9,814 research outputs found
Marga Weber. — Baldachine und Statuenschreine, 1990. (Archaeologica, 87)
No full textEtienne Roland. Marga Weber. — Baldachine und Statuenschreine, 1990. (Archaeologica, 87). In: Revue des Études Anciennes. Tome 94, 1992, n°1-2. Colloque de la société des professeurs d'histoire ancienne (Nantes-Angers 24-26 mai 1991) pp. 294-295
Christianisme et modernité. Sous la direction de Roland Ducret, Danièle Hervieu-Léger et Paul Ladrière, 1990
No full textWeber Philippe. Christianisme et modernité. Sous la direction de Roland Ducret, Danièle Hervieu-Léger et Paul Ladrière, 1990. In: Revue théologique de Louvain, 24ᵉ année, fasc. 2, 1993. pp. 249-250
Christianisme et modernité. Sous la direction de Roland Ducret, Danièle Hervieu-Léger et Paul Ladrière, 1990
No full textWeber Philippe. Christianisme et modernité. Sous la direction de Roland Ducret, Danièle Hervieu-Léger et Paul Ladrière, 1990. In: Revue théologique de Louvain, 24ᵉ année, fasc. 2, 1993. pp. 249-250
Weber (Henri). À travers le seizième siècle. T. II : Histoire des idées.
No full textCrahay Roland. Weber (Henri). À travers le seizième siècle. T. II : Histoire des idées.. In: Revue belge de philologie et d'histoire, tome 68, fasc. 4, 1990. Histoire - Geschiedenis. pp. 975-976
Weber (Henri). À travers le seizième siècle. T. II : Histoire des idées.
No full textCrahay Roland. Weber (Henri). À travers le seizième siècle. T. II : Histoire des idées.. In: Revue belge de philologie et d'histoire, tome 68, fasc. 4, 1990. Histoire - Geschiedenis. pp. 975-976
Interview with Roland Abraham
No full textInterview with Roland Abraham, who is a former director of the Minnesota Extension Service. He is the author of Helping People Help Themselves: Agricultural Extension in Minnesota, 1879 to 1979. Abraham talks about how he got to the university and about the Minnesota Extension Service.Abraham, Roland H.; Pflaum, Ann M.. (1999). Interview with Roland Abraham. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/47871
Martin Bangemann, Egon A. Klepsch, Beate Weber et Roland Bieber. Die Abgeordneten Europas
No full textHeintze Dorothea. Martin Bangemann, Egon A. Klepsch, Beate Weber et Roland Bieber. Die Abgeordneten Europas. In: Politique étrangère, n°2 - 1984 - 49ᵉannée. pp. 468-469
Podiumsdiskussion: Religion: Zwischen Glaube, Kultur und Politik
No full textPodiumsdiskussion: Religion: Zwischen Glaube, Kultur und Politik Moderation: Gábor Paál Dr. Dr. h.c. mult. Nawal El Saadawi, Prof. Dr. Roland Robertson, Karim El-Shenawy, Prof. Dr. Volker Demuth, Dr. Anne Françoise Weber 17. Karlsruher Gespräche - 22. bis 24. Februar 2013 Die "Zwischengesellschaft": Tradition und Moderne im Widerspruc
The death of William Golding: authorship and creativity in darkness visible and the paper men
Full text linkIn the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
