6 research outputs found
O não dito na obra de Arhur Ramos The 'Non-Said' in the work of Arthur Ramos
No full textO objetivo deste artigo é discutir à luz da obra de Arthur Ramos, sobretudo dos estudos antropológicos voltados à compreensão das religiões afro-brasileiras, a razão pela qual esse autor alagoano teria dedicado tão pouca atenção aos xangôs de sua terra, tendo feito menção à perseguição sofrida pelas casas de culto de Maceió em 1912, apenas superficialmente e sem a preocupação de avançar sobre as motivações daquele episódio que a crônica local batizou de "Operação Xangô" e que ficou tão marcado na memória dos seus praticantes.The purpose of this article is to discuss in the light of Arthur Ramos' work, particularly concerning anthropological studies of Afro-Brazilian religions, the reason why this Brazilian author dedicated so little attention to the Shango of his country, making reference to the persecution suffered by worship houses of Maceió city, in 1912, only superficially and without the concern to investigate the motivations of the episode which was called by its practitioners "Operation Shango"
The challenge to avoid anti-malarial medicine stock-outs in an era of funding partners : the case of Tanzania
No full textBetween 2007 and 2013, the Tanzanian public sector received 93.1 million doses of first-line anti-malarial artemisinin-based combination therapy (ACT) in the form of artemether-lumefantrine entirely supplied by funding partners. The introduction of a health facility ACT stock monitoring system using SMS technology by the National Malaria Control Programme in mid 2011 revealed a high frequency of stock-outs of ACT in primary care public health facilities. The objective of this study was to determine the pattern of availability of ACT and possible causes of observed stock-outs across public health facilities in Tanzania since mid-2011.; Data were collected weekly by the mobile phone reporting tool SMS for Life on ACT availability from over 5,000 public health facilities in Tanzania starting from September 2011 to December 2012. Stock data for all four age-dose levels of ACT across health facilities were summarized and supply of ACT at the national level was also documented.; Over the period of 15 months, on average 29% of health facilities in Tanzania were completely stocked out of all four-age dose levels of the first-line anti-malarial with a median duration of total stock-out of six weeks. Patterns of total stock-out by region ranged from a low of 9% to a high of 52%. The ACT stock-outs were most likely caused by: a) insufficient ACT supplies entering Tanzania (e.g. in 2012 Tanzania received 10.9 million ACT doses compared with a forecast demand of 14.4 million doses); and b) irregular pattern of ACT supply (several months with no ACT stock). The reduced ACT availability and irregular pattern of supply were due to cumbersome bureaucratic processes and delays both within the country and from the main donor, the Global Fund to Fight AIDS, Tuberculosis and Malaria. Tanzania should invest in strengthening both the supply system and the health information system using mHealth solutions such as SMS for Life. This will continue to assist in tracking ACT availabili across the country where all partners work towards more streamlined, demand driven and accountable procurement and supply chain systems
Dancing the Black Atlantic: Katherine Dunham’s Research-to-Performance Method
No full textKatherine Dunham (1909-2006) was one of the great dancer/choreographers of the 20th century. As a trained anthropologist and author, her unique contributions formed a marriage between dance and ethnology that developed the archetype of the scholar-artist. I explore her research-to-performance methodology that trail-blazed what has been analyzed by Caribbeanist VèVè Clark as "performance ethnography." Dunham explored Afro-Caribbean culture and dance, as well as her own African American culture. The essay demonstrates how she did this specially in her writings on the Jamaican Moroons and the Vodou of Haiti, recontextualizing the latter in her famous 1945 "Shango" dance work. In the process, Dunham danced the Black Atlantic well before that trope was even conceptualized, and dignified black dance forms of the Americas
A critical edition of Derek Walcott's Omeros
No full textThe thesis is a Critical Edition of Derek Walcott’s Omeros, consisting of a Critical
Introduction and Annotations. The Critical Introduction analyses:
- Narrative
- Settings
- Metaphor and Paronomasia
- Symbolism
- Historiography
- Intertexts
- Dualism
- Autobiography
- Dialects
- Prosody.
The Annotations comment on more than 1000 references that may be obscure and on
specifics of narrative, language and prosody.
This study presents new conclusions about some aspects of Omeros:
- It challenges the prevailing view that the work is written substantially in a
variation of terza rima and shows that regular quatrains predominate.
- It demonstrates ways in which the metrics follow the sense of the narrative and
takes a more balanced position on the use of Caribbean as opposed to classical
metrics than that put forward previously.
- It identifies a paragraphic structure to the verse.
- It proposes a new prosodic structure for the significant Chapter XXX/iii.
- It extends Walcott’s recognised use of numerology into word counting the
names of characters.
- It develops the idea of Walcott’s dualism and his use of pairing and
contradiction as a dialectical method.
- It defines his wide use of paronomasia and shows that many of the puns have a
metaphorical aspect beyond mere word-play.
- It analyses some of Walcott’s symbolism.
- It identifies intertextual links to his earlier works and to some thirty other
writers, and suggests homage to Hemingway and possibly Heaney.
- It provides the first complete analysis of Walcott’s rhyme types in Omeros.
In its analysis of Omeros and in the Annotations it has included commentary from
across the critical literature, to provide some sense of other views on Walcott’s
writing, and has included as many as possible of Walcott’s own comments on Omeros
and on the writer’s task, as a background to understanding the poem
The influence of African sculpture on British art, 1910-1930
No full textThis thesis aims to discuss the influence of African wood sculpture
on British art from 1910 to 1930. It proposes that the works, tastes and
pronouncements of various 20th century British artists betray this
influence and that although the British artists did not initially
understand the conceptual foundations of African sculpture their limited
knowledge was just sufficient for the modernization of British art
through the adaptation of the formal qualities of African art.
In assessing the validity of these propositions the thesis examines
the factors and issues that facilitated the influence. Chapter 1
discusses the formal qualities of African wood sculpture that attracted
the British artists. It outlines the unusual figural proportions, the
free and direct use of planar, linear and solid geometry, the treatment
of material and its surfaces.
The conceptual foundations of African sculpture are generally
outlined in Chapter 2. The extent to which the British artists
understood these foundations is also discussed.
Chapter 3 concerns the introduction of African sculpture to Britain
and discusses the development of the anthropological and subsequent
aesthetic interest that it aroused. Both the Post-Impressionist
Exhibitions and the Omega Workshops which facilitated its influence are
examined. Chapter 4 examines the concept and attempts to categorize the
nature of this influence.
The last three chapters act as case studies in which the impact of
African sculpture on Epstein, Gaudier-Brzeska and Henry Moore is
examined. The conclusion discusses the term 'Primitive' and the British
artists and the 'Primitive
