1,721,039 research outputs found

    Yannis HAMILAKIS (Ed.), Labyrinth revisited. Rethinking 'Minoan' Archaeology.

    No full text
    Schoep Ilse. Yannis HAMILAKIS (Ed.), Labyrinth revisited. Rethinking 'Minoan' Archaeology.. In: L'antiquité classique, Tome 76, 2007. pp. 598-600

    Review of Philip Carabott's, Yannis Hamilakis and Eleni Papargyriou (eds), Camera Graeca: Photographs, Narratives, Materialities

    Full text link
    Philip Carabott, Yannis Hamilakis and Eleni Papargyriou, eds. Camera Graeca: Photographs, Narratives, Materialities. Farnham: Ashgate, 2015. 375 pp

    Yannis Hamilakis, The Nation and its Ruins : Antiquity, Archaeology, and National Imagination in Greece

    Full text link
    Yannis Hamilakis nous propose une synthèse complète de ses travaux menés sur l’héritage antique dans la société grecque moderne, en s’intéressant plus particulièrement à la présence de ses traces matérielles dans l’imaginaire national. Ces recherches, qui ont fait l’objet de nombreux articles ces dernières années, nous permettent ici d’appréhender la globalité de ce travail qui s’appuie sur les nombreuses études qui l’ont précédé à propos des relations entre l’archéologie et la formation d’un..

    Review of Yannis Hamilakis's Archaeology and the Senses: Human Experience, Memory, and Affect; Alfredo Gonzàles-Ruibal (ed), Reclaiming Archaeology: Beyond the Tropes of Modernity

    Full text link
    Review of Yannis Hamilakis, Archaeology and the Senses: Human Experience, Memory, and Affect. Cambridge: Cambridge University Press, 2014. 255 pp

    A Response to Yannis Hamilakis

    No full text

    The cupboard of yesterdays? Perspectives on the usable past

    No full text
    ContentsThe cupboard of the yesterdays? Critical perspectives on the usable past / K.S. Brown and Yannis Hamilakis -- Monumental visions: the past in Metaxas' Weltanschauung / Philip Carabott -- "Learn history!" antiquity, national narrative, and history in Greek educational textbooks / Yannis Hamilakis -- The politics of currency: stamps, coins, banknotes, and the circulation of modern Greek tradition / Basil C. Gounaris -- The Macedonian question in the 1920s and the politics of history / Patrick Finney -- Recollecting difference: archive-Marxists and old Calendarists in an exile community / Margaret E. Kenna -- The ethnoarchaeology of a "passive" ethnicity: the Arvanites of central Greece / John Bintliff -- Dimitria Pikionis and Sedad Eldem: parallel reflections of vernacular and national architecture / Eleni Bastéa -- Spaces in tense: history, contingency, and place in a Cretan city / Thomas M. Malaby -- Poked by a "foreign finger" in Greece: conspiracy theory or the Hermeneutics of suspicion? / David Sutton -- Afterword / Loring M. Danforth

    Postcards from the edge of time: archaeology, photography, archaeological ethnography

    No full text
    In this photo-essay we present and discuss an experiment with digital photography as part of our archaeological ethnography within the Kalaureia Research Programme, on the island of Poros, Greece. We contextualize this attempt by reviewing, briefly but critically, the collateral development of photography and modernist archaeology, and the links between photography and anthropology, especially with regard to the field of visual anthropology. Our contention is that at the core of the uses of photographs made by both disciplines is the assumption that photographs are faithful, disembodied representations of reality. We instead discuss photographs, including digital photographs, as material artefacts that work by evocation rather than representation, and as material memories of the things they have witnessed; as such they are multi-sensorially experienced. While in archaeology photographs are seen as either official records or informal snapshots, we offer instead a third kind of photographic production, which occupies the space between artwork and ethnographic commentary or intervention. It is our contention that it is within the emerging field of archaeological ethnography that such interventions acquire their full poignancy and potential, and are protected from the risk of colonial objectification. <br/

    Archaeology and the politics of pedagogy

    No full text
    It is argued here that pedagogy, rather than being a passive process of delivery, is part of the field of cultural politics, a contested domain, a public sphere where knowledges, views and perceptions on the past and the present are debated and contested, or valorized, reproduced and legitimized. Recent archaeological theory has neglected the field of pedagogy, which, as a result, has been largely colonized by the instrumentalist discourse, in its new, market-oriented reincarnation. This dominant view of archaeological pedagogy is presented in objectified, neutral terms as the natural, inevitable course of affairs: it has become the 'doxic' regime that is presented as being beyond criticism at its core, save for peripheral managerial points. Archaeology, however, has the ability to undermine this objectified discourse by showing the contingency, historicity, and the inevitably transient and unstable nature of the present-day pedagogical regime in archaeology. Current instrumentalist pedagogy, despite its dominance, does not go unchallenged. One way of challenging it is by devising pedagogical processes that create a space for critical reflection, reconnect subjectivity and experience with knowledge, and allow students not only to understand the material and social processes that generate and reproduce their own subjectivity, but also question and even transform these processes and conditions. Student-centred journals that promote critical reflexivity are an example of one such pedagogic process. This paper presents the experience of the author in using such a device in the teaching of a course on the archaeology and anthropology of eating and drinking

    Why ‘Palaces’?

    No full text
    corecore