25,332 research outputs found
Patrick White and Manoly Lascaris, Martin Road, Sydney, 1989 [picture] /
No full textTitle devised by cataloguer based on inscription.; Part of the collection: Patrick White and his circle, 1977-1989.; Inscriptions: "Patrick White and Manoly Lascaris, Martin Road. William Yang 1989 3/10"--In ink below image. Photographer's stamp lower left.; Also available online at: http://nla.gov.au/nla.pic-vn5788176; Purchased from the photographer, 2012
Luciana Arrighi and Patrick White on the set of The night, the prowler, Sydney, 1978 [picture] /
No full textTitle devised by cataloguer based on inscription.; Part of the collection: Patrick White and his circle, 1977-1989.; Inscriptions: "Luciana Arrighi and Patrick White. Set of The Night of [sic] the Prowler. William Yang 1978 3/10"--In ink below image. Photographer's stamp lower left.; Also available online at: http://nla.gov.au/nla.pic-vn5788115; Purchased from the photographer, 2012.; Exhibited: "The Life of Patrick White", National Library of Australia, 13 April - 8 July 2012, State Library of New South Wales, 20 August to 28 October 2012
The folly of Patrick White, St. Vincent's Hospital, Sydney, 1985 [picture] /
No full textTitle devised by cataloguer based on inscription.; Part of the collection: Patrick White and his circle, 1977-1989.; Inscriptions: "He wanted to do a death scene, not as himself, but as his alter-ego, Alex Xenophon Demirjian Gray, a female character he'd created in his book "Memoirs of Many in One". Alex died with blood trickling out of her mouth. Patrick was in hospital at the time and he'd been staring at the wall imagining the scene- the crucifix would stay, the ledges and TV sets could be dressed with archangels, icons and cats. (In the book, Alex liked cats, but Patrick preferred dogs.) So I took the photo and collaged in the props, the only trouble was it didn't look like Alex, it looked like Patrick."--Upper edge of image 1; "The Folly of Patrick White St. Vincent's Hospital 1985 William Yang 1/10"--Lower left of image 2; Photographer's stamp upper right.; Also available online at: http://nla.gov.au/nla.pic-vn5787932; Purchased from the photographer, 2012
The symbol in Patrick White
No full textThis essay has two parts. In the first I will offer some contexts for an understanding of the ‘symbol’ and how it was used in practice by modernist writers, with specific examples being drawn from Yeats and Joyce. In the second, I will connect this contextual background to a reading of White’s The solid mandala and Riders in the chariot. My purpose in doing this is not to elucidate the kinds of symbols White uses; rather I am interested in the function of the symbol in these works. That is, I am interested in what a symbol might be thought to be, and what White does to this object, which, in short, will be identified with the idea of ‘the meaningful’ itself. I will suggest that White treats the symbol differently from his predecessors, placing a peculiar stress upon it
Patrick and Manoly in the dining room, Martin Road, Sydney, 1978 [picture] /
No full textTitle devised by cataloguer based on inscription.; Part of the collection: Patrick White and his circle, 1977-1989.; Inscriptions: "Patrick and Manoly. Dining Room, Martin Road. William Yang 1978 2/10"--In ink below image. Photographer's stamp lower left.; Also available online at: http://nla.gov.au/nla.pic-vn5788023; Purchased from the photographer, 2012.; Exhibited: "The Life of Patrick White", National Library of Australia, 13 April - 8 July 2012, State Library of New South Wales, 20 August to 28 October 2012
Data related to the paper 'Mobile surveys and machine learning can improve urban noise mapping: Beyond A-weighted measurements of exposure'
No full textSample raw data used in https://doi.org/10.1016/j.scitotenv.2021.145600
This dataset supports the publication:
Tatiana Alvares-Sanches, Patrick E. Osborne, Paul R. White, 'Mobile surveys and machine learning can improve urban noise mapping: Beyond A-weighted measurements of exposure' published in Science of the Total Environment
DOI: 10.1016/j.scitotenv.2021.145600</span
Dataset showing how plastic bag coverings affect passive acoustic monitoring recordings made using the AudioMoth
No full textThis dataset supports the publication: Osborne, Patrick E., Tatiana Alvares-Sanches, and Paul R. White. 2023. "To Bag or Not to Bag? How AudioMoth-Based Passive Acoustic Monitoring Is Impacted by Protective Coverings" Sensors 23, no. 16: 7287. https://doi.org/10.3390/s23167287
The csv file contains the data used in Figures 4 to 7 and subsequent analyses. A full description of how the data were generated is provided in the publication. Briefly, experiments in an anechoic chamber allowed the creation of FIR filters that mimicked how protective coverings affect the FRF of 10 AudioMoth devices. These were applied to ~1000 recordings and 19 acoustic metrics were calculated from these. These data form the 39,960 rows in the csv file. The READ ME file provides details of the data columns.</span
Patrick White
No full textMedium: pen and inksigned."Patrick White" [1980.2042.000.000], Kahan, LouisExtent: shee
Patrick White
No full textMedium: Felt Tip pendrawingssigned."Patrick White" [2020.0078.000.000], Kahan, LouisExtent: shee
Patrick White in Focus
No full textUTS curated, in cooperation with the National Library of Australia, a focused exhibit on Australian Nobel Laureate Patrick White (1973). The exhibit was designed to introduce to new audiences the idea that White's somewhat difficult prose matches the complexity of the psychological and social conflict he describes. McNeil was the Host Curator of the Nobel Museum Visiting Exhibit and involved for six months with the pre-planning preparation. He was the academic curator of the Patrick White focus exhibit and he worked with a professional exhibition designer, Kate Richards. He selected the materials from the National Library of Australia collection in order to elucidate this complex figure, did the final cut and edit, wrote a series of detailed text panels in plain English (attached), liaised with the designers and media, spoke at the event and chaired the related Panel. Patrick White is considered perhaps the greatest Australian novelist, actively involved with the arts and, in later life, political activism. A series of recently discovered letters in the collection of NLA, as well as a facsimile MS, notebook, correspondence and photographic material, were selected and re-contextualized by McNeil in order to create new insights into White's creative process. McNeil sets a critical framework for interpreting the work of Patrick White through social and cultural theory and historical methods. McNeil's interpretive method has been developed over long standing work on his historical interpretation of cultural artefacts. The exhibition presented new Patrick White archival material interpreted by McNeil through a contemporary theoretical contextual framework
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