6,577 research outputs found
On Campus Video, featuring Rick Williamson.
No full textA videorecording of an interview with Rick Williamson, conducted by Dr. Gary McCaleb of Abilene Christian University
Portrait of Harold Gary as Ali Hakim in the J.C. Williamson production of Oklahoma!, 1949 [picture] /
No full textFrom: Oklahoma! / music by Richard Rogers ; book and lyrics by Oscar Hammerstein 2nd.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3805191; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1949 commencing 19 February His Majesty' Theatre, Melbourne; 1949 commencing 17 September Theatre Royal, Adelaide; 1949 commencing 29 November Theatre Royal, Sydney; 1950 New Zealand Tour; 1950 commencing 13 October His Majesty's Theatre, Auckland; 1950 commencing 30 November His Majesty's Theatre, Brisbane; 1951 commencing 5 January Empire Theatre, Sydney 1951; commencing 3 February His Majesty's Theatre, Melbourne (Return season); 1951 commencing 31 August His Majesty's Theatre, Melbourne (Second return season); 1951 commencing 15 October Theatre Royal, Adelaide Return season
Portrait of Harold Gary, actor in the J.C. Williamson production of Oklahoma!, 1949, 2 [picture].
No full textHarold Gary played Ali Hakim.; From: Oklahoma! / music by Richard Rogers ; book and lyrics by Oscar Hammerstein 2nd.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3805190; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1949 commencing 19 February His Majesty' Theatre, Melbourne; 1949 commencing 17 September Theatre Royal, Adelaide; 1949 commencing 29 November Theatre Royal, Sydney; 1950 New Zealand Tour; 1950 commencing 13 October His Majesty's Theatre, Auckland; 1950 commencing 30 November His Majesty's Theatre, Brisbane; 1951 commencing 5 January Empire Theatre, Sydney 1951; commencing 3 February His Majesty's Theatre, Melbourne (Return season); 1951 commencing 31 August His Majesty's Theatre, Melbourne (Second return season); 1951 commencing 15 October Theatre Royal, Adelaide Return season
Portrait of Harold Gary, actor in the J.C. Williamson production of Oklahoma!, 1949, 1 [picture] /
No full textHarold Gary played Ali Hakim.; From: Oklahoma! / music by Richard Rogers ; book and lyrics by Oscar Hammerstein 2nd.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3805189; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1949 commencing 19 February His Majesty' Theatre, Melbourne; 1949 commencing 17 September Theatre Royal, Adelaide; 1949 commencing 29 November Theatre Royal, Sydney; 1950 New Zealand Tour; 1950 commencing 13 October His Majesty's Theatre, Auckland; 1950 commencing 30 November His Majesty's Theatre, Brisbane; 1951 commencing 5 January Empire Theatre, Sydney 1951; commencing 3 February His Majesty's Theatre, Melbourne (Return season); 1951 commencing 31 August His Majesty's Theatre, Melbourne (Second return season); 1951 commencing 15 October Theatre Royal, Adelaide Return season
Harold Gary as Ali Hakim, Louise Barnhart as Ado Annie and Raymond Bailey as Andrew Carnes in the J.C. Williamson production of Oklahoma!, 1949 [picture] /
No full textFrom: Oklahoma! / music by Richard Rogers ; book and lyrics by Oscar Hammerstein 2nd.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3805174; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1949 commencing 19 February His Majesty' Theatre, Melbourne; 1949 commencing 17 September Theatre Royal, Adelaide; 1949 commencing 29 November Theatre Royal, Sydney; 1950 New Zealand Tour; 1950 commencing 13 October His Majesty's Theatre, Auckland; 1950 commencing 30 November His Majesty's Theatre, Brisbane; 1951 commencing 5 January Empire Theatre, Sydney 1951; commencing 3 February His Majesty's Theatre, Melbourne (Return season); 1951 commencing 31 August His Majesty's Theatre, Melbourne (Second return season); 1951 commencing 15 October Theatre Royal, Adelaide Return season
Michael Rodriguez interviews author Gary Gildner
No full textAuthor Gary Gildner explains why he left his tenured teaching position to move to Idaho to became a full-time writer of poetry. Gildner talks about donating his personal papers to Michigan State University Libraries' Special Collections, his writing style and how he approaches writing. Gildner is interviewed by MSU Librarian Michael Rodriguez for the MSU Libraries' Michigan Writer Series. Held at the MSU Main Library
On Campus Video, featuring Tom Wood, Director of the Fort Worth Nature Center and Refuge, and Sheri Williamson, Reptile Rescue Coordinator with the North Texas Herpetological Society.
No full textA videorecording of an interview with Tom Wood, Director of the Fort Worth Nature Center and Refuge, and Sheri Williamson, Reptile Rescue Coordinator with the North Texas Herpetological Society. The interview is conducted by Dr. Gary McCaleb of Abilene Christian University
Author Gary Gildner reads his selected works at the Michigan Writers Series
No full textAuthor Gary Gildner reads "Sleepy time gal," "Pavol Hudak, the poet, is talking," and "Genealogy" then answers questions from the audience. The event is convened by Peter Berg, head of the Michigan State University Libraries' Special Collections. Part of the MSU Libraries' Michigan Writers Series. Held at the MSU Main Library
Dress, law and naked truth : a cultural study of fashion and form
No full textWhy are civil authorities in so-called liberal democracies affronted by public nudity and the Islamic full-face 'veil'? Why is law and civil order so closely associated with robes, gowns, suits, wigs and uniforms? Why is law so concerned with the 'evident' and the need for justice to be 'seen' to be done? Why do we dress and obey dress codes at all? In this, the first ever study devoted to the many deep cultural connections between dress and law, the author addresses these questions and more. His responses flow from the radical thesis that 'law is dress and dress is law'. Engaging with sources from The Epic of Gilgamesh to Shakespeare, Carlyle, Dickens and Damien Hirst, Professor Watt draws a revealing history of dress and civil order and offers challenging conclusions about the nature of truth and the potential for individuals to fit within the forms of civil life
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