73,108 research outputs found
Coenagrion tengchongensis Yu & Bu 2007
No full textCoenagrion tengchongensis Yu & Bu, 2007 Coenagrion tengchongensis Yu & Bu, 2007: 55 –59. Material. 1 ɗ, Zhengdingi, Tengchong, Yunnan, 15 -VIII- 2006, Xin Yu leg. (NKUM); 2 ɗ, Xigong Lake, Motuo, Xizang, 9 -V- 1983, 1450m, Yinheng Han leg.; same data, 11 -V- 1983, 1450m, Zhou Lin leg. (IZAS) Distribution. Hitherto, this southern species is known only in mountainous areas in western Yunnan province and Xizang, China.Published as part of Yu, Xin & Bu, Wenjun, 2011, Chinese damselflies of the genus Coenagrion (Zygoptera: Coenagrionidae), pp. 31-40 in Zootaxa 2808 on page 38, DOI: 10.5281/zenodo.20394
Xin li xue yu jiao yu xin li xue /
No full textCover title.; Special collection from London Missionary Society.; 880-03 Bian zhu zhong zhi jiao yu xin li xue di yi zhang.; Also available in an electronic version via the Internet at http://nla.gov.au/nla.gen-vn455089
FIGURES 20–21 in New Oligaphorura species (Collembola: Onychiuridae) from the forests of East Asia
No full textFIGURES 20–21. Oligaphorura kedroviensis sp. nov.: 20, dorsal chaetotaxy; 21, ventral chaetotaxy of abdomen. Scale 0.1 mm.Published as part of Sun, Xin, Shveenkova, Yu. B., Xie, Zhijing & Babenko, A. B., 2019, New Oligaphorura species (Collembola: Onychiuridae) from the forests of East Asia, pp. 256-270 in Zootaxa 4661 (2) on page 268, DOI: 10.11646/zootaxa.4661.2.2, http://zenodo.org/record/337944
Yu Xin and the Sixth-century Literary World
No full textThis dissertation offers new perspectives to explore the writings of Yu Xin 庾信 (513-581 CE), one of the most prominent and representative writers in sixth-century China. Through a combination of close reading with a knowledge of current theory of persona criticism and particular attention to the historical and intellectual contexts of the sixth century, it examines the diversity of ideation and thematic patterns in the writings of Yu Xin. This dissertation centers on two sets of questions: 1. how did the dominant poetic image of Yu Xin as a nostalgic poet come into being? Did his contemporaries see him this way? How is this image constructed in his writings, and in what way did later readers and commentators help maintain and shape this image? 2. Apart from the traditional reading strategy that links his tragic experience with his writings, what are the other lenses through which we can understand the rich poetic corpus of Yu Xin? The two parts of this dissertation are respectively informed by these two sets of questions.
Part I, comprised of chapters 1 and 2, traces the historical reception of Yu Xin from the Northern Zhou to the early Five Dynasties by focusing on key historical moments that were significant in shaping historical context and providing interpretative framework to understand the poet. It shows that the mid-eighth century witnessed a shifting attention from the text of Yu Xin to his authorial image, with Du Fu being a major figure in this shift. Part II, comprised of chapters 3, 4, and 5, seeks to reorient our perspective on the poetic collection of Yu Xin and to uncover its polyvocality achieved by shifting language registers, voices, themes, and perspectives. Exploring the theme of state and wars, reclusion, and the religious realm respectively, the three chapters aim to unfold the literary craft of Yu Xin by exploring the complex relation between him and the textual traditions of classics, literature, and Buddhism as Daoism. Yu Xin was not only one of the best writers of the sixth century, but the most avid reader of the Classics, the literary texts, as well as religious scriptures, folklores, and ritual practices. This readerliness of Yu Xin’s corpus is represented by the extensive incorporation, transformation, and recreation of these earlier literary and religious canons into his writings.
The main purpose of this dissertation is two-fold: 1) to explore how and when the conventional authorial image of Yu Xin came into being, and 2) to discover alternative lenses to reexamine his poetic corpus. In so doing this dissertation seeks to gain a fuller view of the diversity and inventiveness of the poet. By placing him in the social and intellectual context of the sixth century, this dissertation aims for a clearer understanding of the reading and writing practice in this period
Yu Kaifu quan ji
No full text庾信撰 ; 倪璠註釋.框19.2 x 14.6公分, 10行20字, 小字雙行同, 白口, 單黑魚尾, 左右雙邊.内封背面牌記題"錢塘倪氏注本光緒甲午春儒雅堂鎸.綫裝, 一函.原書12冊, 殘存3冊: 冊1、冊3、冊4.Yu Xin zhuan ; Ni Fan zhu shi.Kuang 19.2 x 14.6 gong fen, 10 hang 20 zi, xiao zi shuang hang tong, bai kou, dan hei yu wei, zuo you shuang bian.Yuan shu 12 ce, can cun 3 ce: ce1, ce3, ce4.Nei feng bei mian pai ji ti "Qiantang Ni shi zhu ben Guangxu jia wu chun ru ya tang juan.Xian zhuang, yi han
Zheng Xuan-Fu Editions of Yu Tai Xin Yong
No full textThe Yu Tai Xin Yong (玉臺新詠) edition printed by Zheng Xuan-Fu (鄭玄撫) in the Jiajing period (嘉靖) in the 19th year of the Ming Dynasty (明代) is the foundational edition in Zheng Xuan-Fu editions (鄭玄撫系統), one of the two major editions of Yu Tai Xin Yong. Zheng’s edition of the Yu Tai Xin Yong was compiled and edited by Zheng Xuan-Fu based on an incomplete edition and a handwritten copy, differing from the other major editions of Yu Tai Xin Yong, Chen Yu-Fu editions (陳玉父系統), therefore contains information not present in the Chen editions and holds unique textual value. Another significant aspect of Zheng’s edition is that it reintroduced Yu Tai Xin Yong to the public eye, greatly influencing its transmission. The editions circulated during the Ming Dynasty primarily belong to Zheng’s editions. However, there is considerable confusion and error in the current records of ancient books that the supposedly Jiajing period Xu Xue-Mo (徐學謨)’s Hai Shu Lou (海曙樓) edition is actually a Wanli (萬曆) period reprint that omits information about Zheng’s original carving, which does not affect Zheng’s edition’s status as the original and authoritative Ming edition. Additionally, the so-called Jiajing 22nd year Yang Shi-Kai (楊士開)’s edition, claiming to be based on a Song Dynasty edition (宋本), is actually a recarved (挖改) print derived from Xu’s edition, with no genuine connection to the Song source. (Article content in Chinese with English extended abstract
Yu yi cao
No full textV.1-4. 醫門法律 : 六卷 -- v.5-6. 尚論篇 : 四卷, 卷首 -- v.7. 尚論後篇 : 四卷 -- v.8. 寓意草.V.1-4. Yi men fa lü : liu juan -- v.5-6. Shang lun pian : si juan, juan shou -- v.7. Shang lun hou pian : si juan -- v.8. Yu yi cao.[喻昌著 ; 陳守誠重梓].綫裝.框15.6x11.3公分, 12行40字. 白口, 四周單邊, 對黑魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次.書名背頁牌記刻"光緖二十年[1894]上海圖書集成印書局印"三題合刻疑為"喻氏醫書三種", 《中國叢書綜錄》(p.721)及《中國中醫古籍總目》(13137)著錄. 原書書根題為"醫門法律".鈐"莊兆祥印"Xian zhuang.Kuang 15.6 x 11.3 gong fen, 12 hang 40 zi. Bai kou, si zhou dan bian, dui hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.[Yu Chang zhu ; Chen Shoucheng chong zi].Qian "Zhuang Zhaoxiang yin
Tao kan xin niang xi
No full text著作者余好辨.書名據封面.封面書名前題: 驚世良言.附: 既翁為僧 -- 討看新娘檄.木魚歌文.zhu zuo zhe Yu Haobian.Shu ming ju feng mian.Feng mian shu ming qian ti: Jing shi liang yan.Fu: Ji weng wei seng -- Tao kan xin niang xi.Mu yu ge wen
Xin yu: [er juan], hou ji.
No full text陸賈著 ; 程榮校.綫裝, 1函.框20x14.1公分, 9行20字, 白口, 單白魚尾, 左右雙邊, 版心上鐫題名, 中鐫卷次, 下鐫葉次及刻工名.分上, 下卷.刻書年據序.With: 素書 / 黃石公撰.With: 新語 / 陸賈著.Xian zhuang, 1 han.Kuang 20 x 14.1 gong fen, 9 hang 20 zi, bai kou, dan bai yu wei, zuo you shuang bian, ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci ji ke gong ming.Fen shang, xia juan.Ke shu nian ju xu.Lu Jia zhu ; Cheng Rong jiao.With: Su shu / Huang Shigong zhuan.With: Xin yu / Lu Jia zhu
Chun qiu yu tu
No full text顧復初輯.綫裝.匡21.6 x 15 公分, 11行25字, 小字雙行不等, 白口, 無魚尾, 四周單邊, 版心下刻"萬卷樓"《春秋大事表》内封題"乾隆十二年新鐫, 萬卷樓藏板", 其中"二"字或由"三"字剜改而成 ; 《春秋輿圖》内封題"乾隆十四年新鐫, 萬卷樓藏板".Xian zhuang.Kuang 21.6 x 15 gong fen, 11 hang 25 zi, xiao zi shuang xing bu deng, bai kou, wu yu wei, si zhou dan bian, ban xin xia ke"wan juan lou""Chun qiu da shi biao" nei feng ti "Qianlong shi er nian xin juan, wan juan lou cang ban", qi zhong "er" zi huo you "san" zi wan gai er cheng ; "Chun qiu yu tu" nei feng ti "Qianlong shi si nian xin juan, Wan juan lou cang ban".Gu Fuchu ji
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