1,721,342 research outputs found
"Kew Gardens" and "Miss Brill" : Virginia Woolf and Katherine Mansfield as short story writers
No full textThis chapter considers the literary relationship between Katherine Mansfield and Virginia Woolf, whose complex friendship between 1916 and 1920 is well documented. It suggests possible lines of influence between them, discernible in their experimentation with the short story genre during a formative period for both writers: when Woolf was writing short stories and before she had established her reputation as a novelist, and when Mansfield was approaching the mature style that would make her name as a short story writer par excellence. It will draw a comparison between two stories—Woolf’s “Kew Gardens” (1917), and Mansfield’s “Miss Brill” (1920)—both set in public gardens. As responses to similar settings that exhibit differences of modernist technique and approach the stories can also be read in relation to each other through the lens of Mansfield’s and Woolf’s inconstant friendship and literary rivalry
(Not) being at home: Hsu Ming Teo’s Behind the Moon (2005) and Michelle de Kretser’s Questions of Travel (2012)
Full text linkThis article examines some interventions of Asian Australian writing into the debate over multiculturalism, and the shift from negative stereotyping of Asian migrants, to reification of racial divisions and propagation of a masked racism, to the creation of new alignments and the revival of pre-existing affiliations by migrant and secondgeneration subjects. It compares the practices of not-at-homeness by Asian migrants and their descendants and white Australians in Hsu Ming Teo’s Behind the Moon with those of a Sri Lankan refugee and a white Australian traveller in Michelle de Kretser’s Questions of Travel.
The changing concepts of belonging in the novels show a realignment of core and periphery relations within the nation state under the pressures of multiculturalism and globalization: where home is and how it is configured are questions as important for white Australians whose sense of territory is challenged as they are for Asian migrants who seek to establish a new belonging
Introduction : tilling the fields of postcolonial literature
No full textThe title of this volume embraces the idea of ‘new soundings’ in its double meanings: ‘soundings’ in the sense of exploratory fathoming and plumbing of the ocean depths, and ‘soundings’ in the contemporary sense of sonar registrations of the seabed, made in order to hear and notate the invisible, inaudible life and activity below the surface. The metaphoric connotations of depth charges in the former usage point to the various forms of mapping, of the discoveries and expansions associated with the opening up of what were once conceived as distant lands, as well as the hazards and betrayals entailed in such colonizing. ‘Soundings’, when used in the sense of registering sound shapes and effects, implies metaphorically those acts of communication, whereby the newly charted, discovered worlds transmit their cultures, heritage and voices, receiving in return the mixed messages of those who discover and colonise. For such processes of settlement and entrenchment are fraught with contestation, involving new contact zones, encounters with Indigenous peoples, recognition of racial and ethnic differences and ideological reassessment of the nature of civilisation. The subtitle’s reference to ‘contours’ invokes the new cultural frames that emerge from such forms of contact, and the organising, reshaping and syncretising of what Homi Bhabha has called the ‘spaces between’ cultures that contact/collision provokes. Such new cultural landscaping can be found in the critical and creative writing of the last half century that embodies as well as engages with issues of the postcolonial. The subtitle also refers to the critical essays, poems and stories collected in this volume, all of which are associated with the discipline of postcolonial studies, and might be seen as products of this broad field. Just as the critical contours seek to debate and give wider visibility to postcolonialism’s major contestations, so the book’s creative contours showcase some of the movement’s significant themes and imaginative configurations
Introduction: tilling the fields of postcolonial literature
No full textThe title of this volume embraces the idea of ‘new soundings’ in its double meanings: ‘soundings’ in the sense of exploratory fathoming and plumbing of the ocean depths, and ‘soundings’ in the contemporary sense of sonar registrations of the seabed, made in order to hear and notate the invisible, inaudible life and activity below the surface. The metaphoric connotations of depth charges in the former usage point to the various forms of mapping, of the discoveries and expansions associated with the opening up of what were once conceived as distant lands, as well as the hazards and betrayals entailed in such colonizing. ‘Soundings’, when used in the sense of registering sound shapes and effects, implies metaphorically those acts of communication, whereby the newly charted, discovered worlds transmit their cultures, heritage and voices, receiving in return the mixed messages of those who discover and colonise. For such processes of settlement and entrenchment are fraught with contestation, involving new contact zones, encounters with Indigenous peoples, recognition of racial and ethnic differences and ideological reassessment of the nature of civilisation. The subtitle’s reference to ‘contours’ invokes the new cultural frames that emerge from such forms of contact, and the organising, reshaping and syncretising of what Homi Bhabha has called the ‘spaces between’ cultures that contact/collision provokes. Such new cultural landscaping can be found in the critical and creative writing of the last half century that embodies as well as engages with issues of the postcolonial. The subtitle also refers to the critical essays, poems and stories collected in this volume, all of which are associated with the discipline of postcolonial studies, and might be seen as products of this broad field. Just as the critical contours seek to debate and give wider visibility to postcolonialism’s major contestations, so the book’s creative contours showcase some of the movement’s significant themes and imaginative configurations
Economic Women::Money and (Im)mobility in Selected Stories by Katherine Mansfield
No full textRegenia Gagnier’s comment that late Victorian literature ‘represents the everyday economic life between the genders’ as ‘refracted through the discourses of technology, machinery and economic operations’ applies equally to modernist writing of the early twentieth century, especially before England’s social structure was ruptured by the devastation of the Great War.1 In Katherine Mansfield’s stories the effects of modernity in the forms of ‘economic events that shaped the contemporary world’,2 then, are crucial touchstones for the changing subjectivities and self–other relations of her characters. To read her work through an economic lens informed by twenty-first-century consumer discourses and the ideology of global capitalism is to become aware of the marketplace as a powerful, animating force that intersects with and destabilizes her characters in unpredictable ways, shaping her modernist response to money conceived as the basis of economic and social power
Economic Women: : Money and (Im)mobility in Selected Stories by Katherine Mansfield
Full text linkRegenia Gagnier’s comment that late Victorian literature ‘represents the everyday economic life between the genders’ as ‘refracted through the discourses of technology, machinery and economic operations’ applies equally to modernist writing of the early twentieth century, especially before England’s social structure was ruptured by the devastation of the Great War.1 In Katherine Mansfield’s stories the effects of modernity in the forms of ‘economic events that shaped the contemporary world’,2 then, are crucial touchstones for the changing subjectivities and self–other relations of her characters. To read her work through an economic lens informed by twenty-first-century consumer discourses and the ideology of global capitalism is to become aware of the marketplace as a powerful, animating force that intersects with and destabilizes her characters in unpredictable ways, shaping her modernist response to money conceived as the basis of economic and social power
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