169,502 research outputs found
R. W. Ware
"Gnr. R.W. Ware. 41st Bty, [obscured, possibly 11 Field] Rgt (Q[obscured] H.A.A. May, 1942 - June 1943 Camp area = [obscured] "Pell" [obscured]".Gunner R.W. Ware. 41st Battery, [obscured, possibly 11 Field] Regiment (Q[obscured] Heavy Anti Aircraft. May, 1942 - June 1943 Camp area = [obscured] "Pell" [obscured]"
Mortgage of Personal Property
Walker, Evans & Cogswell, Law Stationers, Charleston, S.C.A mortgage of personal property stating that T. E. Ware will borrow two hundred dollars from a W. H. Perry, on May 16, 1882, and repay debt by October 1, 1882
Edward Twichell Ware Records
Edward Twichell Ware, son of Edmund Asa Ware, (first president of Atlanta University 1869-1885) became Atlanta University's third president in 1907 and served until he became seriously ill in 1919. Ware was born in Atlanta in 1874 and attended his father's alma mater, Yale University. After graduation he was designated as Northern Secretary for Atlanta University, a position which mainly involved raising funds for Atlanta University by addressing organizations on the work of the school. In 1901 Ware was appointed Chaplain of Atlanta University. He served in this position while continuing his fund raising efforts until he was elected President in 1907. During the administration of Edward Ware, new courses in industrial arts and education were added to meet the demand for Atlanta University graduates as teachers in the public schools.
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Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies
This practice-based research investigates the potential applications of digital manufacturing technologies in the design and production of hand-made tableware at the Leach Pottery. The methodology for the research establishes an approach grounded in my previous experience as a maker that is informed by an open, experimental, emergent, and responsive framework based on Naturalistic Inquiry.
A critical contextual review describes the cultural heritage of Leach which, for the purposes of the research, is developed through the Leach Pottery as a significant site, the historical production of the iconic Leach Standard Ware and the contemporary production of Leach Tableware. This is followed by an examination of Potter’s Tools in the Leach production environment, and a review of makers’ digital ceramic practice.
The contextual review is followed by an explication of ‘standards’ presented through visual lineages of Standard Ware and Leach Tableware to define ‘standard’ at a design (macro) level, followed by an examination of how ‘standard’ operates at a making (micro level) level. This chapter presents new knowledge in relation to defining the visual field of Leach Pottery tableware production and its standards of design.
A chapter focussed on practice presents the outcomes and analysis of my engagement with digital manufacturing technologies which resulted in the development of new tools to support Leach Tableware production and the interrogation of Leach forms, in different mediums, which led to the creation of Digital-Analogue Leach forms. The practice culminated in the design and development of new 21st century Standard Ware: a range of 9 forms, called Echo of Leach, that were developed by myself using digital and analogue methods: the designs were realised by myself, the Leach Studio, and a further four makers. The outcomes of the research were presented in a three month exhibition at the Leach Pottery in 2013.
The conclusions of the research draw on the key points raised in the analysis of the practice and relate these to the approaches to making pottery that are highlighted in the cultural heritage of Leach in the contextual review. These are also discussed in relation to ways in which these findings could be taken forward into development of knowledge about Standard Ware, especially in a broader studio pottery context
Ware : illustrated with pen and camera /
"This... second volume of Ware illustrated...the first volume was issued three years ago."--Publisher's introd.Mode of access: Internet
Carl Ware at Convocation, circa 2002
Carl Ware, wearing a graduation cap and gown, sits with other men at convocation.The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Council on Library and Information Resources (CLIR) in supporting the processing and digitization of a number of historic collections as part of the project: Our Story: Digitizing Publications and Photographs of the Historically Black Atlanta University Center Institutions.</em
Carl Ware at Convocation, circa 2002
Carl Ware, wearing a graduation cap and gown, sits with other men at convocation.The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Council on Library and Information Resources (CLIR) in supporting the processing and digitization of a number of historic collections as part of the project: Our Story: Digitizing Publications and Photographs of the Historically Black Atlanta University Center Institutions.</em
W. E. Ware, architect (newspaper advertisement)
Scan of a classified advertisement for W. E. Ware, an architect in Salt Lake City, from an unidentified newspaper. From leaf 11 of the Clifford P. Evans scrapbook
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