6,965 research outputs found
Hans David Blum Collection.
No full textThe Hans David Blum Collection documents his research of the history of his family and consists of correspondence, documents, photographs, manuscripts and notes, genealogical tables and trees, and clippings. Additionally there is a small amount of personal materials.Elaine Wolff, August 2005; David Hans Blum, August 2006Hans David Blum was born in 1919 in Breisach am Rhein, Germany. He is the author of a number of books, including Juden in Breisach.Finding aid available onlineRheineck. Müllheimdigitize
[Burgundische Historie]
No full text[Hans Erhart Tüsch]Impressum: Ort und Datum in der Vorlage genannt, Drucker nach ISTCFor the identity of the author (also known as Hans Düsch) and the political slant and the date of the text, see K. Ohly, Gb Jb 1956, p.131Woodcut
Der Schwäbisch Haller Handwerkerliterat Hans Wertmann
No full textDer Handwerkerliterat Hans Wertmann (auch Wortmann, Frank, Glaser) lebte als Glaser in Schwäbisch Hall, wo er von 1508 bis zu seinem Tod 1527/28 bezeugt ist. Er verfasste drei Reimpaarsprüche: einen Spruch auf den Feldzug Herzog Ulrichs von Württemberg im Landshuter Erbfolgekrieg 1504, den ältesten bekannten Pritschenmeisterspruch auf das Augsburger Schießen 1509 und einen Spruch auf den Bauernkrieg 1525. 1. Forschungsstand: Ulrich Müller im neuen Verfasserlexikon Bd. 3, 1981, Sp. 53 [1] ken..
Prof. Th. W. Adorno and the author Hans Erich Nossack.
No full textProf. Th. W. Adorno and the author Hans Erich Nossack at a reception of Insel Verlag, Buchmesse Frankfurt 1966LB
Hans Habes Roman Christoph und sein Vater - Zwischen persönlicher Verarbeitung und den westdeutschen Schuld- und Aufarbeitsdiskursen der Nachkriegszeit
No full textThis Master thesis is an investigation of the Book “Christoph und sein Vater” by Hans Habe. The author was one of the most important publicists in West Germany after World War II. During his life he wrote more than twenty books, some of them translated into English, and around ten thousand newspaper articles, but today he is unknown and unnoticed by literary scholars. The beginning of this thesis (chapter 2) summarizes the investigated book and highlights biographical information about Hans Habe. The main topic of the book is the relationship between Veit Harlan, the director of the anti-Semitic film “Jud Suess” during the Nazi period, and his son Thomas Harlan. The literary interpretation reveals not only a relationship between the main characters and the German postwar period (chapter 3), but also a strong connection to the book “Ritualmord in Ungarn” by Arnold Zweig and explores the question of Jewishness in a Christian society (chapter 4), Habe’s depiction of the Harlan family (chapter 5) and how the author discusses several problems of the 1960s German society (chapter 6). The interpretation concludes with a short summary (chapter 7).
In this thesis I argue that Hans Habe uses the conflict between Veit and Thomas Harlan to, on the one hand, cast his own criticism on the German postwar society, and on the other hand, to come to terms with the suicide of his father.Item withdrawn by Mark Zulauf ([email protected]) on 2011-07-16T14:33:50Z
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University of Illinois Theses & Dissertations (ID: 1)
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Hans David Blum Research Collection 1832-2000
No full textThe Hans David Blum Research Collection documents his research on the Jews of Breisach and his ancestors that culminated in a book entitled 'Juden in Breisach' that was published in 1998. The collection includes Hans David Blum’s research materials such as printed materials, documents (mostly copies), correspondence with archives and individuals, genealogical charts and tables, lists, and a large amount of notes.The Research Collection is part of the Hans David Blum Collection, AR 25256Hans David Blum was born in 1919 in Breisach am Rhein, Germany. He is the author of a number of books, including 'Juden in Breisach'.Published books pertaining to the genealogy of German Jewry were transferred to the LBI Library; books with more than 50% of annotated pages are kept with the archives in this research collectionProcesseddigitize
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
Control of complexity in virtual organizations: the role of enterprise modelling
No full textIn general it can be staled that re-design and optimisation of a (virtuaI) enterprise is not facilitated but hindered by infonnation systems. Too much of lhe 'way of working' of the existing situalion is tixed in the existing systems to aJlow for easy changes. This problem is reinforeed by the requiremenls for differentiation between similar but not identical business processes that further emphasize the need for increased flexibility, and the problems as caused by the current generation if enterprise information systems. Adequale redcsign of both the business processes of a (virtual) organization and the associated infonnation systems requires enterprise modelling. In this paper we will, based on experiences gained in the area of product data modelling, develop a number of requirements for enterprise modelling methodologies. reference architectures, and languages. In this we will mainly focus on the areas of semantics, dynamics and complexity
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