11,713 research outputs found

    K.C. Wu Collection

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    K.C. Wu (1903-1984) served as mayor of several Chinese cities during the 1930s and 1940s and then in December 1949 was appointed Governor of Taiwan by Chiang Kai-shek. Wu emigrated to the United States in 1954. Wu joined the faculty of Armstrong from 1966 to 1973. The collection consists of biographical information, manuscripts mainly of The Chinese Heritage (1982) and early novel Flags and Cross, lecture notes, clippings and information on his lawsuit with the National Endowment for the Humanities in 1972. The Wu family genealogy and writings of K.C. Wu’s father Wu Jing Ming b. 1875, see series four.https://digitalcommons.georgiasouthern.edu/finding-aids-lane/1030/thumbnail.jp

    The writing of Wanton Women stories in Ming-Qing fiction = Ming Qing xiao shuo zhong de yin fu gu shi shu xie

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    Yinfu (wanton woman) was a character type regularly portrayed in Ming-Qing fiction. It was widely expected that wanton women who transgress ethical relationship norms naturally suffer evil consequences, or karma. Comparing details across a large selection of available works, this dissertation aims to survey the structure of wanton women stories to more conclusively understand how Ming-Qing male novelists conceived the wanton women's fate. Didactic literary themes and repeatedly plagiarized plots in Ming-Qing novels both reflect the collective mentality of middle-and-lower-class men. Chapter One, through a review of the research on wanton women stories in Ming-Qing fiction, identifies areas needing significant further investigation and establishes the research objectives and approach. Feminist perspectives on the Ming and Qing dynasties are also examined. Chapter Two explores ancient Chinese understandings of yinfu and their context, providing historical grounding for this study. The role of authors and readers in the production of wanton women stories is examined, as well as the gendered structuring of agency and the subjecthood through two types of plot modes. Chapter Three focuses on several types of endings employed in wanton women stories in late imperial China and analyses how male novelists imagine the denouement. Endings tend to be of two types, "condemnation" or "purification," and most examples allowing wanton women purification occur in Late-Ming vernacular novels. Counterintuitively, suicide and unpunished endings for wanton women register a new level of tolerance and sympathy from male novelists. Based on findings in the previous chapters, Chapter Four focuses on stories of palace women such as Empress Zhao Feiyan (45BC-1BC), Imperial Consort Yang (719-756) and Empress Wei (?-710) in Ming-Qing fiction and investigated how they were portrayed as lascivious ladies from the perspective of historical restrictions and political logic surrounding sex. As a woman with unprecedented power, Empress Wu Zetian (690-705) was hated and feared by male writers, whose portrayals are at once morally conservative and formally innovative, objectively endowing the wanton Empress with subjectivity. The closure of Wu Zetian's stories reveals the complexities of gender construction in that Ming-Qing. The Conclusion summarizes the distinctive features of wanton women stories, including the imaginative structuring principles of wanton women and their fates. The focus is on power relations and the historical influence of palace women's wanton stories. As study of Ming-Qing fictions develops, research on the reception of wanton women stories among Qing female readers will need further attention.published_or_final_versionChineseMasterMaster of Philosoph

    Jing wu ti yu hui fu xing di ba jie li jian shi jiu zhi dian li ji chun jie lian huan da hui te kan /c[bian ji zhu ren Luo Junchou ; bian ji wei yuan Liang Shengchi ... [deng]].

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    書名據封面.內文刊載黃漢勛所著之"精武國術部之的演變"(p. 26).黃漢勛為第一至第三屆"香港精武體育會"之國術主任, 自第五屆起為體育主任.Shu ming ju feng mian.Nei wen kan zai Huang Hanxun suo zhu zhi "Jing wu guo shu bu zhi de yan bian" (p. 26).Huang Hanxun wei di yi zhi di san jie "Xianggang jing wu ti yu hui" zhi guo shu zhu ren, zi di wu jie qi wei ti yu zhu ren

    [Jin guang ming jing 金 光 明 經 trad. de Tan wu chan 曇 無 懺].

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    Jin guang ming jing 金 光 明 經. Tan wu chan 曇 無 懺Numérisation effectuée à partir d'un document original.[J. 1, pin 4,] déb. et fin manquent. Menues variantes, certaines attestées, par rapport à T . 663, vol. 16, p. 339 b 11. 1-c 17. 12. Écr. kai call. Encre foncée. 2 alinéas qui ne se trouvent pas in T . 28 col., 16 car. par col. en 4 registres, gāthā seulement. Marges tracées, sup. 2,8 cm, inf. 2,6 cm. Réglures 1,8 cm

    Jin guang ming jing 金光明經 / Tan wu chan 曇無懺譯 .

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    Jin guang ming jing 金 光 明 經. Liang zhou 涼 州. Tan wu chan 曇 無 懺. Zhang Suo zhu 張 璅 主. Ding zhou 定 州Numérisation effectuée à partir d'un document original.J. 2, pin 12 à 18, déb. manque. Titre final. Plusieurs variantes par rapport aux j. 3 et 4 de T . 663, vol. 16, pp. 348 c 24. 9-357 c 29. 8. Sous le titre final, colophon en 7 col. indiquant que le ms. a été offert en la 5e année huang xing, an xin hai (471), par Zhang Suo zhu 張 璅 主, résidant à Ding zhou 定 州, originaire de Liang zhou 涼 州, au profit de ses parents et de la famille impériale. Il précise que le donateur a fait copier, également sur soie, le Fa hua [jing] 法 華 [經], le Wei mo [jing] 維 摩 [經] et le Wu liang shou jing 無 量 夀 經, chacun en un exemplaire. Repr. partielle (pin 17 et 18) et étude in SH , fasc. 20, pp. 3-32 et 61-62. Repr. du colophon et étude par Rao Zong yi in JA , 269 (1981), pp. 109-118, et in Xuan tang ji lin 選 堂 集 林, Hong Kong, 1982, vol. 1, pp. 411-420. Écr. kai call. Nombreuses graphies des Six Dynasties. Encre foncée. Ponctuation en rouge. 609 col., 19 car. par col., 16 car. par col. pour les gāthā. Marges tracées, bordures endommagées. Réglures 1,6 à 1,9 cm. Des réglures horizontales divisent les gāthā en 4 registres

    The politics of fashion: perceptions of power in female clothing and ornamentation as reflected in the sixteenth-century Chinese novel Jin Ping Mei

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    This thesis examines issues of female power and influence in sixteenth-century China focusing on how women and their roles were perceived in the changing social environment of the mid-late Ming dynasty. Using aspects of a New Historicist approach, information from contemporary literary and historical sources are analysed alongside each other. With its emphasis on the lives of women and preoccupation with the description of material objects, the late Ming novel Jin Ping Mei forms an important element in the thesis. China in the sixteenth century saw expanding urbanisation, the emergence of a new wealthy merchant class, increasing visibility of women and a questioning of traditional morality. Fashion consciousness, as one of the most conspicuous aspects of the new material culture, is a possible indicator of these trends. Traditional Western theories contend that fashion began in the particular context of Renaissance Europe. However, this study argues that a similar fashion awareness existed in China too, and was manifested in a competitive striving for social status, in this case specifically among women. In contrast to previous studies which downplayed the impact women had on defining traditional Chinese culture, this thesis demonstrates how women and their sartorial choices began to redefine the boundaries of material culture, influencing literati discourse which, in turn, re- influenced female behaviour

    Notes on the Flora of Taiwan (35) — Scutellaria taipeiensis T. C. Huang, A. Hsiao et M. J. Wu sp. nov. (Lamiaceae)

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    A comparative study of corolla types, pollen features, nutlet coat ornamentation and chromosome numbers of Scutellaria (Lamiaceae) species in Taiwan has been conducted. The result reveals that we have a new species so that Scutellaria taipeiensis T. C. Huang, A. Hsiao et M. J. Wu sp. nov. is here proposed. A key to the species, species description and illustrations, and other relevant information are provided
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