102,719 research outputs found
John F. Wilhelm in German military uniform
No full textPhotograph shows John F. Wilhelm, who later immigrated to Texas and owned ranch in Menard County, Texas.Inscription reads: ''John Wilhelm Spaundau Germany. Our Father / only picture we have of him / age 18.'
Massmann, H[ans] F[erdinand] an Wilhelm Grimm (2 Briefe)
No full textMASSMANN, H[ANS] F[ERDINAND] AN WILHELM GRIMM (2 BRIEFE)
Massmann, H[ans] F[erdinand] an Wilhelm Grimm (2 Briefe) (Br 3872)
Brief 3872 (Br 3872)
Brief 3873 (Br 3873
Schwabe, F. L. an [Jacob o. Wilhelm] Grimm (3 Briefe)
No full textSCHWABE, F. L. AN [JACOB O. WILHELM] GRIMM (3 BRIEFE)
Schwabe, F. L. an [Jacob o. Wilhelm] Grimm (3 Briefe) (Br4928)
Brief 4928 (Br4928)
Brief 4929 (Br4929)
Brief 4930 (Br4930
Frischmut, F. Wilhelm: Waldrauschen. Waldliebe. Waldmeister. Drei Märchen, Dora Klett zugeeignet.
No full textFRISCHMUT, F. WILHELM: WALDRAUSCHEN. WALDLIEBE. WALDMEISTER. DREI MÄRCHEN, DORA KLETT ZUGEEIGNET.
Frischmut, F. Wilhelm: Waldrauschen. Waldliebe. Waldmeister. Drei Märchen, Dora Klett zugeeignet. ( -
Johann Wilhelm Simlers Gedichte : Bey Johann Wilhelm Simler, Zürich
No full textDer sitzende, singende Mann rechts könnte gemäss Sulmoni der früh verstorbene Bruder Conrad Meyers, Rudolf, sein, dessen zehnter Todestag 1648 begangen worden war. Der Schwan verkörpere den Literaten, der zusammen mit dem Musiker durch sein Werk sich und andere zur Ehre Gottes bis über den Tod hinaus erfreuen mögeC M f., bey Joh. Wilhelm Simler, Buchh.Titel gemäss InschriftHandgeschriebene Bildlegende: "Joh. Rudolf Simmler des Raths u. Obmann gemeiner Clösteren."; vgl. die Varianten unter Signatur Graphische Sammlung und Fotoarchiv Meyer, Konrad a I,13 und Systemnummer 011110078, 011110098 und 011110107 sowie Graphische Sammlung und Fotoarchiv Meyer, Konrad a I,11Es handelt sich um das Titelkupfer für "Johann Wilhelm Simler's teutscher Getichten die dritte, von Ihm selbsten um ...", S. 367; die Bildlegende stellt den Text eines geistlichen Musikstückes dar. Künstlersignatur auf der Klinge des SensenmannesHier ein späterer Druck von Johann Wilhelm Simler, dem Sohn des Dichters, der ab 1663 eine Offizin in Zürich betrie
Sonate à 3 Mains in F / [Ernst Wilhelm Wolf]
No full textSONATE À 3 MAINS IN F / [ERNST WILHELM WOLF]
Sonate à 3 Mains in F / [Ernst Wilhelm Wolf] (1)
Titelseite (1)
Noten (2
Mooyer, E[rnst] F[riedrich] an Wilhelm Grimm (1 Brief)
No full textMOOYER, E[RNST] F[RIEDRICH] AN WILHELM GRIMM (1 BRIEF)
Mooyer, E[rnst] F[riedrich] an Wilhelm Grimm (1 Brief) (Br3965)
Brief 3965 (Br3965
Welcker, F[riedrich] G[ottlieb] an Wilhelm Grimm (1 Brief)
No full textWELCKER, F[RIEDRICH] G[OTTLIEB] AN WILHELM GRIMM (1 BRIEF)
Welcker, F[riedrich] G[ottlieb] an Wilhelm Grimm (1 Brief) (Br5467)
Brief 5467 (Br5467
Ritschl, F[riedrich Wilhelm] an Herman Grimm (6 Briefe)
No full textRITSCHL, F[RIEDRICH WILHELM] AN HERMAN GRIMM (6 BRIEFE)
Ritschl, F[riedrich Wilhelm] an Herman Grimm (6 Briefe) (Br4371)
Brief 4371 (Br4371)
Brief 4372 (Br4372)
Brief 4373 (Br4373)
Brief 4374 (Br4374)
Brief 4375 (Br4375)
Brief 4376 (Br4376
Narrative representation in Goethe's Wilhelm Meisters Lehrjahre
No full textThis study aims to address a number of issues. What type of novel is Wilhelm Meisters Lehrjahrel How modem or forward-looking is Goethe's novel? What methods does Goethe use for presenting the events and characters of his novel? An approach from the point of view of narrative technique is adopted to provide answers to these questions. Taking the theories of Wayne Booth, Percy Lubbock, Gerard Genette, Eberhard Lanimert and Michael Toolan, I examine showing (modem) and telling (archaic) as a question both of voice and of detail, and then look at direct methods of presenting 'thought' in the text (i.e. commentary and sententiousness) in comparison with indirect methods (implication, motif and indirection).Applying these concepts to Wilhelm Meisters Lehrjahre, the novel opens in a scene - the action and dialogue emerge from this scene. This forward-looking opening establishes a norm of situation-bound dialogue and episodic chapters. The modem novel’s obsession with the depiction of external features and surface details is shunned. The degree of reference to the existing genre is underlined by the widespread use of sententious discourse by both narrator and characters. However, by comparison, Goethe's use of sententious discourse is complex. The treatment of central themes ('Bildung' and 'Heilung') and central characters (Mignon, Philine and the Turmgesellschaft) is examined as a study of Goethe's techniques of implication. The conventional presentation of Philine (she is defined) is contrasted with the way in which Mignon is never summarised or even commented upon. In conclusion, Wilhelm Meisters Lehrjahre is compared with the earlier Geschichte des Agathon (Wieland) and the later Effi Briest (Fontane). In terms of the degree of scene, the external presentation of Mignon and the implicating process used in the treatment of key themes, Goethe's novel anticipates the realistic novel. Nevertheless, in its use of sententiousness and its cursory scene-setting, Wilhelm Meisters Lehrjahre does look back to Agathon
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