12,001 research outputs found
Evenings at Home in Spiritual Seance By Georgiana Houghton (1881): edited with an introduction and notes by Sara Williams
No full textSpanning the years 1870–1881, Evenings at Home in Spiritual Séance (Second Series) documents the everyday, yet astonishing, experiences of spirit activity within the domestic space of the Victorian parlour. Through the intimacy of her diary-like prose, Houghton conjures cosy images of spirits laying the table for tea in what she called the “interblending of the heavenly and the mundane”. She is equally comfortable communicating with her beloved pet dove as she is with the archangel Gabriel, living an unassuming yet spiritually rich life, filled with people of this world and the next.Houghton narrates her experiences of séances and trance mediumship with close friends, discusses her own automatic spirit drawings, and offers an autobiographical glimpse into her day-to-day business.This critical edition, edited by Sara Williams, includes:IntroductionAuthor biographySelect bibliographyExplanatory footnotesAppendices on ‘Houghton in the Spiritualist press’, ‘Automatic spirit drawings’ and ‘Houghton’s spirit photography
Evenings at Home in Spiritual Seance By Georgiana Houghton (1881): edited with an introduction and notes by Sara Williams
No full textSpanning the years 1870–1881, Evenings at Home in Spiritual Séance (Second Series) documents the everyday, yet astonishing, experiences of spirit activity within the domestic space of the Victorian parlour. Through the intimacy of her diary-like prose, Houghton conjures cosy images of spirits laying the table for tea in what she called the “interblending of the heavenly and the mundane”. She is equally comfortable communicating with her beloved pet dove as she is with the archangel Gabriel, living an unassuming yet spiritually rich life, filled with people of this world and the next.Houghton narrates her experiences of séances and trance mediumship with close friends, discusses her own automatic spirit drawings, and offers an autobiographical glimpse into her day-to-day business.This critical edition, edited by Sara Williams, includes:IntroductionAuthor biographySelect bibliographyExplanatory footnotesAppendices on ‘Houghton in the Spiritualist press’, ‘Automatic spirit drawings’ and ‘Houghton’s spirit photography
Mrs. Sara Nita Williams
Full text linkFuneral Proram for Mrs. Sara Nita Williams on Aug 14, 1990 at St. Pauls Baptist Churchhttps://digitalcommons.georgiasouthern.edu/willowhillheritage-obituaries/10958/thumbnail.jp
Ken. To be destroyed (book)
No full textBook, edited by Val Williams, Schilt Publishing 2016
Hardcover with dust jacket. 113 photographs in full colour
Sara Williams' Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Sara Williams' Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Dilys Williams: A voice for radical change in the fashion industry
Full text linkFounder of the Centre for Sustainable Fashion Dilys Williams speaks truth to power and provokes young designers’ action.
In this interview Dilys discusses the Kering and Habit(AT) projects, and talks about the importance of understanding that everything is political as far as it affects our lives as social beings
Hubert Kessler standing with Human Relations Awards winners, Edith Cotton, Owen McDonald, and Sara Williams
No full textHubert Kessler standing with Human Relations Awards winners, Edith Cotton, Owen McDonald, and Sara Williams, on June 1, 1973
The Ken. To be destroyed Project Archive
No full textThis journal article is based on the Ken. To be destroyed Project Archive.
In 2011, Sara Davidmann inherited a family archive of letters,photographs and papers from her mother, Audrey Davidmann. This archive tells the story of Ken and Hazel, Sara’s uncle and aunt, and how it emerged early on in their marriage, in 1958, that Ken was transgender.
Sara Davidmann and writer and curator Val Williams have created an archive which preserves and describes the process of creating the 'Ken. To be destroyed' book (published in 2016 by Schilt, Amsterdam) and the 'Ken. To be destroyed' exhibition, which was shown at the Schwules Museum in Berlin in 2016. While the exhibition and publication were based on the Davidmann family archive, this new repository illustrates the ways in which Davidmann and Williams, as artist/author and curator/editor respectively, navigated the contents of the archive, wrote narrative and biographical texts and managed relationships with external organizations and individuals.
The archive has been proactively collected and assembled from the beginning of the project. It is envisaged that it will be relevant to researchers/students in curatorship, photography, family archives
Geoff Williams, Sheila Blanchfield and Sara Jervis, Proclamation of Swinburne University, 1992
No full textLeft to Right: Geoff Williams, Former Head, Machines and Materials, Sheila Blanchfield; Sara Jervis, Pictured at the celebrations for the Proclamation of Swinburne as a University. Refer to Staff News', 9th July 1992
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