1,722,505 research outputs found

    Wollheim, Wittgenstein, and Pictorial Representation: Seeing-as and Seeing-in

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    Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial representation is not resemblance but 'seeing-in', in particular as found in the work of Richard Wollheim. We can see a passing cloud as a rabbit, but we also see a rabbit in the clouds. 'Seeing-in' is an imaginative act of the kind employed by Leonardo’s pupils when he told them to see what they could - for example, battle scenes - in a wall of cracked plaster. This collection examines the idea of 'seeing-in' as it appears primarily in the work of Wollheim but also its origins in the work of Wittgenstein. An international roster of contributors examine topics such as the contrast between seeing-in and seeing-as; whether or in what sense Wollheim can be thought of as borrowing from Wittgenstein; the idea that all perception is conceptual or propositional; the metaphor of figure and ground and its relation to the notion of 'two-foldedness'; the importance in art of emotion and the imagination. Wollheim, Wittgenstein and Pictorial Representation: Seeing-as and Seeing-in is essential reading for students and scholars of aesthetics and philosophy of art, and also of interest to those in related subjects such as philosophy of mind and art theory

    New : West Coast Photographers

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    Wollheim outlines the problems Vancouver artists have, in the face of local indifference and East Coast domination of the visual arts. Artist's statements and notes on the contributors are included

    Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearb. und für die Bühne eingerichtet von Wollheim

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    ERLÄUTERUNGEN UND GESÄNGE ZUM ZWEITEN THEIL VON GÖTHE'S FAUST / BEARB. UND FÜR DIE BÜHNE EINGERICHTET VON WOLLHEIM Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearb. und für die Bühne eingerichtet von Wollheim (1) Cover (1) Titelseite (3) Personen (4) Erläuterungen zu meiner Bearb. des zweiten Theils von Göthe's Faust (5) Text zu den Gesängen (29

    Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearb. und für die Bühne eingerichtet von Wollheim

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    ERLÄUTERUNGEN UND GESÄNGE ZUM ZWEITEN THEIL VON GÖTHE'S FAUST / BEARB. UND FÜR DIE BÜHNE EINGERICHTET VON WOLLHEIM Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearb. und für die Bühne eingerichtet von Wollheim (1) Cover (1) Titelseite (3) Personen (4) Erläuterungen zu meiner Bearb. des zweiten Theils von Göthe's Faust (5) Text zu den Gesängen (29

    Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearbeitet und für die Bühne eingerichtet von Wollheim

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    ERLÄUTERUNGEN UND GESÄNGE ZUM ZWEITEN THEIL VON GÖTHE'S FAUST / BEARBEITET UND FÜR DIE BÜHNE EINGERICHTET VON WOLLHEIM Erläuterungen und Gesänge zum zweiten Theil von Göthe's Faust / bearbeitet und für die Bühne eingerichtet von Wollheim (1) Cover (1) Titelseite (3) Personen (4) Erläuterungen zu meiner Bearb. des zweiten Theils von Göthe's Faust (5) Text zu den Gesängen (29

    Norbert Wollheim

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    Newspaper clipping (New York Times, approximately March 1999) about the life of Norbert Wollheim. Also included is a letter about Rabbi Leo Lichtenberg, a friend of Norbert Wollheim in Berlin.Norbert Wollheim (1913-1999) was born in Berlin, on April 26, 1913. After the Kristallnacht he helped to arrange and escort transports that took Jewish children to Britain. Deported to the concentration camp in Auschwitz in 1943, he immigrated to the United States in 1952 and lived there until his death in March 1999. Surviving the concentration camp at Auschwitz, he successfully sued IG Farben for compensation of forced labor.The LBI Leo Baeck Collection, AR 66, holds photographs of Rabbi Baeck with Norbert Wollheim.digitize
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