1,724,195 research outputs found
Hu qing yu tang xue ji
No full text[胡雪巖編].綫裝.框18x14公分,10行20字, 無界行. 白口, 四周雙邊, 單黑魚尾. 版心上鐫"丸丹全集", 中鐫小題, 下鐫葉次及"胡慶餘堂雪記"凡例言"是集既成, 廣✹印送"前有光緖三年[1877]胡雪巖序.題名據總目 ; 出書年據序.《中國中醫古籍總目》04580著錄.鈐"莊兆祥印", "莊兆祥"Xian zhuang.Kuang 18 x 14 gong fen,10 hang 20 zi, wu jie hang. Bai kou, si zhou shuang bian, dan hei yu wei. Ban xin shang juan "Wan dan quan ji", zhong juan xiao ti, xia juan ye ci ji "Hu qing yu tang Xue ji"Detailed notes in vernacular field only.Qian you Guangxu san nian [1877] Hu Xueyan xu.Ti ming ju zong mu ; chu shu nian ju xu.Detailed notes in vernacular field only.[Hu Xueyan bian].Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang
San yu tang quan ji /
No full textBinder's title; also listed under title: Lu Chʻing-hsien kung chʻüan chi cf. Chiang-su sheng li kuo hsüeh tʻu shu kuan shu mu.Lu shi yu nian pu, Lu Chenzheng ji -- San yu tang wen ji, 12 juan -- Wai ji, 6 juan -- Chong si lu -- Sheng yan, 12 juan -- Ri ji, 10 juan -- Du li zhi yi.Mode of access: Internet
Yin Yu Tang and the effects of re-contextualization on vernacular architecture
No full texthonors thesisCollege of Fine ArtsArt & Art HistoryWinston C. KyanMy paper on the cultural and architectural re-contextualization of Yin Yu Tang, or Hall of Abundant Shelter, at the Peabody Essex Museum (PEM) in Salem, MA, has two main goals: 1) to consider the connections between architecture, space, and the family in a traditional Chinese house; and 2) to examine how these connections are re-installed, represented, and re-interpreted as this building is moved from its original location in Anhui Province, China, to an American museum in New England. Although the PEM includes more than twenty pre-Civil War buildings, Yin Yu Tang is a component of the museum\u27s collection that stands out from the rest of the architecture due to its exceptional construction, preservation, and cultural foreignness. Along with the architecture itself, Yin Yu Tang has transported its two hundred year-old history and culture of the Huang family and Anhui Province to the museum. By being moved to a new context, Yin Yu Tang\u27s already historical identity becomes even more intricately layered than before and presents questions about the interpretation of historic environments. How has Yin Yu Tang renewed public memory of Chinese culture and transformed the house into a form of refined vernacular architecture for Western visitors? Building upon my participation at the Western Conference of the Association for Asian Studies (Oct. 9-10, 2015), my research also examines the notion of "authenticity" in the process of re-contextualization. Authenticity is a consistently contested and changing idea in cultural representation that is closely connected to the history of presenting foreign cultures outside of its original context. By comparing Yin Yu Tang\u27s approach to authenticity to that of museum "period rooms," my paper presents Yin Yu Tang as a unique, immersive microcosm from the past that appreciates the value of preservation and respect for culture
Yu Tang RM18 ou le piercing de Johanna
No full textWhat are the indications of RM18 Yu Tang in gynecology obstetrics ? This thesis has covered the study of RM18, a point of RM, « point noeud » of Jue Yin, point of "la Voie de I'Empereur", his maining, symptomatology, location. After having reviewed the literature and trough clinicals situations encountered in practice, we have illustrated its different indications in gynecology obstetrics.Quelles sont les indications de RM18 Yu Tang en gynécologie obstétrique ? Ce mémoire porte sur l'étude de RM18, point de RM, point nœud du Jue Yin, point de la Voie de l'Empereur, sur sa signification, sa symptomatologie, sa localisation. Suite à cette revue de littérature, à travers des situations cliniques rencontrées dans notre pratique nous avons illustré ses différentes indications en gynécologie obstétrique
CUHK electronic theses & dissertations collection
No full textYu, Tang Fei.Thesis Ph.D. Chinese University of Hong Kong 2015.Includes bibliographical references (leaves 58-61).Abstracts also in Chinese.Title from PDF title page (viewed on 09, December, 2016)
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A Critical Analysis of the Yin Yu Tang Project and the Preservation of Huizhou-Style Vernacular Dwellings in China
Get PDFYin Yu Tang is the only example of re-erecting a major proportion of a traditional Chinese building outside China. The popularity of mounting such an exhibition abroad and its uniqueness make the Project a well-discussed topic in China. Also, the relocation of Yin Yu Tang in the U.S. provides a new way for the Chinese public to look at vernacular dwellings. However, as interesting as it is, there is no official introduction of the Project in China, and the public could only learn about it from other sources.
The perspectives of these articles have alternated with changes in preservation awareness and the social contexts within China, which has in turn led to misinterpretations and rumors about the Project and the preservation field, eventually affecting the Chinese public's understandings of preservation and its actions. This research examines a critical analysis of the context and influence of the Yin Yu Tang project from social, political and cultural perspectives. Meanwhile, the paper means to re-organize the development of historic vernacular dwellings' preservation in China and to locate the position and role of the Yin Yu Tang project in the entire process.
The societal changes in China impact the public understanding of a preservation project. From there, it is possible to cast a light on how preservation practices are beyond the national boundary and reveal the importance for preservationists to take back the dominant voice of promoting their projects and the public's education
Yu tang zi hui 玉堂字彙.
No full textYu tang zi huiNumérisation effectuée à partir d'un document de substitution.Traduction mandchoue du Yu tang zi hui, compilé par Mei Ying-zu 梅膺祚 et dont l'édition originale date de l'an bing-chen de Kang-xi (1676). Chaque caractère chinois est ici immédiatement suivi de sa translitération et de sa traduction mandchoue. La préface ainsi que la liste des clés figurant dans l'édition chinoise n'ont pas été reproduites dans le manuscrit. Le titre ci-dessus a été tracé en chinois par une main occidentale au r° de la 2e f. de garde du volume et est accompagné de la transcription yu dann dsi houei ainsi que de la note « traduit en mantchou. l'original est publié sous Kang-xi en quatre volumes in 12 » (de la main de Klaproth ?). Au v° de la 2e f. de garde, indication d'achat « Prix 80 roubl, acheté chez Voritschoff, reliure 8/88 roubl. » Sceau imprimé en rouge f. 156 et 496 : Wu-zheng-yu hao 吳正裕號. Traduction manuscrite en russe et en français des f. 1 et 2 ; en russe, français, latin ou allemand de quelques mots dans le cours de l'ouvrage. Dictionnaire chinois-mandchou rangé par clés
Yu Tang Chun 玉堂春
No full textIn the artist\u27s own claims on her work: In 1994, I made a sound installation \u27Yu Tang Chun\u27. It consisted of more than one hundred drying racks. On each of the racks, clothes were not placed but instead was rice paper. There were more than 600 speakers hidden between the rice paper. The output sounds from the speakers were a digitally processed excerpt from The Peking Opera \u27Yu Tang Chun\u27. The installation, according to Qin, forms a poetic connection between the East and the West, by an acute juxtaposition of their cultural emblems respectively -- rice paper vs. speaker, soundtracks from Yu Tang Chun vs. the soundtracks\u27 electronic reproductions. (秦玉芬 建造一座“珊瑚岛”, 2019, 99 Artnet 99艺术网, available on https://collection.sina.cn/yejie/2019-04-15/detail-ihvhiqax2717879.d.html?vt=4. The quotes cited were translated from Chinese) (Jerry Wu\u2723).https://digital.kenyon.edu/zhou/1207/thumbnail.jp
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