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Yong-wu shi in the Late-Tang period
Get PDFThis paper is intended as a study of Yong-wu shi in the Late-Tang period. Yong-wu shi is a traditional genre in Chinese literature. It is said that the style of Yong-wu shi was established as a genre in the Qi (齊) period of the Southern Dynasties. In those days Yong-wu shi was an important means of society, so that works were social and playful. In the High-Tang period, Yong-wu shi became lyrical. For example, Du fu (杜甫)'s poem Gu-yan 孤雁 is characterized by expression of his personal feeling, being neither social nor playful. Bai ju-yi (白居易)'s poem Ting-huai 庭槐 and Han yu (韓愈)'s poem Ting-qiu 庭楸, in the Middle-Tang, were written under the influence of Du fu. In general, Yong-wu shi came to be a vehicle for expressing their own mind in this period. This tendency toward lyricism has been continued in the Late-Tang period. Li shang-yin (李商隱)'s poem such as Li-hua 李花, Zhu-jin-hua 朱槿花 are typical example of this tendency. While this style under the influence of Du fu was written continuously, a new style came into existence. Zhe-gu 鷓鴣 by Zheng gu (鄭谷) and Yong shuang-bai-lu 詠雙白鷺 by Yong tao (雍陶) are examples of this new style. These are marked by the lack in the expression of personal feelings. Different from Du fu's works, they are formal and impersonal. In a sense, this new style resembles Southern dynasties' poems in character. Though in this period numerous poets like Luo ye (羅鄴), Tang yan-qian (唐彥謙) wrote Yong-wu shi using this style, because of a modern view which places emphasis on personality, little attention has been given to these minor poets, but the importance of these works cannot be overemphasized
A Study of Du Mu's Yong-wu shi
Get PDFIn the earlier paper, I investigated the style of yong-wu shi (詠物詩) in the Late-Tang period and pointed out two outstanding characteristics. One is that from Qi (齊) period in the Southern Dynasties to the Late-Tang period Yong-wu shi became lyrical, the other is that a new style like Zhe-gu 鷓鴣 by Zheng gu (鄭谷), which is marked by the lack in the expression of personal feelings, came into existence in the Late-Tang period. So far, I have seen general tendency of yong-wu shi in this period. The purpose of this paper is to investigate yong-wu shi in details through each of poets and their works. Du mu (杜牧)'s yong-wu shi has hitherto been ignored but it seems to be very essential. His poems like Liu-jue-ju 柳絶句 or Gui-yan 歸燕 were characterized by the expression of his personal feelings. They were written under the influence of Du fu (杜甫) in the High-Tang period but this observation applies to the other poets in the same period, it seems not to be important. Among these works, however, like Shan-shi-liu 山石榴, Zi-wei-hua 紫微花 and Yue 月 are quite unique. These are lacking in personal feelings and marked by wit and humor. though his works like Jiao-jing 鵁鶄, Ya 鵶 and Zao-mei 早梅 are certainly under the influence of Du fu, comparisons with other poets in the same period make it clear that they are quite unique in view of wit and humor. One may say that Du mu set the new style in the history of this genre. It should also be added that this kind of expression on the yong-wu shi is reflected in his other works in many ways. For example, his peculiar yong-shi shi (詠史詩) is most typical one
Er bai lan ting zhai gu tong yin cun : 12 juan /
No full textSeals in Chinese red ink.Suo xuan si yin lu zi Liu chao zhi, guan yin sui jin dai yi cun, fu yu juan mo.Gui'an Wu shi qian yin.Imprint date from preface.Mode of access: Internet
Wu shi yi jia gao : 81 juan /
No full textOn double leaves, oriental style, in 2 cases.Block print.v.1-10. You zheng wei zhai shi ji : 12 juan / Wu Xiqi zhuan -- v.10. Meng yan fang shi : 1 juan / Wu Qingzao zhuan. Guan yuan ju ou cun cao : 1 juan / Wu Qinglian zhuan -- v.11-16. Hu an shi : 20 juan / Wu Qingpeng zhuan -- v.16. Xiao e bu guan chu cun cao : 1 juan / Wu Guanye zhuan. Qiu xue shan fang chu cun shi : 1 juan / Wu Liang zhuan. Xiao xie chuan shi chu cun shi : 2 juan / Wu Anye zhuan.Mode of access: Internet
Sa po duo zong wu shi lun 薩 婆 多 宗 五 事 論 traduction de Fa cheng 法 成.
No full textSa po duo zong wu shi lun 薩 婆 多 宗 五 事 論Wu shi lun 五 事 論, cf. Sa po duo zong wu shi lun.Numérisation effectuée à partir d'un document original.Complet en 1 juan. Sous le titre initial, en caractères plus petits [note mutilée du caractère attribuant la traduction à] Fa cheng du Da fan guo 大 蕃 國 au monastère Xiu duo 修 多 de Gan zhou甘 州. Titre final : Wu shi lun yi juan 五 事 論 一 卷. Cf. TGH, XXXVIII (1967), p. 146. Édité in TKIS , série in-8°, pp. 45-55; T . 1556, vol. 28, pp. 995c-998 a. Cf. autre copie du même texte, Pelliot chinois 2073. Mauvaise écriture, négligée, légèrement cursive. Marques et ponctuation en rouge. Quelques additions et corrections en noir, une rature en rouge. 21 ou 22 colonnes par feuille, 22 à 27 caractères par colonne. Marges non tracées, supérieures de 2,4 à 3,1 cm, inférieures de 2 à 2,5 cm. Réglure par pliage
Shanghai Sunday times [electronic resource] = Tai wu shi bao xing qi kan
No full textDescription based on: No. 541 (Feb. 28, 1932).; includes Pictorial Supplement; Mode of access: Internet via World Wide Web. Available at http://nla.gov.au/nla.gen-vn3796161; Weekly ed. of The Shanghai times.Shanghai Sunday times (Online)Tai wu shi bao xing qi kanThe Shanghai time
Zhongguo hua ju yun dong wu shi nian shi liao ji. Di 1 ji
No full text《中國話劇運動五十年史料集》[編] ; 田漢[等著].On cover: 1907-1957."Zhongguo hua ju yun dong wu shi nian shi liao ji" bian ji wei yuan hui [bian] ; Tian Han [deng zhu]
Zan (?) fa men si zhen shen wu shi yun 讚(?) 法 門 寺 眞 身 五 十 韵.
No full texthuang hou 皇 后. jiao fang 教 坊. Zan (?) fa men si zhen shen wu shi yun 讚 (?) 法 門 寺 眞 身 五 十 韵. Qin (wang) 秦 王. Yi zong 懿 宗 (empereur). PoésieNumérisation effectuée à partir d'un document original.Poème de 100 vers pentasyllabiques. Complet. Mention de Yi zong 懿 宗 (règne de 859 à 873), du roi de Qin 秦 王, de l'impératrice 皇 后 et de l'école pour l'enseignement de la musique, jiao fang 教 坊. Écr. plutôt xing. Encre foncée. Quelques additions et corrections. 31 col., 18 et 13 col. par f., 14 à 16 car. par col. Marges sup. 0,5 cm, inf. 0,1 cm
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