169,582 research outputs found
Letter from Dr. Yang Fu-lu to Dr. Frank S. Falcone (July 10, 1989)
No full textThis is a letter from Dr. Yang Fu-lu, president of the Beijing Institute of Physical Education (now Beijing Sport University) to Dr. Frank S. Falcone, president of Springfield College, dated July 10, 1989. The letter is concerning the events in Tienanmen Square in Beijing in the summer of 1989.Beijing Sport University was organized and established as the Central Institute of Physical Education (sport) in 1953 with the help of Professor Xu Yingchao, Springfield College graduate of the class 1938. The name of the university changed to Peking (Beijing) Institute of Physical Culture (physical education) in 1956 and renamed Beijing Sports University in 1993. The first agreement signed by Springfield College and the Beijing Sport University was on September 25, 1981, which provided pathways for collaboration and exchange of faculty and students
Fan Wenzheng gong po yang yi shi lu
No full text卷一至二. 奏議 -- 卷三. 狀 -- 子 -- 卷四. 表 -- 卷五. 賦 -- 卷六至七. 詩 -- 詩餘 -- 卷八. 序 -- 記 -- 易義 -- 說 -- 論 -- 贊 -- 頌 -- 述 -- 卷九. 書 -- 啟 -- 卷十. 尺牘 -- 家書 -- 卷十一. 祭文 -- 碑銘 -- 墓誌銘 -- 卷十二. 墓誌銘 -- 墓表 -- 書碑陰 -- 附錄: 范文正公年譜序.Juan yi zhi er. Zou yi -- juan san. Zhuang -- Zi -- juan si. Biao -- juan wu. Fu -- juan liu zhi qi. Shi -- Shi yu -- juan ba. Xu -- Ji -- Yi yi -- Shuo -- Lun -- Zan -- Song -- Shu -- juan jiu. Shu -- Qi -- juan shi. Chi du -- Jia shu -- juan shi yi. Ji wen -- Bei ming -- Mu zhi ming -- juan shi er. Mu zhi ming -- Mu biao -- Shu bei yin -- fu lu: Fan Wenzheng gong nian pu xu.毛一鷺彙編.綫裝, 1函.框21.5x15公分, 9行20字, 小字雙行同. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次及字數.毛序後鐫"天啟二年[1622]冬華亭縣學門人唐造國謹百拜書"見《香港中文大學圖書館古藉善本書錄》(2001, p. 223)前附: 范文正公鄱陽遺事錄 / 毛一鷺彙編.鈐有"北海狂士合清齋主人之印", "京兆禎夫", "禹山人", "隨齋", "大觀樓藏書", "蕭艾室藏"印.Xian zhuang, 1 han.Kuang 21.5 x 15 gong fen, 9 hang 20 zi, xiao zi shuang hang tong. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci ji zi shu.Mao xu hou juan "Tian qi er nian [1622] dong Huating Xian xue men ren Tang Zaoguo jin bai bai shu"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 223)Mao Yilu hui bian.Qian fu: Fan Wenzheng gong po yang yi shi lu / Mao Yilu hui bian.Qian you "Beihaikuangshi He qing zhai zhu ren zhi yin", "Jing zhao zhen fu", "Yu shan ren", "Sui zhai", "Da guan lou cang shu", "Xiao Ai shi cang" yin
Lu Yu and Tu Fu
Full text linkLu Yu 陸游 (1125-1209), the famous patriot poet of the Southern Sung, admired Tu Fu above all the poets of the past, and the deep influence which Tu Fu exercised on him may be seen throughout his work. In spite of this fact, however, there are many differences which mark the lives and works of the two men. As a first step towards a comparative study of the two poets, the author has attempted to discover how Lu Yu evaluated his predecessor, using evidence found in Lu Yu's poems themselves. By Lu Yu's time, Tu Fu was already widely recognized as the greatest Chinese poet. It had become a popular pastime to try to identify individual poems of Tu Fu on the basis of isolated phrases or couplets, or to compose poems made up of clever imitations of various couplets of Tu Fu. But Lu Yu, unlike most of his contemporaries, was less attracted by Tu Fu's poetic technique than by his poetic spirit, and regarded the latter as the most valuable lesson to be learned. He insisted that it was Tu Fu the man rather than Tu Fu the poet, Tu Fu the patriot rather than Tu Fu the artist, who deserved to be most highly admired. This was the foundation upon which Lu Yu's evaluation of Tu Fu rested, and the premise upon which he approached his work
The study of Lu Fu in the early Song Dynasty
No full text碩士一、研究目的：
本文擬從歷代賦學審美意識中，觀看宋初律賦的內容。包括破題、音律、對偶，以及影響宋初律賦主題的因素。
二、研究範圍：
時間上，由宋太祖趙匡胤陳橋兵變，建年號建隆元年（960）開始，歷太宗、真宗，至宋仁宗親政的明道元年（1032）止，作為本文時間的依據。
文本的選擇，此時期文士所撰寫的律賦，無論是應制之作、科舉考試之律賦，或是習作等，都是本文討論的範圍。然本文以單篇律賦為主，吳淑著《事類賦注》一百篇雖皆屬律賦，然因其為類書，且意義獨具，當另以專書論述。
依作者生年及登進士第的順序，參閱《現存宋人著述總錄》、《全宋文》、《歷代賦彙》，共錄律賦一百一十六篇。
三、研究方法：
律賦常為後人所詬病，筆者由傳統賦學的審美觀，自漢賦、曹丕《典論‧論文》、陸機《文賦》、鍾嶸《詩品》，賦的審美意識皆與各時代的文風及流行文體或政治風氣有所相涉，至劉勰《文心雕龍‧詮賦》篇，將賦體的特色獨立，也確立了名為賦體所該擁有的價值。
將傳統的審美意識帶入律賦中，探討宋初律賦是否合乎賦的標準，便是本文所著重的。其次則是在宋代初年的政治風氣及文學風氣中，律賦何以成為科舉考試之要項。本文將由演繹方式，例舉代表宋初律賦之作家，羅列以證宋初律賦之特色。
四、研究結論：
筆者認為律賦之美，不僅是因其題下限韻，因難而巧。更難能可貴的是律賦的破題、對偶及音律之美，讀之錯落有致，更添美感。希望本文可作為拋磚引玉之效，使律賦復其文學之地位，也可由本文得知宋初律賦與唐代及後世律賦的獨特之處。Abstract:
The purpose of the study:
This study is trying to analyze the content of Lu Fu in the early Song dynasty, including its introductory, rhythm, symmetry and the theme of the verse.
The scope of the study:
The research materials are selected within four kingdoms period, Emperor Taizu, Emperor Taizong, Emperor Zhenzong and Emperor Renzong, from 960 B.C. to 1032 B.C.; and the contents are chosen from imperial examinations in former times and personal practice writing. Although this study is focusing on independent Fu, Shi Lei Fu Ju, a very important work, written by Shu Wu is a tool book consisting a hundred correlated Fu which can not be left out when discussing Fu in this study.
Total 116 Fu are picked in this study and according to Comprehensive Index of Extant Works by Song Persons, Chuan Song Wen and Li Dai Fu Lu, those pomes are listing by year of author’s birth or year that a author success in the highest imperial examinations.
Methodology:
This study makes generality comments on Lu Fu in Early Song dynasty based on traditional aesthetic and literary criticism book, for example Han Fu, A Discourse on Literature by Pi Cao, Wen Fu by Ji Lu and Shi Ping by Ron Chung. The aesthetic on Fu was changing by the literature trend and the political situation in different dynasty. Until the first work of aesthetics and also the first systematic work of literary criticism, The Literary Mind and the Carving of Dragon by Xie Liu, Fu formed a unique characteristic and style of its own and became a major poetic genre.
Comparing to the former aesthetic views to look for if Lu Fu match to the traditional criterion is the key emphasis in this study. The second, this study is trying to find out why Lu fu became a main stream in the imperial examination in the Song dynasty. This research using the approach of natural deduction, brining up several famous writers to proof the magnificent features of Lu Fu.
Conclusion:
The limitation of rhyme scheme makes Lu fu very difficult to compose, but the perplexity of Lu Fu brings out the true beauty within the verse. Furthermore, when reading a Lu Fu, readers can appreciate the beautiful introductory, symmetry and rhyming pattern of it. Hoping through study, Lu Fu can be rehabilitated its reputation and status in Chinese literature history.目錄
第一章 緒論 1
第一節 研究動機 2
第二節 研究範圍 4
一、宋初律賦文本 7
二、宋初律賦作者 13
（一）、田錫 14
（二）、王禹偁 14
（三）、王曾 14
（四）、夏竦 15
（五）、范仲淹 15
（六）、宋庠 15
（七）、宋祁 15
（八）、文彥博 16
三、宋初考試制度相關資料 16
第三節 研究方法 21
第二章 賦的功能與審美要求 23
第一節 賦的功能 23
第二節 賦的審美要求 29
一、鋪采摛文 30
二、體物寫志 33
三、音律流麗 39
第三節 結語 42
第三章 律賦的形成及發展 44
第一節 律賦「新體」的特徵 44
第二節 律賦的句式 47
第三節 律賦之用韻 52
第四節 律賦之使事 56
第五節 律賦遭詬病的原因 60
第六節 結語 63
第四章 宋初律賦的特色 65
第一節 宋人賦論 66
第二節 律賦章法 72
第三節 律賦押韻 77
第四節 律賦的對偶與使事 80
第五節 結語 82
第五章 宋初律賦的內容 84
第一節 宋初律賦的內涵 84
一、田錫 84
二、王禹偁 86
三、夏竦 87
四、范仲淹 89
五、宋庠、宋祁 92
六、文彥博 93
第二節 宋初律賦的題材 94
第三節 影響律賦主題的因素 99
一、矛盾與沉潛 100
二、儒學的復興 104
三、釋道的交融 112
第四節 結語 116
第六章 結論 118
參考文獻 121學號: 695010305, 學年度: 9
On Lu Chi's Life and The Dating of His Wen Fu
No full textIt has been the traditional belief that Lu Chi's 陸機 (261-303) Wen Fu 文賦, one of the most important works in medieval Chinese literary criticism, was written when the author was twenty years of age. The belief has been a mistake, founded on a line of Tu Fu's 杜甫 poem, Tsui Kê Hsing 醉歌行, Closer examination shows that the circumstances under which Tu Fu wrote the poem cannot be expected to warrant historical accuracy; and that the biographical data of Lu Chi available at Tu Fu's time could have been too casually read. Now by meticulous documentary analysis, it is proved that the Wen Fu was written when Lu Chi was forty, in the year 300 A. D. The forty-three years of Lu Chi's life, divided into two distinctly varied periods, coincided with two phases of medieval Chinese history in rapid conflux and transition during one man's life-time. His was a life-time that spanned between the twilight of the last of the heroic, war-ridden "Three Kingdoms, " and the temporary flare of a unified and expanded Chin empire. First, as an active, last defender of his native Kingdom of Wu and then as an "expatriate" in Lo Yang to rise very high as a literary man and a military commander, Lu Chi was in each case closely identified with the troubled times. The exact dating of the Wen Fu is therefore not a pure matter of chronological accuracy, but it helps to explain the background of the work in the author's personal life and milieu when it was written. Lu Chi's psychological attitudes are traced here in a biographical sketch. His earlier works which show the development of his views and visions on life, hence on literature too, are introduced. A group of his other writings contemporaneous with the Wen Fu are presented and analysed, both for a comparison of their qualities, and for their most important bearing upon the dating of the great work in question. An appendix summarizes discussions with another scholar, Professor Lu Ch'in-li 逯欽立, on the intricate problems and methods of dating the Wen Fu
How environmental conditions impact mosquito ecology and Japanese encephalitis: An eco-epidemiological approach
No full textAbstract not availableHuai-Yu Tian, Peng Bi, Bernard Cazelles, Sen Zhou, Shan-Qian Huang, Jing Yang, Yao Pei, Xiao-Xu Wu, Shi-Hong Fu, Shi-Lu Tong, Huan-Yu Wang, Bing X
Lu Jiuyuan and His Immediate Pupils: Fu Mengquan and Yang Jian
Full text link本稿は、陸九淵から高くは評価されなかったものの、後世へ
の影響力がとりわけ大きい楊簡と、陸九淵に最も嘱望されなが
ら、後世その名が殆ど伝わらなかった傅夢泉という、性格の異
なる二人の人物を取り上げて、陸九淵初伝の門弟達の思想状況
を多角的に捉えたものである。ただし傅夢泉にはまとまった著
述が残されているわけでなく、いま『象山全集』等にその断片
が散見するのみである。そこで本稿では、傅夢泉についての僅
かな資料を足掛りとして、それに関連する陸九淵や楊簡の言葉
に及んでいくという方法を採った。
それにより、まずは自己の心に信頼を寄せつつも、その一方
で自らへの執着を戒めるという発想が、陸九淵やその門弟達に
共有されていたことを明らかにした。けれども傅夢泉にしろ楊
簡にしろ、多かれ少なかれ、実践修養の段階を蔑ろにする傾向
があった。これは陸九淵その人の思想からは逸脱したものであ
り、現に陸九淵は傅夢泉に対して苦言を呈している。陸九淵に
は、門弟達が速習に流れることを警戒する意向があったのであ
る。This paper focuses on the philosophies of Fu Mengquan and Yang Jian, who were Lu Jiuyuan’s immediate pupils and had the different character. Fu was most expected by Lu, but his name was not known in history. Yang was not praised by Lu, nevertheless his influence to coming age was huge. This paper mentions their relationship with Lu, understands the state of Lu school from various angles. Incidentally, Fu’s complete works are not extant, there is only the fragmentary text. This paper examines Fu’s fragmentary text, then compares this with Lu and Yang’s writings. Consequently, this paper reveals that Lu and his pupils had the common ideas, which trust own mind and resist self-interest. On the other hand, Fu and Yang frequently neglected to make steady progress, such an attitude was a departure from Lu’s philosophy. Lu’s pupils actually were criticized for making rapid progress.departmental bulletin pape
Fu yang ju ji
No full text日落 -- 撫養 -- 通車.文治平編著.Running title: 撫養劇集.Play.Wen Zhiping bian zhu.Running title: Fu yang ju ji.Ri luo -- Fu yang -- Tong che
Supplemental Material - Atropine-eluting silicone contact lenses for myopia control
No full textSupplemental Material for Atropine-eluting silicone contact lenses for myopia control by Yan Fu, Yang Luo, Xi Chen, Yao Tong, Yabin Zhu, and Lu Yang in Journal of Biomaterials Applications</p
Supplemental Material - Association of STAT3 gene polymorphisms with systemic lupus erythematosus in a Chinese Han population
No full textSupplemental Material for Association of STAT3 gene polymorphisms with systemic lupus erythematosus in a Chinese Han population by Yang-Yang Tang, Lu Fu, Xiao-Yan Liu, An-Fang Huang and Wang-Dong Xu in Lupus</p
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