3 research outputs found
The National song folio. Volume I
No full textTitre uniforme : Händel, Georg Friedrich (1685-1759). Compositeur. [Theodora. HWV 68
The aesthetics of Pierre Boulez
No full textTo enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Moral Rights’ Flexibilization by Andean Case Law.
No full textAuthor’s moral rights under the Colombian legal system are protected as a fundamental right that seeks to protect the special connection between the author and their work. However, since moral rights are regulated under the Andean Law, it is the Andean Court of Justice’s jurisprudence the one to determine their scope of protection. In this way, this paper aims to argue that decision 47-IP-17 relaxed the threshold of protection of the moral right of integrity for certain types of works, having as an impact at the domestic sphere the need to revoke the decision of first instance in the Gabriel Antonio Calle case.El derecho moral de autor en el ordenamiento jurídico colombiano se ha entendido como un derecho fundamental que busca proteger esa conexión especial existente entre el autor y su obra. No obstante, debido a que el derecho moral se encuentra también regulado por la Decisión Andina 351 de la Comisión de la Comunidad Andina, es la jurisprudencia del Tribunal Andino la más pertinente para determinar el verdadero alcance de su protección. De esta manera, el presente artículo busca evidenciar que la interpretación prejudicial 47-IP-17 flexibilizó la protección del derecho moral de integridad para cierto tipo de obras, lo cual produjo un impacto en el ámbito doméstico: la necesidad de revocar la decisión de primera instancia en el caso Gabriel Antonio Calle
