4,518 research outputs found
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Wright, Mick: transcript of an audio interview (08-Jul-2014)
No full textInterview with Mr Mick Wright, conducted by Ms Lynda Finn, for the History of Modern Biomedicine Research Group, 08 July 2014, in the School of History, Queen Mary University of London. Transcribed by Mrs Debra Gee, and edited by Ms Emma M. Jones and Professor Tilli Tansey. The editorial assistance, the project management and the technical support were undertaken by Ms Fiona Plowman, Mr Adam Wilkinson and Mr Alan Yabsley, respectively. Mr Mick Wright CEnv DMS MBA MCIWM (b. 1949) worked as a Refuse Collector, then as an LGV [Large Goods Vehicle] Driver for Luton Borough Council from 1974. He was elected as a Senior Shop Steward for the Transport and General Workers’ Union in 1977, and in 1981 he was elected as a Councillor for Bedfordshire County Council where he served until 1989. He became Quality Insurance Inspector for Luton Borough Council’s cleansing contract in 1990, then Refuse Collection Manager, Street Cleansing Manager, Cleaning General Manager, and finally Head of Waste Management until his retirement in 2009. He is writing a book with the working title, "The History of Rubbish in Luton from 1850 to 2010".The History of Modern Biomedicine Research Group is funded by the Wellcome Trust, which is a registered charity (no. 210183). The current interview has been funded by the Wellcome Trust Strategic Award entitled “Makers of modern biomedicine: testimonies and legacy” (2012-2017; awarded to Professor Tilli Tansey)
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
A Portrait of the Artist as a Very Young or Very Old Innovator: Creativity at the Extremes of the Life Cycle
No full textOrson Wells made Citizen Kane, his greatest movie, when he was 25 years old; Frank Lloyd Wright designed Fallingwater, his most famous house, when he was 70. Contrasts as great as this raise the question of whether there is a general explanation of when in their lives great innovators are most creative. For each of seven artistic disciplines, this paper examines a major innovation made by a very young artist, and another made by an old one, with the goal of understanding the role of the artist's age and experience in the accomplishment. The analysis shows why youth was necessary for the innovations of such conceptual artists as F. Scott Fitzgerald, Arthur Rimbaud, Maya Lin, and Orson Welles, all of whom produced their masterpieces before the age of 30, and why extensive experience was necessary for the innovations of such experimental artists as Piet Mondrian, Elizabeth Bishop, Henrik Ibsen, and Frank Lloyd Wright, all of whom made major contributions after the age of 60. This paper demonstrates the generality of the distinction between conceptual and experimental innovators in artistic disciplines, and the value of the analysis in explaining the very different relationships between age and creativity for the two types of artist.
Appropriateness of hysterectomy for treatment of noncancerous gynecologic conditions
No full textBenign, or noncancerous, gynecologic conditions are prevalent and can cause significant morbidity. Treatment options vary in invasiveness, efficacy, and side effects. Hysterectomy, a leading treatment option, cures many symptoms caused by these conditions, but is invasive and has potential negative long-term health effects. Additionally, despite the high prevalence of hysterectomy, the use of this procedure is not distributed evenly throughout the US; there are regional, socioeconomic, and racial differences in rates of hysterectomy. It is important to define the context and characteristics of an appropriate hysterectomy. Unfortunately, the most commonly cited comprehensive appropriateness classification system and recommendations were published in 1997 by the RAND corporation. New definitions and recommendations are needed given advancements in gynecologic care in recent decades. The objectives of this dissertation research are to explore the RAND appropriateness classification system in a contemporary clinical context, and to develop, with a team of practicing obstetrician-gynecologists and clinician scientists, an updated version, the Wright appropriateness classification system, to assess appropriateness of hysterectomies. Additionally, we descriptively explore the associations of social and structural factors with Wright-based appropriateness ratings. Our study population consisted of patients aged 18-44 who received a hysterectomy for benign and non-obstetric conditions from October 2014 to December 2017 at a large tertiary health system. We abstracted structured and unstructured data from electronic medical records on patient demographics including race, Hispanic ethnicity, insurance status at time of surgery, hospital type; information on the primary indication for hysterectomy, diagnosis codes associated with the hysterectomy, previous treatments, and lab results. We provided RAND-based (dichotomous: inappropriate/appropriate) and Wright-based (3-level: inappropriate/ambiguous/appropriate) appropriateness ratings. Using the RAND-based classifier, 31.3% of hysterectomies were rated as appropriate and 68.7% as inappropriate. Using the Wright-based classifier, 58.1% of hysterectomies were rated as appropriate, 15.7% as ambiguous, and 26.2% as inappropriate. Missing information on diagnostic procedures was the most common characteristic related to both RAND-based (46.1%) and Wright-based (51.2%) inappropriate ratings.We found that patients that self-paid for their surgery or had Medicaid coverage, had a statistically significant lower prevalence of Wright-based inappropriate rated hysterectomies. Alternatively, patients that received their hysterectomy at non-teaching hospitals had statistically significant higher prevalence of Wright-based inappropriate rated hysterectomies. We believe the differences in Wright-based inappropriate ratings can partially be attributed to variations in electronic medical record completeness. Our results highlight the importance of continued research in appropriateness of hysterectomy performance and accurately documenting clinical care.Doctor of Philosoph
Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub
No full textThe aim of this thesis is to arrive at a characterisation of twentieth century poetry and science by means of a detailed study of the work of four poets who engaged extensively with science and whose writing lives spanned the greater part of the period. The study of science in the work of the four chosen poets, Hugh MacDiarmid (1892 – 1978), Judith Wright (1915 – 2000), Edwin Morgan (1920 – 2010), and Miroslav Holub (1923 – 1998), is preceded by a literature survey and an initial theoretical chapter. This initial part of the thesis outlines the interdisciplinary history of the academic subject of poetry and science, addressing, amongst other things, the challenges presented by the episodes known as the ‘two cultures’ and the ‘science wars’. Seeking to offer a perspective on poetry and science more aligned to scientific materialism than is typical in the interdiscipline, a systemic challenge to Thomas Kuhn’s The Structure of Scientific Revolutions (1962) is put forward in the first chapter. Additionally, the founding work of poetry and science, I. A. Richards’s Science and Poetry (1926), is assessed both in the context in which it was written, and from a contemporary viewpoint; and, as one way to understand science in poetry, a theory of the creative misreading of science is developed, loosely based on Harold Bloom’s The Anxiety of Influence (1973). The detailed study of science in poetry commences in Chapter II with Hugh MacDiarmid’s late work in English, dating from his period on the Shetland Island of Whalsay (1933 – 1941). The thesis in this chapter is that this work can be seen as a radical integration of poetry and science; this concept is considered in a variety of ways including through a computational model, originally suggested by Robert Crawford. The Australian poet Judith Wright, the subject of Chapter III, is less well known to poetry and science, but a detailed engagement with physics can be identified, including her use of four-dimensional imagery, which has considerable support from background evidence. Biology in her poetry is also studied in the light of recent work by John Holmes. In Chapter IV, science in the poetry of Edwin Morgan is discussed in terms of its origin and development, from the perspective of the mythologised science in his science fiction poetry, and from the ‘hard’ technological perspective of his computer poems. Morgan’s work is cast in relief by readings which are against the grain of some but not all of his published comments. The thesis rounds on its theme of materialism with the fifth and final chapter which studies the work of Miroslav Holub, a poet and practising scientist in communist-era Prague. Holub’s work, it is argued, represents a rare and important literary expression of scientific materialism. The focus on materialism in the thesis is not mechanistic, nor exclusive of the domain of the imagination; instead it frames the contrast between the original science and the transformed poetic version. The thesis is drawn together in a short conclusion
The reality of God and historical method : an examination of theological historiography in critical dialogue with N. T. Wright
No full textThis thesis argues that any historiography that would contribute to theological knowledge must take into consideration, at a methodological level, the reality of God. This theological claim, in turn, has significant implications for historical knowledge and thus, historiography. The thesis moves ahead in five chapters. The first is an overview and description of N. T. Wright’s historical and theological method as they both are grounded in his critical realist epistemology. The second chapter argues for a particular theological epistemology that goes beyond Wright’s and corrects it, drawing primarily on the work of T. F. Torrance and Søren Kierkegaard. In the third and fourth chapters an ‘apocalyptic’ theological approach is defined and articulated according to a progression from soteriology to Christology to creation. The final chapter builds upon this constructive theological work by articulating an ‘apocalyptic’ theology of history which is then used to articulate some key considerations for a theological approach to historiography in critical dialogue with Wright’s historical and theological method
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