2,375 research outputs found

    Winter strangers, by Isobel Wohl

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    Lila said that she needed to get something out of the way: she had never been with someone in a gimp mask, nor had she ever worn a gimp mask herself. So she was a bit nervous. She was bringing this up now because she wanted to be up front. To be totally honest she did not know the first thing about the masks or Fet or Fetlife or what they called the scene or scenes or the lifestyle or any of it. The man said not to worry about that now. Winter strangers did not get what they expected. Winter strangers are not in full bloom. They are in the right place at the wrong time or the wrong place at the right time or the wrong place at the wrong time. The short stories in Winter Strangers examine dynamics of barrenness and thwarted or misrecognised satisfactions. Attempts to give or receive succour founder in the spaces of contemporary alienation where the figures that populate this book contend with the manufacturing and vitiation of their desires. A search for pleasure begins: pleasure at home, online, in work, in the body, in thought and speech, in vision and language. Winter Strangers makes contact with its reader where such pleasures reckon with loneliness and make no compromise. ‘Isobel Wohl’s stories have an unsettling immediacy, charting with a keen eye our coldness and cruelty, our resilience, and small pleasures and tiny perversions. They are like devotions to a strange and wonderful god.’ –> Lauren Elkin Isobel Wohl is a visual artist and writer. Her work concerns itself with distance, capture, loss, and insufficiency as they manifest in the contact and disjunction between sensory experience and grammatical structures. She lives and works in London, U.K., and Brooklyn, NY, where she grew up

    From the IBPP Research Associates. Venezuela: Sharon Reimel de Carrasquel

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    The author, Sharon Reimel de Carrasquel, discusses the recently held presidential election in Venezuela

    Dr. Sharon Feldman – Faculty Author Interview

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    Sharon Feldman, Professor of Spanish and Catalan Studies and Chair of the Department of Latin American and Iberian Studies discusses her new book, In the Eye of the Storm: Contemporary Theater in Barcelona. Barcelona is presently experiencing the most dynamic period in its modern theater history. This book describes some of the crucial moments and back stories, as well as some of the theatre companies and playwrights, that have shaped the theatrical life of the city of Barcelona in the aftermath of the Franco dictatorship

    The Turkish Tea Garden: Exploring a 'Third Space' with cultural resonances

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    This article examines the history, use, and significance of the Turkish Tea Garden or Cay Bahcesi, positing that these gardens offer unique democratic spaces for public discourse set within the polis. The article unpacks the historical, cultural, and symbolic features of these gardens, and the role these shared spaces play in Turkey’s multivalent civic environment. It employs Ray Oldenburg’s notion of “third space” to consider how these gardens provide inclusive settings for a culturally diverse citizenry. Furthermore, the article considers how these spaces act as repositories of shared memory, mediating conflict that appears in other societal spheres. The gardens are presented as uniquely “sacred” third spaces, distinct from the “profane” third spaces characterized by Oldenburg.Accepted Author ManuscriptSpatial Planning and Strateg

    Letter from Sharon M. Tanihara, September 1990

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    Correspondence from Sharon Tanihara to Senator Daniel Inouye, Representative Norman Mineta, and Representative Robert Matsui regarding Tanihara's advocacy for amendments to the Civil Liberties Act of 1988 and her opinions on restitution payments for individuals previously excluded from that bill.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Peter Jaeger, The Shadow Line

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    Peter Jaeger’s The Shadow Line literally and figuratively shadows Joseph Conrad’s 1917 novella The Shadow Line by reading the original and re-writing its non-identical twin. Peter Jaeger has produced poetry, criticism, hybrid creative-critical research, and artists’ books. His most recent publications are John Cage and Buddhist Ecopoetics and A Field Guide to Lost Things. He is Professor of Poetics at Roehampton University. Robert Hampson is Chair of the UK Joseph Conrad Society, the author of three monographs on Conrad, including Conrad’s Secrets, and the editor of a number of Conrad’s works. He has written several books of poetry and is Director of the MA in Creative Writing at Royal Holloway. MA BIBLIOTHÈQUE was established by artist and writer Sharon Kivland in 2013. The publications are modestly yet attractively produced, usually printed in small editions, and include the seriesThe Good Reader, to which Kivland invites others to reflect on reading (forthcoming are works by Vanessa Place, Kate Briggs, Sarah Wood, and Annabel Frearson). Afterword by Robert Hampso

    Sharon Patricia Holland, 41st Annual ODU Literary Festival

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    Sharon Patricia Holland is a scholar and associate professor of English, African and African American studies, and women’s studies at Duke University. She is the author of The Erotic Life of Racism, Raising the Dead: Readings of Death and (Black) Subjectivity, and a co-editor of Crossing Waters, Crossing Worlds: The African Diaspora in Indian Country

    Sharon Bridgforth, 29th Annual ODU Literary Festival

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    Sharon Bridgforth is the Lambda Award winning author of the bull-jean and the Lambda nominated performance/novel, loveconjure/blues (both from RedBone Press). Bridgforth has been anthologized and produced widely and has received support from the National Endowment for the Arts Commissioning Program; The National Endowment for the Arts/Theatre Communications Group Playwright in Residence Program; National Performance Network; Rockefeller Foundation Multi-Arts Production Fund Award; and Funding Exchange/The Paul Robeson Fund for Independent Media. Bridgforth is the Anchor Artist for The Austin Project, sponsored by The Center for African and African American Studies (U.T. Austin) where she teaches a course on Black Empowerment and Community Internship

    Letter from Sharon M. Tanihara to Valerie O'Brian, July 12, 1989

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    Correspondence from Sharon Tanihara to Valerie O'Brian regarding Tanihara's eligibility for redress payments.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Letter from Sharon M. Tanihara to D. Nakamura, July 6, 1991

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    Correspondence from Sharon Tanihara to D. Nakamura regarding a letter written by Nakamura published in the Pacific Citizen. Tanihara discusses her activism regarding payment to "voluntarily" incarcerated non-Japanese spouses and Japanese-American children born outside of camps.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
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