6,142 research outputs found
Natsume S?seki’s Inscription Poetry on Painting and Its Comparison with Wang Wei’s Wang Chuan Ji
No full text中村宏對漱石之題畫詩稱道：「漱石漢詩早期即出現饒富繪畫意境之詩句，這（題畫詩?筆者注）是最明顯的例子，而且以歌詠〝胸中之畫〞為主的要屬題畫詩時期」 ，可見評價甚高。這可說就是文人畫中所謂的「詩中有畫」之藝術境界吧！提到「詩中有畫」，一般人都會聯想到中國文人畫始祖王維，而其中最能表達這種藝術境界的首推王維的《輞川集》了，此詩集中收錄之漢詩都以已至「詩中有畫」之境界而為人知曉。漱石崇拜王維畢生追尋之藝術境界，寫給友人信札中多次提及王維，並在小說中對《輞川集》之漢詩讚賞有加。對王維如此傾心之漱石其所吟詠之題畫詩中展現何等繪畫意境？頗耐人尋思。拙稿分析漱石題畫詩中題材之特色、人與自然界之關係、並與王維之《輞川集》作比較，探討兩者間之相異點、漱石以何種方式承襲了王維的藝術精神?文人畫精神?？或是有以自己的方式重現其精神之處？Nakamura Hiroshi praised S?seki’s inscription poetry, by saying that “Lines that of painting conceptions appeared in early Chinese poems composed by S?seki, and this (inscription poetry) is the most obvious case. Poetic themes on Literati also represent the period of his inscription poetry.” One can see this as the realm “painting in poetry” of Literati painting (Bunjinga).When it comes to “painting in poetry”, one generally thinks of the founding father of Chinese Literati painting, Wang Wei. His literary works can express this realm to the extreme, for example Wang Chuan Ji, a Chinese poetry collection that is famous for depicting “painting in poetry”.S?seki adored the artistic realm that Wang Wei had been seeking all life. He often talked about Wang in his letters to friends and had made several compliments on the Chinese poems in Wang Chuan Ji in his novels. As a huge admirer of Wang, how would S?seki present inscription poems in the painting realm? This study intends to examine the characteristics of elements used in S?seki’s inscription poems, human’s relations with the nature, and the comparison with Wang Chuan Ji—their similarities as well as differences. Last but not least, this study also tries to explore if S?seki used his owned way, or adopted Wang Wei’s Literati conceptions in his works
Natsume Soseki’s Literati Paintings ?A Projection of Wang Wei?
No full text明治時期隨著近代化之改革，當時在文藝界亦掀起了一陣新風潮，繪畫當中講求蘊含文學意境、而文學作家追求繪畫理想將繪畫手法融入文學作品中者亦不乏其人，曾幾何時流行於中國文人間之「詩中有畫、畫中有詩」 之文人理想在明治文人社會裡一時蔚為風氣。夏目漱石即為當時一代表性文人。漱石所留下之晚期畫作不乏職業級水準之南畫（文人畫），該南畫中有題詩者、亦有未題詩者，此外還有想像繪畫而作之「題畫詩」??亦即「詩中有畫」者，此種充滿畫意境界之漢詩為數亦不少。翻開中國文人畫史首先不可不提的是文人畫之創始者王維，漱石在手札、小說中多次提及王維，並對其詩作讚賞有加。本稿以漱石之晚期南畫為研究對象，探討這些畫作受王維影響之處。Along with the reform of Meiji Period, there started a new current of thought in Japanese literary and art circles. The mood of a literary work appeared in paintings, and the technique of painting was mixed into literary works. “There is painting in poetry, and poetry in painting.” The ideal of Chinese literati became the order of the day. And Natsume Soseki was a typical representative. There is no lack of first-rate literati paintings in Soseki’s later works. Some of these paintings were written poems on them. And he also wrote poems full of the flavor of painting. As we know, Wang Wei is the initiator of Chinese literati painting. Soseki mentioned Wang’s name many times in his letters and novels, and highly praised his poems. So we are going to do the research from Soseki’s later literati paintings. We try to make a survey if these paintings were influenced by Wang Wei
The Positioning of Nature in Soseki’s Early “Meian” Period Chinese poetry – Influenced by Wang Wei?
No full text夏目漱石自幼崇拜陶淵明、李白、王維等中國文人，小說或隨筆中也常引用到這些詩人的作品，漱石漢詩受中國文人影響可想見一斑。然而，例如大地武雄、加藤二郎、上垣外憲一等漱石漢詩研究學者均偏向陶淵明與漱石之研究，王維與漱石之研究較不受到矚目。提及漱石漢詩中之「自然」，多數人都會同時聯想到晚年的漢詩與漱石之最高思想「則天去私」，不過，此思想並非一次完成的，而是漱石經過多年深思熟慮才領悟出之道理。此思想固然可說反映在漱石晚年的75首漢詩當中，但並非所有晚年漢詩均為此思想之表現，漢詩研究學者中村宏指出大正五年九月五日所作的157號漢詩可視為「一個分界點」，漱石晚年《明暗》時代之漢詩可分成前、後二期。基於以上理由，本搞針對《明暗》時代前期漢詩、也就是134號—156號共23首之漢詩，以詩人對自然之態度、人與自然之關係等為探討之主要問題，並考證這些漢詩中是否受到王維之影響？藉此探討希望能對「則天去私」有一番了解。Since an early age, Natsume Soseki had looked up to Chinese scholars such as Tao Yuan-ming, Li Bai, Wang Wei, and often cited their works in his novels and essays. These Chinese scholars hold a significant impact on Soseki and his kanshi (Chinese poetry). However, academics such as Daichi Takeo, Katou Jiro, and Kamigaito Kenichi mostly focused on the analysis of Tao Yuan-ming’s influence on Soseki; Wang Wei’s influenced is rarely contemplated. Speaking of “Nature” in Soseki’s kanshi, most people would relate to kanshi written in his later years and his ultimate goal of “Sokutenkyoshi”. However, this ideal was not developed in one day, it took Soseki many years of pondering to formulate. It could be said that this ideal was reflected in the seventy five kanshi written in Soseki’s late years, nevertheless, not all of these poems are manifestations of this ideology. Kanshi researcher Nakamura Hiroshi points out that kanshi number 157 written on September 5th in the fifth year of Taisho era (1917) could be seen as a “dividing point”, separating Soseki’s Meian Period kanshi into two intervals. Based on the above deductions, this paper aims to address the poet’s attitude towards nature and the relationship between humanity and nature, focusing on Soseki’s early Meian period kanshi, explicitly the twenty three kanshi from number 134 to 156. Moreover, this paper would also discuss whether these kanshi were influenced by Wang Wei, in hopes of gaining further insight into Soseki’s “Sokutenkyoshi” philosophy
Improving the performance of the trolley supply chain with a focus on visibility.
No full textThe lack of visibility, significant investment and a presumption of fleet shrinkage falter the decision-making process of a Dutch airline. Five decision areas have been identified and for each decision area improvements strategies or alternatives have been designed. Selecting the best alternative per decision area is a multi-criteria decision making problem. Therefore, a more sophisticated method is required to support the decision-maker. For this problem the novel Best-Worst Multi-Criteria Decision Making Method (BWM) has been selected. The BWM has been successfully applied to select the best alternative per decision area. Next steps for the airline are the implementation of the chosen alternatives.SEPAMTransport & LogisticsTechnology, Policy and Managemen
DS_10.1177_0022034519897607 – Supplemental material for Epithelial <i>Wnt10a</i> Is Essential for Tooth Root Furcation Morphogenesis
No full textSupplemental material, DS_10.1177_0022034519897607 for Epithelial Wnt10a Is Essential for Tooth Root Furcation Morphogenesis by M. Yu, Y. Liu, Y. Wang, S.W. Wong, J. Wu, H. Liu, H. Feng and D. Han in Journal of Dental Research</p
Buckfast Abbey Archaeological Projects 1982-2016 Photographic Archive
No full textThis photographic archive is intended to augment the two publications on the abbey's archaeology by S.W. Brown (Proceedings of the Devon Archaeological Society 46, 1988, 13-89; and Devon Archaeological Society Occasional Paper 21, 2018) and the series of more detailed interim archive reports appearing on the ADS website (unpublished grey literature, accessible via author Stewart Brown)
- …
