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Ekspresi Ketakutan Yui Dalam Lirik Lagu Tokyo, Tomorrow’s Way, Dan Merry.Go.Round Karya Yui Yoshioka
Full text linkMusik merupakan bahasa universal sekaligus salah satu budaya yang terus berkembang ragamnya dari masa ke masa. Begitu banyak jenis musik yang ada di dunia ini, salah satunya adalah musik pop. Di Jepang, musik pop disebut dengan J-pop. J-pop berakar dari musik tahun 1960-an seperti yang dimainkan The Beatles. Salah satu penyanyi J-pop yang terkenal adalah YUI Yoshioka. Pada album pertamanya, lagu-lagu yang dia ciptakan kebanyakan bernuansa muram, gelap, dan mengandung perasaan takut. Diantaranya adalah lagu Tokyo, Tomorrow’s way, dan Merry.Go.Round. Pada ketiga lagu tersebut penulis menemukan ekspresi ketakutan YUI. Untuk mengetahui bentuk eskpresi ketakutan YUI dalam lirik lagu Tokyo, Tomorrow’s way, dan Merry.Go.Round , penulis menggunakan teori yang berhubungan dengan hal tersebut. Tujuan penelitian ini adalah untuk mengetahui bentuk ekspresi ketakutan YUI dalam lirik lagu tersebut. Hasil penelitian menunjukkan bahwa dalam album pertamanya, YUI mencurahkan perasaan ketakutan yang sempat menganggu karirnya, yaitu ketakutan yang berupa kegelisahan serta kecemasan YUI terhadap kelangsungan hidup YUI selama di kota Tokyo pada lagu Tokyo, ketakutan YUI berupa kekhawatiran yang berujung depresi terhadap dirinya dalam menatap masa depan pada lagu Tomorrow’s Way, dan yang terakhir ketakutan YUI berupa kekalutan perasaannya terhadap dirinya sendiri pada lagu Merry.Go.Round
Yui
No full textPrint shows thatched roof buildings on coastline with mountain in the background and harbor with three ships under sail, and travelers stopping at the rest stops at the Yui station on the Tōkaidō Road.Restricted access; material extremely fragile; please use online digital image.Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-2006.From the series: Tōkaidō gojū santsugi no uchi : 53 stations of the Tōkaidō Road.Format: horizontal Chuban Nishikie.Forms part of: Japanese prints and drawings (Library of Congress)
Yui
No full textPrint shows low wooden walkways spanning a small stream and rough or muddy land areas, with two man carrying a palenquin, and others with burdens on shoulder poles, at the Yui station on the Tōkaidō Road.Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-06.From the series: Tōkaidō gojū santsugi no uchi : 53 stations of the Tōkaidō Road.Format: Horizontal Oban Nishikie, trimmed.Restricted access; material extremely fragile; please use online digital image.Forms part of: Japanese prints and drawings (Library of Congress)
Metafora Lirik Lagu Dalam Album My Short Stories Oleh Yui.
Full text linkPenelitian ini berjudul “Metafora Lirik Lagu Dalam Album My Short Stories Oleh Yui”. Latar belakang penelitian ini adalah untuk memahami metafora yang terdapat dalam lirik lagu dari album My Short Stories. Rumusan masalah pada penelitian ini adalah: (1) Jenis gaya bahasa metafora apa yang ada dalam lirik lagu Yui yang berada dalam album My Short Stories, (2) Apa makna gaya bahasa metafora yang terdapat pada lirik lagu Yui yang berada dalam album My Short Stories, (3) Apa fungsi gaya bahasa metafora yang terdapat dalam lirik lagu Yui yang berada dalam album My Short Stories. Metode penelitian yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Sumber data yang diambil berasal dari lirik lagu dari album My Short Stories Oleh Yui. Ada pun cara menganalisanya yaitu dengan mengkaji data, mengeliminasi data, mengelompokkan data, memeriksa keabsahan data, menafsirkan data, dan menarik kesimpulan data. Hasil dari penelitian ini menunjukkan bahwa ada 8 jenis gaya bahasa metafora yang digunakan pada lirik lagu dari album My Short Stories, yaitu (1) Metafora mati (2) Metafora hidup (3) Metafora nominatif subjektif (4) Metafora nominatif objektif (5) Metafora Predikatif (6) Metafora kalimat (7) Metafora pemanusiaan (8) Metafora berdasarkan citraan atau imaji visual (penglihatan). Penulis menyarankan kepada pembelajar, khususnya pembelajar bahasa Jepang maupun sastra Jepang untuk meneliti lebih lanjut mengenai penggunaan gaya bahasa metafora selain yang dibahas oleh penulis
Delphinium yui M. Idrees & Z. Y. Zhang 2023, nom. nov.
No full textDelphinium yui M. Idrees & Z.Y. Zhang, nom. nov. Replaced name:— Delphinium omeiense W.T. Wang (1979b: 613) var. pubescens W.T. Wang (1979b: 614). Delphinium pubescens (W.T.Wang) W.T.Wang (2020: 137), nom. illeg., non Delphinium pubescens DC. (1805: 641). Type:— CHINA. Sichuan: Muli Country, Woosi, margins of the woods near stream, alt. 2600 m, 19 Aug. 1937 T.T. Yü 14022 (holotype PE-00934974!, isotypes A00109013!, PE-00934975!). Etymology:—The specific epithet “ yui ” is name after Tse-Tsun Yü who collected the type specimen.Published as part of Zhang, Zhiyong, Idrees, Muhammad & Dc, D., 2023, Delphinium yui, a new replacement name for D. pubescens (Ranunculaceae), pp. 217-218 in Phytotaxa 600 (3) on page 217, DOI: 10.11646/phytotaxa.600.3.8, http://zenodo.org/record/808089
Lathrobium yui Peng
No full textLathrobium yui Peng & Q.-L. Li, 2015 Material studied. China: Zhejiang: 1 ♂, Longquan, Fengyangshan N. R., Mihougu, 27°55'17''N 119°11'38''E, 1071 m, 22. V.2018, Puthz, Tang, Cheng & Shuai leg. (SNUC); 1 ♂, 2 ♀♀, Longquan, Fengyangshan N. R., Mihougu, 27°55'N 119°11'E, 950 m, 08. V.2019, Tang & Zhao leg. (SNUC); 2 ♂♂, 1 ♀, Longquan, Fengyangshan N. R., Guanjingtai, 27°55'24''N 119°10'59''E, 800 m, 22. V.2018, Tang & Zhao leg. (SNUC); 2 ♀♀, Longquan, Fengyangshan N. R., Huangmajian, 27°53'24''N 119°10'33''E, 1400–1929 m, 23. V.2018, Tang & Zhao leg. (SNUC); 1 ♀, Longquan, Fengyangshan N. R., Huangmajian, 27°53'24''N 119°10'32''E, 1580 m, 16.X.2017, Jiang, Cheng, Shen, Wang, Qiao & Chang leg. (SNUC). Comment: The original description is based on seventeen type specimens collected in Fengyang Shan, Zhejiang (Peng et al. 2015). For illustrations of L. yui see Peng et al. (2015: figures 6B, 8).Published as part of Zhao, Qing-Hao & Peng, Zhong, 2021, New species and new records of the genus Lathrobium Gravenhorst (Coleoptera Staphylinidae: Paederinae) from Zhejiang, East China, pp. 172-181 in Zootaxa 4990 (1) on page 180, DOI: 10.11646/zootaxa.4990.1.11, http://zenodo.org/record/498258
Macrobrachium yui : Holthuis 1950
No full textMacrobrachium yui Holthuis, 1950 (figure 10) Palaemon brevicarpus var. heterochirus Yu, 1936: 305, figures 1, 2 [type locality: Ninger, Puer County, Yunnan, China]. Macrobrachium yui: Holthuis, 1950: 211; Liu et al., 1990: 123, figure 20; Naiyanetr, 1992: 18; Cai and Dai, 1999: 237. Macrobrachium yeti Dang, 1975: 67, figure 1 [type locality: northern Vietnam]; Dang, 1980: 386, figures 221. Material examined North Thailand. One X, cl 8.0 mm, 1 ovigerous X, cl 12.6, eggs 1.9× 1.5 mm (ZRC 2000.2708), Mae Hong Song: Nae Mae Yuam basin: Nam Tok Natae Rachan, innamed torrent, 16 road-km east of Ban Mae La Noi, coll. M. Kottelat and K. Kubota, 9 April 1998; 1 X, cl 13.3 mm (ZRC 2000.2707), Mae Hong Son, Nam Mae Sarieng at dam upriver of Mae Sarieng, coll. M. Kottelat and K. Kubota, 9 April 1998; 1 X, cl 13.0 mm, 1 ovigerous X, cl 7.5 mm, eggs 1.2× 0.85 mm (ZRC 2000.2697), Carp Paliu Cheh Mae Nam Khwae Noi basin, Nam Khung near Ban Huai Pak Khungm coll. M. Kottelat and K. Kubota, 4 April 1998; 1 W, cl 20.0 mm (CU 1997.95), Mae Hong Son, 7 December 1980; 1 W, cl 24.0 mm (ZRC 2000.2730), Mae Hong Son, 23 March 1978; 2 WW, cl 11.5–27.0 mm, 1 X, cl 15.0 mm (CU 1997.111), Mae Hong Son, coll. C. Vidthayanon, no date; 3 WW, Chiang Dao, Chiang Mai, no data; 23 specimens (CU 1997.88), Chai Badan and Lopburi, coll. P. Naiyanetr, 16 June 1982; 2 WW, cl 26–27 mm, 4 XX, 13–20 mm (ZRC 2000.2654), Pai river near Lod Cave, Mae Hong Son, coll. C. M. Yang and T. B. Lim, 9 September 1998; 3 WW, cl 13.5–15 mm, 4 XX, cl 11–17 mm (ZRC 2000.2655), Pai river near Lod Cave, Mae Hong Son, coll. C. M. Yang and T. B. Lim, 9 September 1998. Diagnosis Rostrum slightly convex, reaching to base of third segment of antennular peduncle, or to end of this segment. Rostral formula: 3–5+5–8/1–3. Hepatic spine small. Antennular peduncle 0.4 times as long as carapace. Scaphocerite 2.6 times as long as wide. First pereiopod reaching with one-third of carpus beyond distal end of scaphocerite; chela with fingers shorter than palm, 0.55 times as long as propodus. Second pereiopods of male unequal in length, similar in form. Major second pereiopod reaching with one-third of carpus beyond distal margin of scaphocerite; carpus slightly shorter than merus, palm inflated, longer than merus, slightly shorter than fingers; fingers with five to six teeth on proximal third of cutting edge. Whole leg covered by tiny spinules. Second pereiopods of female much shorter than that of male, equal in length, similar in form. Third pereiopod reaching beyond scaphocerite by half length of propodus, propodus eight times as long as broad, three times as long as dactylus; dactylus with a long, slender claw, 3.2 times as long as broad. Uropodal diaeresis without spine in adult but with a small spine in young. Ovigerous female with eggs 1.5–1.6× 1.1–1.2 mm in diameter. Habitats Macrobrachium yui is commonly found in fast flowing waters, and it seems like to hide in the crevices between granitic rock. Remarks Macrobrachium yui was originally described from Yunnan in southern China. The species was previously reported from Thailand by Naiyanetr (1992). Cai and Dai (1999) pointed out that Macrobrachium yeti Dang, 1975, is very close to M. yui and are very difficult to distinguish. Only two differences separate M. yeti from M. yui, namely, the postorbital carapace teeth number (three in M. yeti and four to five in M. yui) and the form of the second pereiopods, which is slightly more slender in M. yeti, with various joints having slightly different proportions. The proportion of the various joints in M. yeti, however, fall into the known intraspecific variation of M. yui. Hence, M. yeti must be regarded as a junior synonym of M. yui.Published as part of Cai, Y., Naiyanetr, P. & Ng, P. K. L., 2004, The freshwater prawns of the genus Macrobrachium Bate, 1868, of Thailand (Crustacea: Decapoda: Palaemonidae), pp. 581-649 in Journal of Natural History 38 (5) on pages 611-613, DOI: 10.1080/0022293021000033238, http://zenodo.org/record/525870
139. Yui Shōsetsu no ran
No full textIwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 139. Yui Shōsetsu no ran. In: Dictionnaire historique du Japon, volume 20, 1995. Lettres U, V, W, X, Y et Z. p. 117
Realistic Monk: Konzert mit Carl Stone & Miki Yui
No full text»Realistic Monk« ist ein neues Performance-Projekt des aus den USA stammenden Komponisten Carl Stone sowie der Klangkünstlerin und Komponistin Miki Yui. Der Name des Projekts ist ein Fantasiewort – ein Anagramm, gebildet aus den Namen der Beteiligten. Das Duo konzentriert sich auf Klänge, die so fragil sind, dass sie sich am Rande der Wahrnehmung bewegen und die Zuhörer dazu ermutigt, konzentriert zuzuhören. Aus Stimmen, Geräuschen, Field Recordings und Rückkopplungseffekten schaffen Stone und Yui dabei tiefe Klanglandschaften, die es sich zu entdecken lohnt
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