15,559 research outputs found

    The dialectic of self and other in Montaigne, Proust and Woolf

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    This thesis investigates the construction of identity in relation to an other. It considers three writers who, working at moments when the nature of selfhood was an urgent issue, conduct profound and original enquiries into the question of self- construction, and seeks both to reassess their contributions to this debate, and, in bringing their preoccupations and methods to bear upon each other, to open up new ways of approaching and reading their work. Considering a range of socio-cultural and religious forms of otherness -- the cannibal, the witch, the Jew, the aristocrat, the woman, the divine -- it embraces material from a number of important modem critical fields, and suggests how these topics might be combined to offer a coherent statement about the enduring issue of s elf- fashioning. The thesis seeks to map out a trajectory of decreasing investment in external communities, and an increasing perception of the self as a source and agent in the construction of identity. Looking in turn at the work of Montaigne, Proust and Woolf, it argues that where the Essais construct complex orders which appropriate the other to reinforce the identity of the self, Proust and Woolf increasingly, although gradually, and by no means always successfully, attempt to negotiate a less precisely- engaged relationship between other and self, and to assign the other a less constitutive role in the realization and expression of identity. The thesis also considers more briefly contexts in which this trajectory is reversed. To the extent that they examine modernist subjectivity, Proust and Woolf articulate an anxiety about the separation of self and world which leads to an attempted recuperation of the integrated orders depicted by Montaigne

    Link stability estimation based on link connectivity changes in mobile ad-hoc networks

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    Dear Wang, Re: Link Stability Estimation Based on Link Connectivity Changes in Mobile Ad-hoc Networks I have not been able to assess if this is an author version peer-reviewed or is it an author version non peer reviewed. Could you please clarify this so I can proceed to add your paper to Spiral. Spiral digital repository only accept peer-reviewed papers. 30/11/12 author has confirmed peer reviewe

    Neither Scotland nor England : Middle Britain, c.850–1150

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    In and around the 870s, Britain was transformed dramatically by the campaigns and settlements of the Great Army and its allies. Some pre-existing political communities suffered less than others, and in hindsight the process helped Scotland and England achieve their later positions. By the twelfth century, the rulers of these countries had partitioned the former kingdom of Northumbria. This thesis is about what happened in the intervening period, the fate of Northumbria’s political structures, and how the settlement that defined Britain for the remainder of the Middle Ages came about. Modern reconstructions of the era have tended to be limited in scope and based on unreliable post-1100 sources. The aim is to use contemporary material to overcome such limitations, and reach positive conclusions that will make more sense of the evidence and make the region easier to understand for a wider audience, particularly in regard to its shadowy polities and ecclesiastical structures. After an overview of the most important evidence, two chapters will review Northumbria’s alleged dissolution, testing existing historiographic beliefs (based largely on Anglo-Norman-era evidence) about the fate of the monarchy, political community, and episcopate. The impact and nature of ‘Southenglish’ hegemony on the region’s political communities will be the focus of the fourth chapter, while the fifth will look at evidence for the expansion of Scottish political power. The sixth chapter will try to draw positive conclusions about the episcopate, leaving the final chapter to look in more detail at the institutions that produced the final settlement

    Virginia Woolf i jej awatary. Ikonizacja oraz zawłaszczenia wizerunku pisarki w kulturze i literaturze popularnej

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    Virginia Woolf and Her Avatars. Creating an Icon and Appropriating the Writer’s Image in Popular Culture and Literature The act of fictionalising the lives of historical figures, which is the major motivation for this article, has become a common practice and literary phenomenon rather than a short-lived fad. The author analyses several literary works that consciously follow this practice and incorporate Virginia Woolf, an icon and a priestess of Modernism, into the cast of fictional characters. Each writer, representing various tendencies within this practice, creates different avatars – literary representations of Virginia Woolf’s figure which either (partially) correspond or defy the image of this historical figure. Sigrid Nunez in Mitz, the Marmoset of Bloomsbury – ,,unauthorised biography” – appropriates the Woolfian invention of an animal narrator to fictionalise the Woolfs and their domestic life. Looking through the lenses of such an observer casts a different light on this historical figure as well as on the circle of family and friends who frequent the pages of Mitz. Susan Selers’s Vanessa and Virginia, likewise incorporating elements of a biography, focuses on the symbiotic bond between the Stephen sisters, highlighting their rivalry. In The Hours, Michael Cunningham’s literary endeavour and homage to Woolf’s legacy, the writer aims, through one of the three intertwined narratives, to recreate the last day of Virginia Woolf’s life. The author focuses onher daily writing regime which in turn portrays her as a neurotic figure, obsessed with death and how her work might be received. In Passing for Human and I, Vampire Jody Scott plays with the image of Virginia Woolf ad libitum, customising her vision to an image hardly affiliated to Woolf. Generically diverse literary works presented in this study create a multifaceted fictionalised portrait of Virginia Woolf that largely corresponds with biographical facts. At the same time, as in case of Cunningham or Scott, it shows abuse and misuse of certain facts in an attempt to fictionally authenticate the life of the real-life figur

    Change in Northumbria : was Aldfrith of Northumbria's reign a period of innovation or did it merely reflect the development of processes already underway in the late seventh century?

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    This thesis looks at a period of Northumbrian history when the king was a part Irish, Iona trained scholar. Some have suggested that Aldfrith was assisted to the kingship by the northern victors of the battle of Nechtansmere. It examines processes in the late seventh century to try to identify changes that might have happened during the reign of this king. The study begins with a wide overview of previous research to establish a basis from which to look for processes and change and also examines the sources available to us, written and archaeological. It then looks at the kingdoms to the north and west and at Aldfrith and the period of his reign. The suggestion is made that Aldfrith acted, with the Church, to cult saints that were Northumbrian and Romanist, as opposed to other options that might have been available. It proposes that the Northumbrians rejected opportunities to develop links with the north and west that may have been open to them. The following chapters then examine processes underway in Northumbria in three general areas; in the use of power, in society, and in the economy. It concludes that although many processes continued as before, these sped up and in certain areas such as the production of coins, and the consequential development of trade, it was a period of innovation. There is no evidence of a focus to the north and west during Aldfrith’s reign and this has implications for how Aldfrith got to the throne, suggesting that it was with the support of the Northumbrian elite and not through the military strength of the Dál Riata or the Picts. The evidence is that Northumbria increasingly looked south for its influences and is prepared to absorb and implement processes and approaches from southern England, Gaul and Rome

    Cerebral atrophy in mild cognitive impairment and Alzheimer disease: rates and acceleration.

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    OBJECTIVE: To quantify the regional and global cerebral atrophy rates and assess acceleration rates in healthy controls, subjects with mild cognitive impairment (MCI), and subjects with mild Alzheimer disease (AD). METHODS: Using 0-, 6-, 12-, 18-, 24-, and 36-month MRI scans of controls and subjects with MCI and AD from the Alzheimer's Disease Neuroimaging Initiative (ADNI) database, we calculated volume change of whole brain, hippocampus, and ventricles between all pairs of scans using the boundary shift integral. RESULTS: We found no evidence of acceleration in whole-brain atrophy rates in any group. There was evidence that hippocampal atrophy rates in MCI subjects accelerate by 0.22%/year2 on average (p = 0.037). There was evidence of acceleration in rates of ventricular enlargement in subjects with MCI (p = 0.001) and AD (p < 0.001), with rates estimated to increase by 0.27 mL/year2 (95% confidence interval 0.12, 0.43) and 0.88 mL/year2 (95% confidence interval 0.47, 1.29), respectively. A post hoc analysis suggested that the acceleration of hippocampal loss in MCI subjects was mainly driven by the MCI subjects that were observed to progress to clinical AD within 3 years of baseline, with this group showing hippocampal atrophy rate acceleration of 0.50%/year2 (p = 0.003). CONCLUSIONS: The small acceleration rates suggest a long period of transition to the pathologic losses seen in clinical AD. The acceleration in hippocampal atrophy rates in MCI subjects in the ADNI seems to be driven by those MCI subjects who concurrently progressed to a clinical diagnosis of AD

    Tomasi di Lampedusa lecteur de Virginia Woolf

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    Dans la dernière section de ses leçons de littérature anglaise, « Accenni ad alcuni contemporanei », Lampedusa s’arrête sur trois romancières contemporaines, Elizabeth Bowen, Rosamond Lehmann et Virginia Woolf. Les pages qu’il consacre à cette dernière permettent de mesurer l’influence que la grande prose moderniste, telle qu’elle s’incarne dans les romans de l’auteur de Mrs Dalloway, eut sur l’écriture du Guépard. La leçon, datée de 1954, a, en effet, été donnée au moment où Lampedusa aborda..

    Sculture d'onde: James Joyce e Virginia Woolf

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    L’intervento riflette su quello che costituisce un immediato punto di contatto tra il dipinto di Kleen, il capitolo joyciano di Ulysses e il romanzo di Virginia Woolf “The Waves”. Silvia Bigliazzi parte dalla riflessione sull’opera in quanto forma materiale che non rimanda ad altro da sé e, in quanto oggetto di esperienza prettamente sensoriale capace di indurre una risposta emotiva. Le tre opere molto diverse da molti punti di vista, hanno come comun denominatore le onde
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