♀: “ China: Hunan Prov., Chenzhou City, Ruchen County, Sishui Shan, 25°27'47.45''N, 113°54'47.99''E, 650 m, 12. V.2021, Hu & Lin leg.” (SNUC). Description. Measurements (in mm) and ratios: TL 8.62–8.90, FL 5.53–5.72, HL 1.24–1.37, HW 1.30–1.33, AnL 3.27–3.30, NW 0.50–0.52, PL 1.54–1.57, PW 1.24–1.30, EL 1.67–1.76, EW 1.75–1.95, AW 1.44–1.48, AL 1.48–1.61, HL/HW 0.96–1.03, HW/PW 1.03–1.04, HL/PL 0.81–0.87, NW/HW 0.38–0.39, PL/PW 1.21–1.24, EL/ PL 1.08–1.12. Habitus as in Fig. 2A. Body brownish black; legs with blackish brown profemora and brown protibiae, basal halves of metafemora light brown, distal halves gradually infuscate; antennae blackish brown to brown. Head nearly orbicular, widest behind eyes; punctation rather fine, weakly umbilicate and very dense, surface matt. All antennomeres longer than broad; antennomeres IV–X of equal length; antennomere I 1.9 times, II 0.9 times, III 1.3 times, XI 1.3 times as long as IV. Maxillary palpus very slender, preapical joint 3.1–3.3 times as long as broad. Pronotum slender, widest in the middle; lateral margins weakly convex in dorsal view; punctation similar to that of head; midline with weakly narrow glossy line. Each elytron with three indistinct, irregular longitudinal and narrowly elevated ridges; macropunctation coarse and partly somewhat serial. Hind wings present. Protarsomeres I–IV distinctly dilated. Abdomen with very fine and dense punctation on tergites III–VIII; posterior margin of tergite VIII (Fig. 1A) weakly convex; interstices with weak microreticulation; posterior margin of tergite VII with palisade fringe. Male. Sternites III–VI unmodified; sternite VII (Fig. 1D) moderately transverse, with pronounced median impression posteriorly, this impression with numerous strongly modified, short and stout black setae, posterior margin broadly and deeply emarginate; sternite VIII (Fig. 1E) convex, posterior excision very deep and U-shaped, its margins furnished with distinctly modified, short and dark setae; aedeagus as in Figs 1F–G, ventral process slender and weakly curved; dorsal plate with long apical portion and very short, weakly sclerotized basal portion; internal sac with pair of shortly sclerotized sclerites. Female. Posterior margin of sternite VIII (Fig. 1B) broadly convex; tergite X of genital segment narrow and rounded apically (Fig. 1C). Comparative notes. Based on the similar chaetotaxy and shape of the male sternites VII–VIII, and the similar structure of the aedeagus, D. hui belongs to the D. malaisei species group and is most similar to D. aqiang. It is distinguished from all other species of the group by the deeper and U-shaped posterior excision of the male sternite VIII and the elongate ventral process of the aedeagus, evenly narrowed to the apex. Externally, D. hui differs from D. aqiang by the somewhat smaller body size and the shorter antenna. For illustrations of D. aqiang see Peng et al. (2017: figure 1) and Figs 2C–E. Distribution and natural history. The type locality is situated in Shimentai to the north of Yingde, northern Guangdong and Sishui Shan to the southeast of Chenzhou, southeast Hunan. The specimens were sifted from leaf litter in forests at an altitude of 150– 650 m. Etymology. The species is dedicated to Mr. Jia-Yao Hu, who is one of the collectors of the type specimens.Published as part of Lin, Xiao-Bin & Peng, Zhong, 2021, Two new species and additional records of mainland Chinese Domene (Coleoptera: Staphylinidae: Paederinae), pp. 444-450 in Zootaxa 5081 (3) on pages 445-447, DOI: 10.11646/zootaxa.5081.3.8, http://zenodo.org/record/577584
Is UNESCO Recognition Effective in Fostering Tourism? A Comment on Yang, Lin and Han: Reply
No full textHui-Lin Li, Nan-fang ts'ao-mu chuang. A Fourth Century Flora of Southest Asia
No full textLombard Denys. Hui-Lin Li, Nan-fang ts'ao-mu chuang. A Fourth Century Flora of Southest Asia. In: Archipel, volume 22, 1981. pp. 242-243
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