135,293 research outputs found
Letter from P. D. McIves, C. Washington, J. B. Buinson, Ed Budd, J. J. Aldridge, R. A. Bennington, J. Mallen, V. M. Simmons, Colonel Allen, H. B. Carter, J. T. Grady, Walter Washington, O. H. Simmons, S. L. Winn, Randolph Winn, John Simmons, Kirk Waltham, R. E. Simmons, W. F. Simmons and J. H. Winn, to S. B. Simmons
No full textLetter from P. D. McIves, C. Washington, J. B. Buinson, Ed Budd, J. J. Aldridge, R. A. Bennington, J. Mallen, V. M. Simmons, Colonel Allen, H. B. Carter, J. T. Grady, Walter Washington, O. H. Simmons, S. L. Winn, Randolph Winn, John Simmons, Mr. Kirk Waltham, Mr. R. E. Simmons, W. F. Simmons and J. H. Winn, to S. B. Simmons, requesting M. C. Burt to stay as Vocational Agriculture teache
Albert J. Winn : "my life until now"
No full textDigitized photo negative from the SPACES Archive collection (Spec-Coll-00052) -- Series 6: Audio Visual, 1938-2014 -- Exhibit Slides: A-C, 1980-2006 -- Creating in Crisis: Making Art in the Age of AIDS, 1994 (Box 69, Folder 29).“Albert J. Winn centralizes his ethnic heritage as an element that not only shapes but informs the reception of his artwork. He states that, "as a gay man, a jew, a person with AIDS, I am often fragmented and marginalized, sometimes idealized. I am broken into elements that have little relationship to my life.” Although the oral tradition that informs most cataclysmic events as they become inscribed in U.S. history has not yet become an integral component of the AIDS project, Winn recognizes the need for establishing such a tradition. His ongoing autobiographical project, “My life until now,” equal parts outreach project and visual installation, has evolved over seven years to document the emotional, cultural, and sexual vicissitudes of AIDS as he experiences them.”--description written by Jeffrey D. Grove for the exhibit program for SPACES: Creating in Crisis: Making Art in the Age of AIDS, May 27-July 1, 1994
James Winn and David Kopp, March 2, 2007
No full textThis is the concert program of the James Winn and David Kopp performance on Friday, March 2, 2007 at 12:00 p.m., at the Boston University Concert Hall, 855 Commonweath Avenue, Boston, Massachusetts. Works performed were Sonata in E major, Wq. 84 by C.P.E. Bach, Fantasie, op. 79 by Gabriel Fauré, Joueurs de flûte by Albert Roussel, and Sonata in D major, op. 94 by Sergei Prokofiev. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
D. B. Winn, European Community and International Media Law
No full textD. B. Winn, European Community and International Media Law. In: Revue internationale de droit comparé. Vol. 48 N°4, Octobre-décembre 1996. pp. 980-982
D. B. Winn, European Community and International Media Law
No full textD. B. Winn, European Community and International Media Law. In: Revue internationale de droit comparé. Vol. 48 N°4, Octobre-décembre 1996. pp. 980-982
Density, carbon and stable isotope ratios (b) on benthic foraminifera from sediment core SO35-101, South Lau Basin, Southwest Pacific
No full textData to 21k applied in Sarnthein et al. (1988), to 30 k in Sarnthein and Winn (1990), and in Winn et al. (1992)
Albert J. Winn : "my life until now" 39" x 49"
No full textDigitized photo negative from the SPACES Archive collection (Spec-Coll-00052) -- Series 6: Audio Visual, 1938-2014 -- Exhibit Slides: A-C, 1980-2006 -- Creating in Crisis: Making Art in the Age of AIDS, 1994 (Box 69, Folder 29); written on bottom: 39" x 49".“Albert J. Winn centralizes his ethnic heritage as an element that not only shapes but informs the reception of his artwork. He states that, "as a gay man, a jew, a person with AIDS, I am often fragmented and marginalized, sometimes idealized. I am broken into elements that have little relationship to my life.” Although the oral tradition that informs most cataclysmic events as they become inscribed in U.S. history has not yet become an integral component of the AIDS project, Winn recognizes the need for establishing such a tradition. His ongoing autobiographical project, “My life until now,” equal parts outreach project and visual installation, has evolved over seven years to document the emotional, cultural, and sexual vicissitudes of AIDS as he experiences them.”--description written by Jeffrey D. Grove for the exhibit program for SPACES: Creating in Crisis: Making Art in the Age of AIDS, May 27-July 1, 1994
Charles Winn, VMI Cadet, ca. 1893
No full textCadet Charles D. Winn, Class of 1893.This image also appears in Class of 1893 Album
Guest artist recital: James Winn and Greg Neil, April 29, 2001
No full textThis is the concert program of the Guest artist recital of James Winn and Greg Neil on Sunday, April 29, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in D Major, Wq. 83 by Carl Philip Emanuel Bach, Introduktion und Variationen, Op. 160 by Franz Schubert, Syrinx by Claude Debussy, Density 21.5 by Edgar Varèse, Paraphrases by Mark Zuckerman, and First Sonata by Bohuslav Martinu. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Density, carbon and stable isotope ratios on foraminifera from sediment core SO35-182
No full textStable isotope ratios measured by CARBO KIEL Massenspectrometer Finnigan MAT 251, Christian-Albrechts-University, Kiel, Germany. Data to 21k applied in Sarnthein et al. (1988), in Sarnthein and Winn (1990), and in Winn et al. (1990)
- …
