2,144 research outputs found
The marriage record of Hart, William A. and Nicholson, Emma L
No full textMarriage license for William A. Hart and Emma L. Nicholson. James S. Kilgore was the officiant
The tail of the Jurassic fish Leedsichthys problematicus (Osteichthyes: Actinopterygii) collected by Alfred Nicholson Leeds - an example of the importance of historical records in palaeontology
No full textThe specimen of the tail of <i>Leedsichthys problematicus</i>, now in The Natural History Museum, London, was one of the most spectacular fossil vertebrates from the Oxford Clay Formation of Peterborough, but as an isolated find it shares no bones in common with the holotype of the genus and species. However, a letter from Alfred Nicholson Leeds and related documents cast valuable new light on the excavation of the tail, indicating that it was discovered with cranial bones, gill-rakers, and two pectoral fins, thereby including elements that can potentially be compared with those of the holotype. The documents also clearly indicate that The Natural History Museum's specimen is not part of the same individual as any other numbered specimen of <i>Leedsichthys</i> as had been speculated on other occasions. The maximum size of the animal represented by The Natural History Museum's specimen was possibly around 9 metres, considerably less than previous estimates of up to 27.6 metres for <i>Leedsichthys</i>. Historical documentary evidence should therefore be rigorously checked both when studying historical specimens in science, and in preparing text for museum display labels
Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/266038A view of dwellings on the East side of Nicholson Street, Fitzroy, Melbourne, looking South from the Carlton Gardens, opposite the end of King William Street. The Convent of Mercy is visible on the right. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206574
Item: [1965.0004.00326] "Nicholson Street, Fitzroy, Melbourne.
Housing in Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/266030A view of housing on the East side of Nicholson Street Fitzroy, Melbourne, looking North from Hanover Street. St. Andrew's Hotel on the Corner of King William Street is visible on the far left. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206569
Item: [1965.0004.00318] "Housing in Nicholson Street, Fitzroy, Melbourne.
A house in Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/265918A house at number 108 Nicholson Street, Fitzroy, Melbourne, on the East side between Hanover Street and King William Street. Built in 1864-1865. "Waratah" is written above the entrance. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206680
Item: [1965.0004.00206] "A house in Nicholson Street, Fitzroy, Melbourne.
A house in Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/265762A house at number 114 Nicholson Street, Fitzroy, Melbourne, on the East side between Hanover Street and King William Street. Built in 1858-1859. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206673
Item: [1965.0004.00050] "A house in Nicholson Street, Fitzroy, Melbourne.
A house in Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/265979House number 120 in Nicholson Street, Fitzroy, Melbourne, on the East side between Hanover Street and King William Street. Heatherleigh and 1888 are on the facade. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206712
Item: [1965.0004.00267] "A house in Nicholson Street, Fitzroy, Melbourne.
Housing in Nicholson Street, Fitzroy, Melbourne.
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/265942House numbers 110 and 112 Nicholson Street, Fitzroy, Melbourne, on the East side between Hanover Street and King William Street. Built in 1863. John Lockyer O’Brien (1905–1965) was an historian at the University. His collection of about 4,000 photographs was taken in the late 1950s and early 1960s. Many of them capture the architecture and streetscapes of inner-city Melbourne when the area was in transition between its then 19th century topography and working-class status prior to large-scale demolitions to made way for the construction of the Housing Commission high-rise blocks, and middle-class migration back to the inner-city and subsequent renovation and gentrification of its housing. He was also interested in the early architecture of country Victoria and photographed 19th century homesteads, hotels, churches, banks, railway stations, as well as humbler buildings. He and his wife Laurie owned and resided in a double-storey Georgian-style bluestone house in Hanover Street, Fitzroy.206727
Item: [1965.0004.00230] "Housing in Nicholson Street, Fitzroy, Melbourne.
The role of educative thought in the life and work of Antonio Gramsci
No full textMany philosophers have propounded a vision of an improved society, what distinguishes Antonio Gramsci is his continuous effort to make it happen by understanding the process in order to put into practice. Gramsci's conviction about the importance of educative development came from both theory and experience. While there has been considerable examination of Gramsci's work in relation to the Prison Notebooks, this study will seek to address a lacuna in Gramsci scholarship. Using Gramsci's philological method, I analyse Gramsci's pre-prison activity; his pre-prison articles and letters, which, together with his letters from prison, formed part of his educative mission. This educative process was necessary, in order to construct a new party which would develop a collective will, collaboratively, with the masses.In this study therefore, I explore the contexts and formative experiences of the first part of his life together with the intellectual sources from which Gramsci developed his later theories, making central hitherto underemphasised connections between them which informed his writing and ideas. I intend to illustrate that Gramsci's underlying purpose in his writing, and political activity, was not only practical, on how to create a new socialist ruling class, but also educative in forming the mindset and values of his comrades. So that in addition to outlining his vision of a new order, he implicitly guided or explicitly explained the processes by which the necessary changes in social relations and moral climate could be made in order to achieve it. Each person had to engage with the values of the new order so that each could contribute to the construction of a new robust state. It was essential to build a hegemony at the most profound level, one which was dependent on collective understandings and a collective will
The creation of Yorkshireness: Cultural identities in Yorkshire c.1850-1918
No full textTHE rapid expansion, wider distribution and increased readership of print media in the latter half of the nineteenth century helped to foster the process that has been described as the nationalisation of English culture. In a parallel process, however, the same media could also be deployed to construct and to propagate regional cultures and identities. This thesis, concentrating on the period c.1850-1918, uses Yorkshire as a case study. The employment of county boundaries and structures as a delimitation for historical research can be questioned. But it is defensible in the case of the cultural study of a county that, in spite of its size, heterogeneity and industrial transformation, had acquired a set of identities and stereotypes which evolved during the early-modern period and were retained, refined and celebrated in the industrial age. Although it had no political basis, Yorkshireness remained a powerful sub-identity within England, the United Kingdom and the wider British world.
By examining the newspaper press, weekly periodicals, dialect almanacs and regional fiction, the thesis explores the evolution and the dissemination of Yorkshire’s cultural identity in an age of popular print. There is also an analysis of attempts to find a deterministic basis for Yorkshire character and a description of county societies in the UK and overseas. The evolution of folkloristic Yorkshire identities and symbols is traced, and illustrated dialect postcards of the early-twentieth century are analysed, on the grounds that they were a widely-transmitted source of Yorkshire stereotypes.
Individuals who played a role in the construction of Yorkshireness include the writer James Burnley, the folklorist and humorist Richard Blakeborough, the novelists Halliwell Sutcliffe and William Riley, the dialect writers Charles Rogers and John Hartley, the cartoonist Arthur North and the University of Leeds academic Professor Frederic Moorman, who conceived the project for eisteddfod equivalents in Yorkshire. The conclusion is that Victorian and Edwardian print media and illustrated ephemera were used extensively to construct and convey a sense of Yorkshireness, acting as a countervailing force to the tendency towards nationalisation of culture, and that in the absence of a fully negotiated concept of universal Englishness, county identity was an important factor at home and overseas
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