4,816 research outputs found
Compte-rendu de Coulthard, Malcolm, Johnson, Alison et Wright, David (2017): An Introduction to Forensic Linguistics: language in evidence
Get PDFThis is a review of Coulthard, Malcolm, Johnson, Alison & Wright, David (2017): Introduction to forensic linguistics: language in evidence.Se trata de una reseña de Coulthard, Malcolm, Johnson, Alison y Wright, David (2017): An Introduction to Forensic Linguistics: language in evidence.Il parle à propos de Coulthard, Malcolm, Johnson, Alison et Wright, David (2017): An Introduction to Forensic Linguistics: language in evidence
Alison Leland with Larry Hagman; Jean Stapleton ; Jim Wright ; Unknown others;8/23/1983
No full textMickey Leland; Alison Leland with Larry Hagman; Jean Stapleton ; Jim Wright ; Unknown others;8/23/1983https://digitalscholarship.tsu.edu/mla_mlavc_photos5/1016/thumbnail.jp
Mickey Leland; Alison Leland with Larry Hagman; Jean Stapleton ; Jim Wright ; Unknown others;8/23/1983
No full textMickey Leland; Alison Leland with Larry Hagman; Jean Stapleton ; Jim Wright ; Unknown others;8/23/1983https://digitalscholarship.tsu.edu/mla_mlavc_photos5/1017/thumbnail.jp
Repositioning the graphic designer as researcher
Get PDFIn academic terms, the discipline of graphic design is relatively young. Consequently the position of the discipline within academic territory, and the role of the designer, continue to be debated. In part, these debates have been a product of attempts to define and defend the discipline’s borders from within, in order to establish a sense of the role of graphic design and the graphic designer as commensurate with other disciplines both within and beyond art and design. In recent years graphic designers have variously been defined as ‘authors’, ‘producers’ and ‘readers’, yet none of these definitions seem to have provided any kind of productive or lasting impact within the academy. This paper suggests that rather than continue to seek territorial definitions and positions from within, it could be more productive to look beyond the confines of the discipline. Gaining a broader, interdisciplinary perspective on, and understanding of, qualitative research methods from other disciplines may enable the graphic designer to more fully position his or her practice within the wider academy. Such a perspective could help facilitate the repositioning and redefinition of the graphic designer as ‘researcher’ - a move that would be productive in relation to the future development of postgraduate research within the discipline
Une analyse du miracle espagnol : Alison Wright, The Spanish Economy 1959-1976
No full textPéchoux Pierre-Yves. Une analyse du miracle espagnol : Alison Wright, The Spanish Economy 1959-1976. In: Revue géographique des Pyrénées et du Sud-Ouest, tome 50, fascicule 4, 1979. pp. 589-592
Alison Bechdel - Author of Fun Home and Award-winning Cartoonist of the Comic Strip Dykes to Watch Out For
No full textPresented in partnership with the Rainbow Alliance
Alison Bechdel, author of the critically acclaimed Fun Home (called one of the very best graphic novels ever in Booklist) and of the syndicated comic strip Dykes to Watch Out For (DTWOF), has become a cultural icon for lesbians and discerning non-lesbians all over the planet. Since drawing her first DTWOF 25 years ago for New York\u27s feminist monthly Womanews, Bechdel has seen her comic strip become syndicated in over 50 alternative newspapers and publications and printed in 12 book-length collections. At the podium, Bechdel redefines race and gender roles while taking aim at some of the most controversial topics of the day.https://corescholar.libraries.wright.edu/archives_presidential_lecture_series/1046/thumbnail.jp
Alison Wright : stories about the adoption experience in Australia
No full textThis story is part of the History of Adoption, a four year national research project funded by the Australian Research Council, 2009-2012
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