23,032 research outputs found
Resume: ZHAN Wang
No full textThis document is a resume of the artist, Zhan Wang, in both Chinese and English. It concludes the awards, public commissions of the artists, as well as exhibition experience and education background. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1424/thumbnail.jp
A Review of Zhan Wang\u27s New Works
No full textJiang Jiantao wrote this essay about Zhan Wang in Chinese, published in Art Research, issue 1, 1995, and an English translation as included in the document. The author discusses Zhan Wang\u27s Kong Ling· Kong (literally mean ethereal: void ) exhibition, held from May 19th to May 23rd, 1994, at the Central Academy of Fine Arts Museum. The author begins to illustrate the structure of the show. The artists created eighteen pieces of floating clothes, which appear being worn but the bodies are absent. The author emphasized the exhibition\u27s significance in terms of modern human life. Then it was discussed how the artist is inspired by different artists, from a variety of time periods and cultures, and how the artist injects his own artistic language and aspiration into his works. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1426/thumbnail.jp
The Changing Shape and Subject of Man-- A Review of Zhan Wang\u27s Sculpture
No full textThis review in Chinese by Yi Ying, to be published on Art Currents and translated in English, focuses on the transition of Zhan Wang\u27s sculpture. It discusses the exploration of Zhan Wang\u27s art language and form, which is influenced by his classical sculpture education background and avant-garde movement. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1438/thumbnail.jp
A Significant Turn- on Sculpture 1994 Show 重要的转折- 关于雕塑家1994系列个人作品展
No full textThis review by Yin Shuangxi covered the show Sculpture 1994 , which is a group show with five sculptors. Zhan Wang was one of them. The authors discussed Zhan Wang\u27s piece, Kong Ling· Kong (literally means ethereal: void ) and analyzed the aesthetics and philosophical thinking embodied within. Then, the author went from discussion of specific pieces to general conditions of Chinese sculpture conditions and the problems that sculptors were facing. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1431/thumbnail.jp
The Unity of Destruction and Construction
No full textLiu Xiaochun\u27s critique, published on Art Currents, issue 1, 1995, of the group show Sculpture 1994 featured five sculptors. Zhan Wang was one of them. The authors discussed Zhan Wang\u27s work Temptation, made of clothes, linen and glue, and examined the aesthetics and philosophical thought contained within. The author considers this show as the result of the destruction and reconstruction of classical sculpture, which is then combined with Avant-Garde sculpture. In Zhan Wang’s case, the contorted garments embodies his classical sculpture education but the language he used, the message to convey, is reconstructed into Avant-Garde sculpture. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1437/thumbnail.jp
Five Reports related to the Artist Zhan Wang from Taiwan 四篇来自台湾关于艺术家展望的报道
No full textThere are four reports from Taiwan which directly or indirectly mentioned the sculptor, Zhan Wang. They comes from different sources, including, 雄獅美術 (Xiong Shi Mei Shu), 民生報 （Min Sheng Bao) and 臺灣時報 (Taiwan Times). Most of the report focus on two exhibition, namely 海峽兩岸雕塑藝術交流展 (Cross Strait Sculpture Exchange Exhibition), 雕塑1994 (Sculpture 1994), in which the artist is a key participant. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1422/thumbnail.jp
Wisdom in Rocks : A Conversation with Zhan Wang
No full textThe Chinese artist Zhan Wang has been widely noted for his conceptual sculptural works. Through simulating rocks and rock-formation processes by using modern technology and materials, he interrogates the dichotomies between humanity and nature, humanity and technology, modernity and tradition, and development and preservation. In this conversation, Zhan reviewed the conception and making of his works that particularly dealing with rocks. He also explained his views on a series of issues such as ecological awareness, the environmental crisis, the social engagement of art and the blurring of boundaries between art and other fields
On Sculpture by Young Artists from Beijing 漫话北京青年雕塑
No full textIn this review, the author Tian Kong gave a brief overview of Beijing Sculptors, including Zhan Wang, in 1992. He claimed that they are at the frontier of cultural communication, but they are also receiving systematic training in classical sculpting. Thus, they have not only an advantage in expertise, but also in artistic language and concepts. Then, the author went on to introduce prominent sculptors in detail. (Zhuocheng Jiang ‘26）https://digital.kenyon.edu/zhoudocs/1421/thumbnail.jp
L\u27Asie Disjoncté Enfin! Asia finally unhinged!
No full textThis brief report, in French, introduced several Chinese Contemporary Artists in 1995, which includes Gu Wenda, Wu Shanzhuan, Huang Yongping, and Zhan Wang. Specifically, this report covers Zhan Wang\u27s work, 94 Ruins Cleaning Plan . For further details, please refer to https://digital.kenyon.edu/zhou/520/. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1429/thumbnail.jp
A review of the genus Bullanga Navás, 1917 (Neuroptera: Myrmeleontidae)
No full textZhan, Qingbin, Wang, Xinli (2014): A review of the genus Bullanga Navás, 1917 (Neuroptera: Myrmeleontidae). Zootaxa 3872 (2): 195-200, DOI: 10.11646/zootaxa.3872.2.
- …
