3,968 research outputs found
Father Andrew Mullen 1790-1818: a study in early nineteenth century spirituality
This thesis is laid out in three parts: Part I. The life and death of Andrew Mullen. The life is based, to a large extent, on a long letter to his mother, Catherine Mullen, dated 7 January 1810. The letter gives a definite insight into his spirituality based on his membership of the Archconfraternity of the Blessed Sacrament. There is a hint that he had a premonition of an early death. Part II. The burial of Andrew Mullen and the immediate cult to him This is based on documentary evidence. Part III. Most of this part is a catalogue of testimonies taken from 1993 onwards. Then there is the conclusion on the popular devotion to Andrew Mullen stressing the theological aspect of the subject. In the course of writing the thesis it was decided to separate the documentary evidence from the oral tradition. This was advantageous in developing the thesis, and the documents provided a secure basis for the oral tradition. Two pieces of information were found in March 1997. They are death notices: 2 January 1819, The Leinster Journal and 7 January 1819, The Car low Morning Post. There is a slight discrepancy between the two on the date of his death. Also this discrepancy shows a slight difference from the date of the tombstone
Letter from Andrew Steelman to James B. Finley
Steelman writes concerning his incarcerated son James. He would like Finley to deal strictly with him. Author is great grandson of Andrew T. Steelman. He has recently gone home to New Jersey to deal with the estate of his great grandfather. Folks do not want James to return home when released. Abstract Number - 1086https://digitalcommons.owu.edu/finley-letters/2070/thumbnail.jp
Organic trope craft beauty
An examination of organic abstraction and craft vernacular in the thesis work of Andy Webber.M.F.A.by Andrew James Webbe
Servants, Aestheticism, and "The Dominance of Form"
The fictional representation of domestic servants reveals the relationship between aesthetic form and social domination in the work of aesthetes from Wilde to Henry James and beyond. Tracing the sources of Wilde's An Ideal Husband and Dorian Gray and James' The Ambassadors in French decadence and situating them within the history of service, I show that aestheticist depictions of servants recall, through literary form, the aesthete's dependence on servants' labor. I suggest that modernism shared this socially self-conscious concept of aesthetic form with aestheticism, precisely because it too pursued aesthetic autonomy.Published in ELH, copyright The Johns Hopkins University Press.Peer reviewe
The Love Family Historical & Genealogical Quarterly (Vol. 3. No. 1)
Includes responses to genealogical research queries pertaining to the following: Mexican War diary of Dr. T. N. Love, Gov. Robert Love Taylor, Andrew Love, James Love, and whether or not members of the Love family came over with William Penn.https://digitalcommons.gardner-webb.edu/fay-webb-gardner-love-family-historical-and-genealogical-quarterly/1000/thumbnail.jp
Spotlight Commentary: What's new with the old drug aspirin in older adults?
The benefit‐to‐harm balance of aspirin has been further questioned
- …
