7,516 research outputs found
John F. Ward correspondence with Raymond B. Witt, 1968 December 27
No full textLetter from Louisiana attorney John F. Ward to Raymond B. Witt regarding "the numbers game" in desegregation cases and federal oversight in the south
John F. Ward correspondence with Raymond B. Witt, 1968 December 27
No full textLetter from Louisiana attorney John F. Ward to Raymond B. Witt regarding "the numbers game" in desegregation cases and federal oversight in the south
[On 10 June 1955 a motion from Prime Minister Robert Menzies voted that Frank Courtney Browne, the editor of the Bankstown Observer and Raymond Edward Fitzpatrick, owner of Bankstown Observer and politician be committed to 90 days in gaol for the article they published about Charles Albert Aaron Morgan] 2000 [picture] /
No full textCondition: Good.; Title devised by cataloguer.; Inscriptions: signed "O'Neill" - l.r.corner. "18.2 x 20.5 - SMH - news review - Alan Ramsey" - in pencil l.c. "SMH 7-7-00 for Sat 8-7-00" - in pencil l.r.; Part of: Ward O'Neill collection.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3582577
Letter from Joshua Ward to Alden Partridge, 10 June 1827
No full textJoshua Ward (of Waccamaw, South Carolina?) writes to Alden Partridge in Middletown, Connecticut, with questions about how is his son, Mayham Ward is doing at the Academy? Do not allow him to be "a sloven."Transcription by Raymond Bouchard. Transcriptions may be subject to error
Basset (René), Le Diwan de Orwa Ben El Ward
No full textJanin Raymond. Basset (René), Le Diwan de Orwa Ben El Ward. In: Échos d'Orient, tome 28, n°156, 1929. p. 497
Letter from Joshua Ward to Alden Partridge, 12 August 1828
No full textJoshua John Ward writes from Georgetown, South Carolina, asking Alden Partridge to please provide his brother, Mayham (Maghan) Cook Ward, with a discharge from Partridge's academy in Middletown, Connecticut, and forward his account.Transcription by Raymond Bouchard. Transcriptions may be subject to error
Raymond Williams and the limits of cultural materialism
No full textCultural materialism has become an influential discipline in recent
years, particularly so in 'Renaissance' studies, but also more generally in
'English', as well as departments defined as practising 'cultural' or
'communications' studies. The phrase is usually linked with the name of
Raymond Williams, but a cursory examination of Williams's own work
quickly establishes that it is a phrase he rarely uses, and only schematically
attempts to define. The thesis therefore takes the form of an investigation into
the way cultural materialism has come to be understood, by examining in
detail the trajectory of Raymond Williams's theoretical development, and how
his own engagement with various theoretical positions has helped to set
'limits' on the meaning of cultural materialism.
Chapters 1 and 2 deal with some of Williams's earliest work,
particularly Reading and Criticism, as a way of investigating how reasonable
it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted
influence is resisted (though not entirely rejected) from a very early stage. The
first chapter considers in detail Leavis's work at Cambridge, the influence of
Eliot, and the significance of the 'Organic Community'. Chapter 2, which is
based around a comparative analysis of Williams's and Leavis's readings of
Dickens, argues that Williams rejects the 'organic community' in favour of his
'knowable community'. Chapters 4 and 5 deal with specific 'theoretical'
issues: the first, based around a reading of Terry Eagleton's critique of
Williams's use of the Marxist metaphor of 'base and superstructure', shows
some of the problems which arise from Williams's cultural model, as well as
suggesting refinements; the second deals with the influence of Volosinov's
theories on Williams. Chapter 6 comes out of Williams's readings of the
'Country-House' poems in The Country and the City, showing how his
practice of literary criticism relies on an acceptance of 'ideology' apparently
denied in his more 'theoretical' writings. This analysis is extended as a result
of investigations into the 'De L'Isle' manuscripts relating to the Penshurst
estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson
as developing Williams's cultural materialism into Jameson's debates on
postmodernism.
In the Introduction and Conclusion, I have taken the opportunity to
look briefly at the activity of cultural materialism as it has developed since
Raymond Williams's death in 1988. The Introduction emphasizes what I see
to be important methodological differences between 'cultural materialism'
and 'new historicism'; the Conclusion deals with the continuing debate over
the value of a cultural materialist approach by considering the 'appropriation'
of Shakespeare
Raymond Gervais : 3 x 1
No full text"Raymond Gervais 3 X 1 traces and elucidates the important or little-known moments in the practice of Raymond Gervais, an artist who has explored the notion of the aural imagination since the mid 1970s. An erudite author, Gervais joins forces here with Nicole Gingras, a researcher and curator interested in what connects sound, image, and words. The first major publication on the work of a conceptual artist questioning whether thought is acoustic" -- p. [4] of cover
Letter from Stephen Ward to Alden Partridge, approximately 1824
No full textStephen D. Ward writes from New Haven, Connecticut, to Alden Partridge in Norwich, Vermont, with an introduction to William Henry Brisbane, who wishes to enter Partridge's academy in Norwich; the letter is dated only 10 February but may have been written in 1824.Transcription by Raymond Bouchard. Transcriptions may be subject to error
Special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp, Japanese = 特別告示
No full textJapanese translation of a special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp regarding permanent leave from the segregation center.The Kiyoshi Uyekawa Tule Lake Camp Collection comprises of the wartime publications collected by Kiyoshi Uyekawa while incarcerated in the Tule Lake camp, such as Tule Lake newsletters and bulletins, materials issued by the Pro-Japanese group, Sokoku Hoshidan (or Hoshi Dan), WRA publications, his family's incarceration documents, which include documents regarding his and his wife, Mitsuye‘s repatriation, his fictional works’ manuscripts, bulletins and manuscripts of haiku poems authored by the members of the haiku societies incarcerated in the camps, and letters from Kyo Koide, who was a prominent figure in the community as a photographer, physician, and poet under the pseudonym, Banjin Koide
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