27,283 research outputs found
博物新編 = Bo wu xin bian
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
Wu que shuang fei: gu zhuang li shi ai qing xin ju.
No full text吳硏因編.Songs with staff notation.本電子書乃根據《香港版權條例(第528章)》而複製, 並只可在大學圖書館系統內的獨立電子書系統上使用.Wu Yanyin bian.Ben dian zi shu nai gen ju "Xianggang ban quan tiao li (Di 528 zhang)" er fu zhi, bing zhi ke zai da xue tu shu guan xi tong nei de du li dian zi shu xi tong shang shi yong
博物新編 = Bo wu xin bian
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
Human-AI Collaboration in Academic Writing: towards a Synergy Model and A Case to Include AI as a Co-Author
No full textAs generative AI systems such as ChatGPT and Gemini 2.5 become increasingly integrated into academic workflows, the question of their legitimacy, limitations, and potential in scholarly writing has become urgent. This paper presents a reflexive case study of a sustained collaboration between a domain expert in consciousness studies and Gemini 2.5, culminating in the co-authorship of a peer-reviewed research article. By analyzing exactly 37,440 words of recorded interactions, we identify patterns of synergy, including recursive refinement, conceptual amplification, and accelerated manuscript development. We argue that when guided by a knowledgeable human author, AI can act as a cognitive partner rather than a passive tool—amplifying scholarly creativity and improving efficiency without compromising academic rigor. The case supports a '1+1=3' synergy model for co-authorship, in which human steering and AI fluency converge to produce novel insights and polished output faster and more effectively than either could achieve alone. The findings advocate for a paradigm shift from prohibitive policies to the responsible, expert-guided integration of AI in academic research and writing, grounded in transparency and accountability, and present arguments for why the AI tool should be listed as a co-author despite current injunctions against such practice
Jie ji zhi ai.
No full text階級之愛 / 吳一鏗著 -- 秋毫不犯 / 華中文工團戲劇部改編 -- 雙方保證 / 立高 -- 挖匪根 / 喬林.吳一鏗著.獨幕劇集.Wu Yikeng zhu.Du mu ju ji.Jie ji zhi ai / Wu Yikeng zhu -- Qiu hao bu fan / Hua zhong wen gong tuan xi ju bu gai bian -- shuang fang bao zheng / Li Gao -- Wa fei gen / Qiao Lin
Ai wu ji wu = Love me love my dog
No full textAi Wu Ji Wu, which was also titled The Power of Drawing in Beijing, was a solo travelling exhibition that was exhibited in three venues in Northern China – Beijing, Shenyang and Shi Jia Zhong. The exhibition was comprised of 46 works mostly large scale drawings produced over 20 years, and was selected to demonstrate the development of visual language through the drawing process. The most recent and substantial component of the exhibition being based on work since 2000 and the influence of China upon my work. This exhibition contained 18 new or previously unseen works which were added to a larger body of the survey exhibition.Today Museum and Art Gallery is the first non- governmental not for profit art museums in China which is linked to the Today Art Publishing House. It promotes major Chinese and International artists. The gallery boasts two significant venues in Beijing. The exhibition was reviewed by J. Wang “The Power of Drawing” in Oriental Art No. 6, 2006. A major work ‘Jiang Xin Bi Xin I’ was purchased by Today Museum for its permanent collection. Lu Xun Academy of Fine Art is one of the top three art institutions in China. The gallery provided three large spaces for the exhibition and the show was reviewed in the Journal of Lu Xun Academy of Fine Arts as ‘See What I think and How I Think.’ The Academy purchased five of the works for their collection and the exhibition was covered by television by two different TV companies - Lioning TV Channel on 'Talk Show' televised on the 25th November 2006, and Liao Ning Satellite TV Channel on 'Every Morning' on the 27th November 2006. The show then travelled to Shi Jia Zhong and was exhibited at the Hebei Normal University Gallery.The exhibition was funded by the three venues and the 35 page catalogue ‘Ai Wu Ji Wu : Michael Esson –Drawings’(no isbn number) funded and published by Lu Xun Academy of Fine Art</p
Ai wu ji wu = Love me love my dog
No full textAi Wu Ji Wu, which was also titled The Power of Drawing in Beijing, was a solo travelling exhibition that was exhibited in three venues in Northern China – Beijing, Shenyang and Shi Jia Zhong. The exhibition was comprised of 46 works mostly large scale drawings produced over 20 years, and was selected to demonstrate the development of visual language through the drawing process. The most recent and substantial component of the exhibition being based on work since 2000 and the influence of China upon my work. This exhibition contained 18 new or previously unseen works which were added to a larger body of the survey exhibition.Today Museum and Art Gallery is the first non- governmental not for profit art museums in China which is linked to the Today Art Publishing House. It promotes major Chinese and International artists. The gallery boasts two significant venues in Beijing. The exhibition was reviewed by J. Wang “The Power of Drawing” in Oriental Art No. 6, 2006. A major work ‘Jiang Xin Bi Xin I’ was purchased by Today Museum for its permanent collection. Lu Xun Academy of Fine Art is one of the top three art institutions in China. The gallery provided three large spaces for the exhibition and the show was reviewed in the Journal of Lu Xun Academy of Fine Arts as ‘See What I think and How I Think.’ The Academy purchased five of the works for their collection and the exhibition was covered by television by two different TV companies - Lioning TV Channel on 'Talk Show' televised on the 25th November 2006, and Liao Ning Satellite TV Channel on 'Every Morning' on the 27th November 2006. The show then travelled to Shi Jia Zhong and was exhibited at the Hebei Normal University Gallery.The exhibition was funded by the three venues and the 35 page catalogue ‘Ai Wu Ji Wu : Michael Esson –Drawings’(no isbn number) funded and published by Lu Xun Academy of Fine Art</p
The AI City
No full textThis open access book presents the concept of AI Cites for the first time. It includes the theoretical basis, development frontier, and different application scenarios of artificial intelligence cities. The book is accompanied by rich practical cases to conduct in-depth and detailed discussions on the proposition of artificial intelligence cities. It fills the gap between artificial intelligence and urban planning. This book points out the urgent human needs in the city for AI scientists to considered in the next round of AI technology development. It also provides new ideas for urban planners and researchers to solve problems with new technologies
Meaningful human control: actionable properties for AI system development
No full textHow can humans remain in control of artificial intelligence (AI)-based systems designed to perform tasks autonomously? Such systems are increasingly ubiquitous, creating benefits - but also undesirable situations where moral responsibility for their actions cannot be properly attributed to any particular person or group. The concept of meaningful human control has been proposed to address responsibility gaps and mitigate them by establishing conditions that enable a proper attribution of responsibility for humans; however, clear requirements for researchers, designers, and engineers are yet inexistent, making the development of AI-based systems that remain under meaningful human control challenging. In this paper, we address the gap between philosophical theory and engineering practice by identifying, through an iterative process of abductive thinking, four actionable properties for AI-based systems under meaningful human control, which we discuss making use of two applications scenarios: automated vehicles and AI-based hiring. First, a system in which humans and AI algorithms interact should have an explicitly defined domain of morally loaded situations within which the system ought to operate. Second, humans and AI agents within the system should have appropriate and mutually compatible representations. Third, responsibility attributed to a human should be commensurate with that human’s ability and authority to control the system. Fourth, there should be explicit links between the actions of the AI agents and actions of humans who are aware of their moral responsibility. We argue that these four properties will support practically minded professionals to take concrete steps toward designing and engineering for AI systems that facilitate meaningful human control.Interactive IntelligenceDesign AestheticsCyber SecurityHuman-Robot InteractionEthics & Philosophy of TechnologyHuman Information Communication DesignWeb Information System
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