372,583 research outputs found
Yu yi cao
V.1-4. 醫門法律 : 六卷 -- v.5-6. 尚論篇 : 四卷, 卷首 -- v.7. 尚論後篇 : 四卷 -- v.8. 寓意草.V.1-4. Yi men fa lü : liu juan -- v.5-6. Shang lun pian : si juan, juan shou -- v.7. Shang lun hou pian : si juan -- v.8. Yu yi cao.[喻昌著 ; 陳守誠重梓].綫裝.框15.6x11.3公分, 12行40字. 白口, 四周單邊, 對黑魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次.書名背頁牌記刻"光緖二十年[1894]上海圖書集成印書局印"三題合刻疑為"喻氏醫書三種", 《中國叢書綜錄》(p.721)及《中國中醫古籍總目》(13137)著錄. 原書書根題為"醫門法律".鈐"莊兆祥印"Xian zhuang.Kuang 15.6 x 11.3 gong fen, 12 hang 40 zi. Bai kou, si zhou dan bian, dui hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.[Yu Chang zhu ; Chen Shoucheng chong zi].Qian "Zhuang Zhaoxiang yin
Yu xu yi yan
v.1. 醫林獵要 / 黃保康輯 ; [黃]任恆編校 -- v.2. 吳鞠通方歌 / 黃保康著 ; 黃任恆校注 -- 陳修園方歌 / 黃任恆編 -- v.3. 貽令堂雜俎 : [四編], 雜說, 遺詩 / 黃保康撰 ; [黃]任恆編校 -- 與壻遺言 : 附錄 / 黃保康撰.v.1. Yi lin lie yao / Huang Baokang ji ; [Huang] Renheng bian jiao -- v.2. Wu ju tong fang ge / Huang Baokang zhu ; Huang Renheng jiao zhu -- Chen Xiuyuan fang ge / Huang Renheng bian -- v.3. Yi ling tang za zu : [si bian], za shuo, yi shi / Huang Baokang zhuan ; [Huang] Renheng bian jiao -- Yu xu yi yan : fu lu / Huang Baokang zhuan.[黃保康撰].綫裝.框14.5x11.7公分, 10行20字, 小字雙行同. 黑口, 左右雙邊, 單黑魚尾. 版心中鐫題名, 卷次, 下鐫葉次.書名背頁刻"宣統三年五月刻成"《中國叢書綜錄》p.727著錄 ; 《中國中醫古籍總目》13297著錄.《貽令堂雜俎》分經, 史, 子, 集編.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 14.5 x 11.7 gong fen, 10 hang 20 zi, xiao zi shuang hang tong. Hei kou, zuo you shuang bian, dan hei yu wei. Ban xin zhong juan ti ming, juan ci, xia juan ye ci.Shu ming bei ye ke "Xuantong san nian wu yue ke cheng"Detailed notes in vernacular field only."Yi ling tang za zu" fen jing, shi, zi, ji bian.[Huang Baokang zhuan].Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Yu zuan yi zong wai ke jin jian
V.1-21. 御纂醫宗金鑑 : 六十卷, 卷首 -- v.22-25. 御纂醫宗金鑑續編 : 十四卷, 卷首 -- v.26-32. 御纂醫宗外科金鑑 : 十六卷, 卷首.V.1-21. Yu zuan yi zong jin jian : liu shi juan, juan shou -- v.22-25. Yu zuan yi zong jin jian xu bian : shi si juan, juan shou -- v.26-32. Yu zuan yi zong wai ke jin jian : shi liu juan, juan shou.[吳謙...[et al.]纂].綫裝.框18.6x14公分, 10行24字, 小字雙行同. 白口, 左右雙邊, 單黑魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次.書名頁為朱印, 刻"御纂醫宗金鑑, 光緖九年秋鐫". 又有紅色戳記"上海校經山房成記督造書籍"第二, 三冊合訂為一冊, 第廿八, 廿九冊合訂為一冊.《中國叢書綜錄》(p.722)著錄子目.鈐"莊兆祥印", "莊兆祥".Xian zhuang.Kuang 18.6 x 14 gong fen, 10 hang 24 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Detailed notes in vernacular field only.[Wu Qian ...[et al.] zuan].Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang"
Zi zhi tong jian wen yi
胡三省輯著 ; 陳仁錫訂校.綫裝, 1函.框21.7x15 公分, 10行20字, 小字雙行同, 白口, 單魚尾, 四周單邊. 版心上鐫"通鑑辯誤", 中鐫卷次, 下鐫葉次.With: 資治通鑑释例圖譜 / 陳仁錫評閱 ; 資治通鑑問疑 / 劉羲仲纂集.鈐有"櫻山文庫"印.Xian zhuang, 1 han.Kuang 21.7 x 15 gong fen, 10 hang 20 zi, xiao zi shuang hang tong, bai kou, dan yu wei, si zhou dan bian. Ban xin shang juan "Tong jian bian wu", zhong juan juan ci, xia juan ye ci.Hu Sansheng ji zhu ; Chen Renxi ding jiao.With: Zi zhi tong jian shi li tu pu / Chen Renxi ping yue ; Zi zhi tong jian wen yi / Liu Xizhong zuan ji.Qian you "Ying shan wen ku" yin
Yu yi yan jiu Yuyi yanjiu
Ben shu shou you wen zhang 17 pian, qi zhong you " yu jing yu yu yi ", " qi yi xian xiang zhong zhong ", " shuo yu yi " den
Programmatic and performance observations for Two Chamber Works by Chen Yi
As a Chinese-American composer who was born and reared in China, then studied and settled in the United States, Chen Yi’s success is widely recognized around the world. However, this success is not coincidental and is closely related to her fusion of the Chinese and Western cultures in her works. At the time of this writing, Chen Yi has composed more than forty chamber works, from which the author researched two with the same instrumentation—flute, clarinet, violin, cello, and piano. By understanding Chen Yi’s life experiences and analyzing the theoretical aspects of these compositions, the author gives suggestions for ensemble, timbre, rhythm, pedaling, and performance techniques in these two chamber works by Chen Yi—Happy Rain on a Spring Night and … as like a raging fire
Si shu bei kao yi
[v.1]. 四書備考. 大學 : [二卷] -- [v.2]. 四書備考. 中庸 : [三卷] -- [v.3-6]. 四書備考. [論語] : [十三卷] -- [v.7-10]. 四書備考. [孟子] : [十卷][v.1]. Si shu bei kao. Da xue : [er juan] -- [v.2]. Si shu bei kao. Zhong yong : [san juan] -- [v.3-6]. Si shu bei kao. [Lun yu] : [shi san juan] -- [v.7-10]. Si shu bei kao. [Mengzi] : [shi juan][陳仁錫增定 ; 陳禮錫, 陳義錫, 陳智錫參訂].綫裝, 1函.框20.5x12.4公分, 9行25字, 小字雙行同, 無界行. 白口, 四周單邊, 無魚尾. 版心上鐫題名及子目, 中鐫卷次及小題, 下鐫葉次. 眉端刻評.題名據敍.鈐有"元澧", "榮郭齋藏"印.Xian zhuang, 1 han.Kuang 20.5 x 12.4 gong fen, 9 hang 25 zi, xiao zi shuang xing tong, wu jie xing. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming ji zi mu, zhong juan juan ci ji xiao ti, xia juan ye ci. Mei duan ke ping.Ti ming ju xu.[Chen Renxi zeng ding ; Chen Lixi, Chen Yixi, Chen Zhixi can ding].Qian you "Yuan li", "Rong guo zhai cang" yin
Wen xue yi chan yu dian ying.
电影艺朮编译社 ; 马涅维奇等著 ; 伍菡等译.Dian ying yi shu bian yi she, Manieweiqi deng zhu ; Wu Han deng yi
Chinese-American women composers: an overview of Chinese aesthetics in selected piano works of Chen Yi and Bun-Ching Lam
The purpose of this dissertation lecture recital project was to discuss and perform Chinese aesthetics in selected piano works of two Chinese-American female composers, Chen Yi and Bun-Ching Lam. Chen and Lam were raised in China, exposed to music at an early age, and received further music education in the United States. Additionally, through their many accomplishments, they have successfully promoted women artists and composers. For Chen, the pieces I selected were: Variations on Awariguli (1978), Duo Ye (1985), and Northern Scenes (2013), focusing on the aesthetics of: Yin-Yang, and Beijing opera. For Lam, the pieces I selected were: Six Phenomena (1998) and Three Little Pieces (2018), highlighting the aesthetics of: Chinese brushwork and Negative space. This project may provide a user-friendly resource for performers, teachers, and students who wish to program the music of Chen Yi and Bun-Ching Lam. The study of Chinese-American women composers and their music should be more widely included in music studies and performance programming.D. A
Chasing the China wind: a musical journey
In this documentary, Chen-Yu was to explore the musical memories of Post-90s Generation across Taiwan, Hong Kong, China, and the UK. This film presents that the way audiences engage with China Wind music reflects a constant negotiation of Chineseness that takes place in both the creation and consumption of music. In the meantime, popular music helps the post-90s audience creating their identities along the way to discovering and defining ‘selves’ while imagining themselves being or not being Chinese
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