192,318 research outputs found
Xingzhou Zhongguo jing wu ti yu hui san shi zhou nian ji nian te kan.
編輯星洲中國精武體育會."1922-1951"--封面.書名據版權頁.bian ji Xingzhou Zhongguo jing wu ti yu hui."1922-1951"--Feng mian.Shu ming ju ban quan ye
The political role of the people's liberation army 1949-1973
This thesis is to study the political role of the People's Liberation Army from the approach of structure and function. The framework of the thesis consists of three major parts, first, the influence of Chinese traditional political culture on, and the formation of, the political role of the PL A; second, the influence of domestic political struggles and external military conflicts on the development of the political role of the PLA; and the third, the analysis of the transition of the PLA's political role from the structure and personnel arrangements of the CCPCC Within the above-mentioned three scopes, this thesis make a thorough discussion on the following: (1) The relationship between the structure of the PRC and the formation of the PLA's political role; (2) How has ideology influenced the army's political role; (3) What is Mao's viewpoint and his influence on the development of the army's political role; (4) What is the link between the army and the party, and how has this developed; (6) What accounts for the expansion of the PLA's political functions; (7) What is the influence of political factional struggles on the PLA's political role; (8) Is it political institution or military institution that controls the recruitment of the military elite; (9) What are the disparities between the military elite in handling international conflicts and what are their political considerations; (10) What is the Party's position in the army; (11) How have the Party’s important meetings and personnel arrangements influenced the rise and fall of the PLA's political role
Jing wu ti yu hui fu xing di ba jie li jian shi jiu zhi dian li ji chun jie lian huan da hui te kan /c[bian ji zhu ren Luo Junchou ; bian ji wei yuan Liang Shengchi ... [deng]].
書名據封面.內文刊載黃漢勛所著之"精武國術部之的演變"(p. 26).黃漢勛為第一至第三屆"香港精武體育會"之國術主任, 自第五屆起為體育主任.Shu ming ju feng mian.Nei wen kan zai Huang Hanxun suo zhu zhi "Jing wu guo shu bu zhi de yan bian" (p. 26).Huang Hanxun wei di yi zhi di san jie "Xianggang jing wu ti yu hui" zhi guo shu zhu ren, zi di wu jie qi wei ti yu zhu ren
Hui tu zhen ben jing shi mu yu jin gang zuan
著作者余好辯, 伍憤時.Cover title.上下卷.On double leaves, East Asian binding.木魚歌文.zhu zuo zhe Yu Haobian, Wu Fenshi.Shang xia juan.Mu yu ge wen
Zhang wu zhi
麻三衡纂 ; [伍崇曜輯]. 長物志 : [卷1-4] / 文震亨撰 ; [伍崇曜輯]Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Ma Sanheng zuan ; [Wu Chongyao ji]. Chang wu zhi : [juan 1-4] / Wen Zhenheng zhuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
The Trip of Chung-yu Tsu-ch’an and Wu-i K’o-ch’in to Japan and Their Inscriptions on Paintings
In the present paper the author introduces two paintings which have inscriptions by Chung- yu Tsu-ch'an 仲猷祖闡 and Wu-i K’o-ch'in 無逸克勤 and discusses related art historical problems. Chung-yu Tsu-ch’an was a monk of the Ch’an (Jap. : Zen) Sect and Wu-i K’o-ch'in was a monk of the T'ien-t'ai (Jap. : Tendai) Sect of Buddhism. They were dispatched to Japan as mission members by the emperor of Ming China, T'ai-tsu, in the sixth year of Hung-wu Era (A. D. 1373; The sixth year of Ōan Era in the Japanese calendar) and returned to China two years later.
A coloured painting of Kṣitigarbha with complimentary inscription by Wu-i K’o-ch'in on it is owned by the Jishōin, a subsidiary temple of the Shōkokuji and it has a close stylistic relationship to the Amitābha Triad owned by the Shōjōkein, Kyoto, which is a representative work of the Southern Sung Dynasty, painted by P’u-yüeh. The former painting has no later, or particularly Japanese, elements added. However, the author who minutely analyzed the inscription, including the signature of the inscriber “Wa-kuan pi-ch'iu K'o-ch'in 瓦官比丘克勤”, reached the conclusion that it was perhaps inscribed while the priest stayed in Japan. And its stylistic characteristics and the fact that the inscription was usually added just after the work was made, reinforce this interpretation. The author is of the opinion that this painting is not a late Yüan or early Ming Chinese piece after an older style but it is a Japanese work of the middle fourteenth century when Japanese artists were incorporating Chinese models.
On the other hand, the Śākyamuni Triad owned by the Konchiin at Shiba, Tokyo, is easily recognizable as a work of fourteenth century Japan. Therefore the inscription by Chung-yu Tsu-ch'an would naturally have been added when he was in Japan. The most Japanese feature of this work is that the formal beauty of the lines is sought for rather than the exact rendition of the subject.
Thus, the two works with inscriptions by Chinese delegates are considered to be Japanese products of the period. However, they were not only executed in different techniques, coloured painting and drawing, but they followed different models, in Chinese painting. The former was based on Southern Sung painting and the latter on Yüan Dynasty unaccentuated line drawing (Pai-miao drawing). Both, therefore, look to be stylistically exclusive of each other. But, at the same time, they have one feature in common. Both show the process of assimilating what had been achieved in landscape painting. In other words, the natural sense of space as seen in landscape painting is incorporated into both of these works.
The author considers that these paintings thus occupy positions in the transition from the current of religious figure paintig to the current of landscape painting in fourteenth and fifteenth century Japan.journal articl
Chang wu zhi: [juan 8-12].
文震亨撰 ; [伍崇曜輯]Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Wen Zhenheng zhuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
Yuan cao tang shi yu: [3 juan].
鳳林書院, [伍崇曜]輯.Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Feng lin shu yuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
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