350,434 research outputs found
Li yi zhong de mei shu Wu Hong Zhong guo gu dai mei shu shi wen bian = Art in its ritual context : essays on ancient Chinese art
No full textBen shu xuan yi le zhu ming mei shu shi jia wu hong jiao shou zi 1985 nian yi lai fa biao de 31 pian lun wen. zhe xie lun wen wei rao zhe " li yi mei shu " zhe yi ji ben gai nian tao lun le zhong guo shang gu he zhong gu mei shu zhong de duo xiang yi shu chuan tong he xing sh
The politics of fashion: perceptions of power in female clothing and ornamentation as reflected in the sixteenth-century Chinese novel Jin Ping Mei
Get PDFThis thesis examines issues of female power and influence in sixteenth-century China focusing on how women and their roles were perceived in the changing social environment of the mid-late Ming dynasty. Using aspects of a New Historicist approach, information from contemporary literary and historical sources are analysed alongside each other. With its emphasis on the lives of women and preoccupation with the description of material objects, the late Ming novel Jin Ping Mei forms an important element in the thesis. China in the sixteenth century saw expanding urbanisation, the emergence of a new wealthy merchant class, increasing visibility of women and a questioning of traditional morality. Fashion consciousness, as one of the most conspicuous aspects of the new material culture, is a possible indicator of these trends. Traditional Western theories contend that fashion began in the particular context of Renaissance Europe. However, this study argues that a similar fashion awareness existed in China too, and was manifested in a competitive striving for social status, in this case specifically among women. In contrast to previous studies which downplayed the impact women had on defining traditional Chinese culture, this thesis demonstrates how women and their sartorial choices began to redefine the boundaries of material culture, influencing literati discourse which, in turn, re- influenced female behaviour
Coronaproctus castanopsis , Li, Xu & Wu 2023
No full text<i>Coronaproctus castanopsis</i> Li, Xu & Wu <p> <i>Coronaproctus castanopsis</i>, Li, Xu & Wu 2023: 436.</p> <p> <b>Material examined.</b> CHINA: Zhejiang Prov., Quzhou City, Kaihua county, Qianjiangyuan National Park on <i>Castanopsis</i> eyrei, San-an Wu leg., 7 first-instar nymphs, 10.ix.2020; 9 second-instar nymphs, 9.ix.2020; 1 third-instar female nymph, 18.x.2020; 4 third-instar female nymphs, 18.xi.2020; 1 third-instar male nymph, 18.x.2020; 3 third-instar male nymphs, 18.xi.2020; 1 male pupa, 18.xi.2020; and 3 male pupae, 8.xii.2020.</p>Published as part of <i>Zheng, Xinyi, Li, Jiani & Wu, San'An, 2023, Morphology of the preadult stages of Coronaproctus castanopsis Li, Xu & Wu (Hemiptera: Coccomorpha: Monophlebidae), pp. 537-552 in Zootaxa 5352 (4)</i> on page 540, DOI: 10.11646/zootaxa.5352.4.5, <a href="http://zenodo.org/record/8426568">http://zenodo.org/record/8426568</a>
Wu que shuang fei: gu zhuang li shi ai qing xin ju.
No full text吳硏因編.Songs with staff notation.本電子書乃根據《香港版權條例(第528章)》而複製, 並只可在大學圖書館系統內的獨立電子書系統上使用.Wu Yanyin bian.Ben dian zi shu nai gen ju "Xianggang ban quan tiao li (Di 528 zhang)" er fu zhi, bing zhi ke zai da xue tu shu guan xi tong nei de du li dian zi shu xi tong shang shi yong
Name of Wu Mei
No full textDie Story beruht auf dem Kurzroman ›The Name of
Wu-mei‹ von YUEN Siu-cheong. Die Geschichte wurde
durch eine außergewöhnliche erzählerische Führung
vorgestellt. Während des Lesens möchten wir unsere Sinnesempfindungen
hinterfragen. In dem Video erzählt
uns der Erzähler – Nin Kuen – von dem Prozess der Vollendung
des Romans ›The Name of Wu-mei‹. Im Verlauf
der Erzählung finden wir heraus, dass der Fingerzeig,
den wir bekommen, auf den Lügen einer anderen Person
beruhen könnte
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