414,868 research outputs found
Chao Yuen Ren (1892–1982)
Y. R. Chao is easily the most famous linguist to have come out of China. Born before the end of the last dynasty in China, he received a traditional Confucian education, but was also one of the first Chinese people to be sent to the West for training in modern Western science (under the Boxer Indemnity Fund). The remarkable breadth and scope of his studies included physics, mathematics, linguistics, musical and literary composition, and translation, and he was a pioneer in many of these fields
REDESCRIPTION AND SYSTEMATIC STATUS OF NEOCAPILLARIA PHOXINI YU ET WANG, 1994 (NEMATODA: CAPILLARIIDAE)
Re-examination of the syntypes of the capillariid nematode Neocapillaria phoxini Yu et Wang, 1994, the type species of Neocapillaria Yu et Wang, 1994, described from the intestine of the freshwater fish Phoxinus lagowskii variegatus Gunther (Cyprinidae) from China, confirmed its morphological similarity with species of Freitascapillaria Moravec, 1987, to which it is transferred as Freitascapillaria phoxini (Yu et Wang, 1994) comb. n. Consequently, Neocapillaria Yu et Wang, 1994 (a homonym to Neocapillaria Moravec, 1987) and Sinocapillaria Moravec et Spratt, 1998 become junior synonyms of Freitascapillaria. Skrjabinocapillaria gigantea is transferred to Freitascapillaria as F. gigantea (Wang, 1984) comb. n.Re-examination of the syntypes of the capillariid nematode Neocapillaria phoxini Yu et Wang, 1994, the type species of Neocapillaria Yu et Wang, 1994, described from the intestine of the freshwater fish Phoxinus lagowskii variegatus Gunther (Cyprinidae) from China, confirmed its morphological similarity with species of Freitascapillaria Moravec, 1987, to which it is transferred as Freitascapillaria phoxini (Yu et Wang, 1994) comb. n. Consequently, Neocapillaria Yu et Wang, 1994 (a homonym to Neocapillaria Moravec, 1987) and Sinocapillaria Moravec et Spratt, 1998 become junior synonyms of Freitascapillaria. Skrjabinocapillaria gigantea is transferred to Freitascapillaria as F. gigantea (Wang, 1984) comb. n
Wang Shuo and the commercialisation of contemporary Chinese culture
This thesis examines the commercialisation of Chinese culture that has taken place over the past twenty years in mainland China. It explores the contribution of Wang Shuo, a cultural figure who straddles different fields of culture, moving from literature to the ultimate mass culture medium of television, this study plots Wang Shuo' s development from educational failure, to business failure, to fiction writer, film & TV editor, film director and cultural critic and analyst. His stories, films, TV series and articles have caused shock-waves throughout national cultural circles as he has transformed the terms of the debate from academic discourse to a validation of the role of the market in the culture field. Although Wang Shuo has not been labelled as a dissident, his approach to the culture market has had a more subversive effect on official ideology that those overt dissidents who have had to live in exile or have been imprisoned. He has utilised the language of official ideology to satirise the authorities, turning the ideology and its supporters into figures of fun. Yet his own goals have been strictly personal and economic ones. The authorities recognize the value of Wang Shuo's work in the cultural market but at the same time distrust his works and place him under strict censorship. Examining the way Wang Shuo and people surround him have succeeded in different fields of cultural achievement is a mirror to understanding the process of the transformation of contemporary Chinese culture from a socialist state-controlled culture to a market-oriented mass culture industry
Lepidozonates adusta Yu & Wang 2021, comb. nov.
Lepidozonates adusta (Park, 2000) comb. nov. (Figs 1, 5, 7, 8, 12) Philharmonia adusta Park, 2000: 242. TL: China (Taiwan, Pingtung). TD: MGCL. Lepidozonates viciniolus Park, 2013: 223, syn. nov. TL: China (Taiwan, Taichung). TD: MGCL. Material examined. CHINA, Zhejiang: 4♂ 3♀, Jiufu Village, Mt. Longtang, 520 m, 28–30.VIII.2014, leg. AH Yin, QY Wang & SR Li, slide Nos. YS20081 ♂, YS20192 ♀; Hainan: 3♂ 3♀, Tianchi, Jianfengling, 787 m, 15, 17.VII. 2015, leg. QY Wang, SR Li & MT Chen, slide Nos. YS20191 ♀, YS20196 ♂; 10♂ 2♀, Tianchi, Jianfengling, 787 m, 5–8.III.2016, leg. QY Wang, SR Li & SN Zhao, slide Nos. YS 20095♂, YS20195♂; 1♂ 1♀, Mt. Wuzhi, 733 m, 21.XII.2017, leg. MJ Qi & S Yu; 1♂, Mingfenggu, Jianfengling, 965 m, 13.I.2018, leg. MJ Qi & S Yu. Adult (Figs 1, 5). Wingspan 13.5–18.5 mm. Diagnosis. This species can be distinguished from its congeners in the male genitalia by the sub-triangular juxta with neither posterior lobes nor a flap, the aedeagus with two needle-like cornuti (Fig. 8), in the female genitalia by the weakly sclerotized antrum longer than wide, and the ductus bursae shorter than the corpus bursae (Fig. 12). Distribution. China (Hainan, Taiwan, Zhejiang). Remarks. Lepidozonates viciniolus is synonymized with Philharmonia adusta Park, 2000. Lepidozonates viciniolus is identical to P. adusta in appearance, venation, as well as in the male and female genitalia, and closely distributed geographically. The presence of the plumose scales on the pleural membrane are not mentioned in the original description, but other characters are well in consistent with those of P. adusta.Published as part of Yu, Shuai & Wang, Shuxia, 2021, Genus Lepidozonates Park (Lepidoptera, Lecithoceridae) from China, with description of a new species, pp. 591-597 in Zootaxa 4903 (4) on pages 592-593, DOI: 10.11646/zootaxa.4903.4.7, http://zenodo.org/record/443149
Wang Wenshan: interview. 1
Both sides. Conversation w. Wang Wensan, 9/3/1978.Live recording."9/3/78"--Spine.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese
Wang Di Jin Dehang tan hua
Side A. 王迪与金德航.王迪, 金德航.Live recording."3/22"--Side A label.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Composer, various.Qin: 王迪, 金德航.Spoken in Chinese.Wang Di, Jin Dehang.Qin: Wang Di, Jin Dehang.Side A. Wang Di yu Jin Dehang
Wang Meng and contemporary Chinese literature: the vicissitudes of a committed writer
This thesis examines the way Wang Meng has developed as a writer from the 1950s to the 1990s in the context of New China's political and literary background. It looks at the compromises he was forced to make between his political beliefs in the Communist Party and his chosen role as a professional writer. After his disastrous early foray into what was deemed to be unacceptable political criticism with The Young Newcomer in the Organisation Department in the 1950s, when the opportunity came to start publishing again in the late 1970s he was boldly innovative in style, helping to transform New Period literature, but conservative in content, sticking to politically acceptable topics. It was only with Hard Porridge in 1989 that he ventured again, and very successfully, into political comment. There is no outstanding leading writer in contemporary China, but Wang Meng is a leading contender for the title
[Wang shi shi cun he ke
Pref. dated 1894-95.1. Wan xiang lou shi gao 2 juan Liang Lanyi--2-5 Tie yu zhai shi chao 5 juan Wang Quantai--6. Ju wu yin guan shi ji 2 juan Wang Zishu--[7] Fu Tong hua yin guan shi cun Wang Peiheng.Mode of access: Internet
Rencontre avec le cinéaste Chao WANG <br>: Interview FICA
Cette vidéo présente un entretien réalisé par l'Inalco avec le réalisateur chinois Chao WANG, à l’occasion de la vingt-quatrième édition du Festival International des Cinémas d’Asie. Wang Chao revient sur sa carrière et nous présente le film "River’s Edge". Wang Chao 王超, né à Nankin le 21 janvier 1964, est un réalisateur de films d’origine chinoise. Il est issu d'une famille d'ouvriers. Diplômé de l’Université, il travaille pendant 5 années dans une grande usine sidérurgique. En parallèle, il se passionne pour le cinéma, la littérature et écrit des poèmes. Licencié de son entreprise, il intègre en 1991 l'Académie du Film de Pékin où il suit des études de filmologie. Il en sort diplômé en 1994 et devient critique de cinéma. Suite à sa critique sur le film Terre jaune de Chen Kaige, il devient son assistant réalisateur de 1995 à 1998 sur Adieu ma concubine et L'Empereur et l'Assassin. Plus tard, il écrit des nouvelles qui deviendront les scénarios de ses films. Son premier film, L'Orphelin d'Anyang (tourné sans autorisation), lui a valu une sélection au Festival de Cannes en 2001 dans la Quinzaine des réalisateurs. Avec Voiture de luxe il termine sa trilogie sur la Chine dont L'Orphelin d'Anyang et Jour et nuit sont les deux premières parties. Son cinquième film, Fantasia, est présenté dans la sélection «Un certain regard» lors de l'édition 2014 du Festival de Cannes
Rencontre avec le cinéaste Chao WANG <br>: Interview FICA
Cette vidéo présente un entretien réalisé par l'Inalco avec le réalisateur chinois Chao WANG, à l’occasion de la vingt-quatrième édition du Festival International des Cinémas d’Asie. Wang Chao revient sur sa carrière et nous présente le film "River’s Edge". Wang Chao 王超, né à Nankin le 21 janvier 1964, est un réalisateur de films d’origine chinoise. Il est issu d'une famille d'ouvriers. Diplômé de l’Université, il travaille pendant 5 années dans une grande usine sidérurgique. En parallèle, il se passionne pour le cinéma, la littérature et écrit des poèmes. Licencié de son entreprise, il intègre en 1991 l'Académie du Film de Pékin où il suit des études de filmologie. Il en sort diplômé en 1994 et devient critique de cinéma. Suite à sa critique sur le film Terre jaune de Chen Kaige, il devient son assistant réalisateur de 1995 à 1998 sur Adieu ma concubine et L'Empereur et l'Assassin. Plus tard, il écrit des nouvelles qui deviendront les scénarios de ses films. Son premier film, L'Orphelin d'Anyang (tourné sans autorisation), lui a valu une sélection au Festival de Cannes en 2001 dans la Quinzaine des réalisateurs. Avec Voiture de luxe il termine sa trilogie sur la Chine dont L'Orphelin d'Anyang et Jour et nuit sont les deux premières parties. Son cinquième film, Fantasia, est présenté dans la sélection «Un certain regard» lors de l'édition 2014 du Festival de Cannes
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