16,536 research outputs found
Sai-Ling Chan-Sew interview, 2013
No full textChan-Sew, Sai-Ling - Video Oral History interview - CSWA ❧ Sai-Ling Chan-Sew. Interviewed by Nancy Lim-Yee. Date of Interview: 10-05-13. Length of Interview: 46 minutes. DVD containing Interview. ❧ INTERVIEW TOPICS: (0:38) Introduction. (1:31) Growing up in Honk Kong and her early experiences/lessons of injustice. (4:17) The political, social, and economic climate when she started out in Social Work. (7:49) What has changed in Social Work across her experiences. (11:43) Reasons for the changes in Social Work. (15:15) Positions has held throughout her career. (16:30) Main focus on women, children, families, and people of minority background. (18:31) Most gratifying position held. (20:13) Obstacles encountered along the way. (23:42) Managing personnel in Social Work. (26:18) What issues should be addressed today. (28:25) Getting non-profit childcare program started in Chinatown. (29:45) Reform for public services and working for public sector. (31:24) Accountability from service providers. (36:05) Most satisfying of all her experiences. (41:10) What she would do differently if she could do it all over again. (42:08) What might be learned from her experience by people entering or working in the field today. (44:30) Closing comments. ❧ ADDITIONAL MATERIALS: 1. California Social Work Hall of Distinction Biography ( http://socialworkhallofdistinction.usc.edu/honorees/ ). 2. Curriculum Vitae
Hong Kong cinema 1982-2002 : the quest for identity during transition
No full textElectronic redacted version excludes material for which permission has not been granted by the rights holderThis thesis seeks to interpret the cinematic representations of Hong Kongers’ identity quest during a transitional state/stage related to the sovereignty transfer. The Handover transition considered is an ideological one, rather than the overnight polity change on the Handover day. This research approaches contemporary Hong Kong cinema on two fronts and the thesis is structured accordingly: Upon an initial review of the existing Hong Kong film scholarship in the Introduction, and its 1997-related allegorical readings, Part I sees new angles (previously undeveloped or underdeveloped) for researching Hong Kong films made during 1982-2002. Arguments are built along the ideas of Hong Kongers’ situational, diasporic consciousness, and transformed ‘Chineseness’ because Hong Kong has lacked a cultural/national centrality. This part of research is informed by the ideas of Jacques Derrida, Homi Bhabha and Stuart Hall, and the diasporic experiences of Ien Ang, Rey Chow and Ackbar Abbas. With these new research angles and references to the circumstances, Part II reads critically the text of eight Hong Kong films made during the Handover transition. In chronological order, they are Boat People (Hui, 1982), Song of the Exile (Hui, 1990), Days of Being Wild (Wong, 1990), Happy Together (Wong, 1997), Made in Hong Kong (Chan, 1997), Ordinary Heroes (Hui, 1999), Durian Durian (Chan, 2000), and Hollywood Hong Kong (Chan, 2002). They meet several criteria related to the undeveloped / underdeveloped areas in the existing Hong Kong film scholarship. Hamid Naficy’s ‘accented cinema’ paradigm gives the guidelines to the film analysis in Part II. This part shows that Hong Kongers’ self-transformation during transition is alterable, indeterminate, and interminable, due to the people’s situational, diasporic consciousness, and transformed ‘Chineseness’. This thesis thus contributes to Hong Kong cinema scholarship in interpreting films with new research angles, and generating new insights into this cinematic tradition and its wider context
Lewis Yee oral history interview
No full textThis recording forms part of a collection of oral history interviews donated by Dr. Edward Chen to the Chao Center for Asian Studies at Rice University. It includes audio recordings and transcripts of interviews with Asian Americans living in Houston. Interviewed by Daisy Chan Gee
Contest Winner - Tahoma West Logo
No full textUW Tacoma student Ka Yee Chan (Kelly) won the Tahoma West\u27s 2019 logo redesign contest
Competition in the Hong Kong photofinishing industry: a structural analysis and a study of competitive strategies.
No full textby Chan Yee-Kwong.Thesis (M.B.A.)--Chinese University of Hong Kong, 1987.Bibliography: leaf 114
The finance and accounting information system in a commercial bank : research report.
No full textby Chan Suk-hang, Regge, Tse Yuen-yee, Pamela.Abstracts also in ChinsesBibliography: leaves 148-150Thesis (M.B.A.)--Chinese University of Hong Kong, 198
CUHK electronic theses & dissertations collection
No full textChan Chung Yee Zenobia."August 2003."Thesis (Ph.D.)--Chinese University of Hong Kong, 2003.Includes bibliographical references (p. 407-438).Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.Mode of access: World Wide Web.Abstracts in English and Chinese
CUHK electronic theses & dissertations collection
No full textby Chan Tak Yee Bonita."July 2004."Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.Includes bibliographical references (p. 121-137).Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.Mode of access: World Wide Web.Abstracts in English and Chinese
INVESTIGATION ON IDDQ FAILURES
No full textMaster'sMASTER OF SCIENCE IN ADVANCED MATERIALS FOR MICRO- & NANO- SYSTEMSDissertation Supervisors: 1. Associate Professor Chim Wai Kin, SMA Fellow, National University of Singapore. 2. Dr. Chan Yee Ming, Principal Engineer, Systems on Silicon Manufacturing Co. 3. Ms. Neoh Chia Lee, Senior Engineer, Systems on Silicon Manufacturing Co
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