335 research outputs found
Generation: memoirs and personal essays
No full textGeneeration: Memoirs and Personal Essays is a collection of non-fiction essays concerned with the themes of family, inheritance, and genetic and cultural influences.M.F.A.by Dorothea Cumming
«Überall nur Personen». Heinrich Heines Kritik am Personenkult
No full textStarting in the early “Letters from Berlin”, Heine portrays a public sphere in which
individuals achieve relevance not as the representatives of general principles, but on
the basis of their individual and private characteristics. A phenomenon such as this
is associated with overcoming a traditional “representative public”, but Heine also
highlights the problematic aspects of the associated change. Especially in his “Französische
Zustände“ (‘Conditions in France’) he draws attention to the questionable
connection between public persons and the general interests of the time. Heine’s
mistrust of the Parisian public and its admiration of popular individuals appears to
be the equivalent of a gradually developing cult of outstanding personalities
Dorothea J. Snow, 1954 Visit
No full textA group of summer students taking children\u27s literature at Jacksonville State College are shown with noted author Dorothea J. Snow. Shown from left are Doris Holder, Dorothea J. Snow, Sylvia Alverson, and Lillian Thomas.https://digitalcommons.jsu.edu/lib-ac-histimg/34805/thumbnail.jp
Die historische und ekklesiologische Tiefe voll ausschöpfen. Respons zum Beitrag von Dorothea Sattler
No full textThis contribution responds to Dorothea Sattler’s thoughts about ecclesiology in an ecumenical context. First it describes in short the influence of Kurt Stalder’s theology for his generation of Old Catholic theologians, parish priests and lay people, as well as his contribution to the ecumenical theology in the 20th century. After that the author reacts on the three parts of Sattler’s contribution: on the Petrine function, on the apostolicity of ministry and on contemporary plurality and the unity of the church
Schwarzwald-Idyllen - Don Mus.Ms.Ded. 29 : pf
No full textMax AllfeldQuelle: manuscript. - Provenienz: Fürstlich Fürstenbergische Hofbibliothek, Donaueschingen. - Dorothea von Talleyrand-Périgord (geboren am 17.11.1862), am 6.7.1881 vermählt mit Karl Egon IV., Fürst zu FürstenbergSchwarzwald-Idyllen | Walzer | Ihrer | Hochfürstlichen Durchlaucht | der Fürstin | Dorothea zu Fürstenberg | in tiefster Ehrfurcht gewidmet | von | Max Allfeld. | [second title:] Schwarzwald=Idyllen | Walzer | von | Max Allfeld. | Pianofort
Diaspora: Exile and the Jewish Condition
No full textDorothea Braginsky is a contributing author, Exile in America: Strangers in Paradise?.https://digitalcommons.fairfield.edu/psychology-books/1001/thumbnail.jp
Construction of Madness: Emerging Conceptions and Interventions
No full textDorothea Braginsky is a contributing author, The Myth of Schizophrenia
Deviant Behavior: Readings in the Sociology of Deviance
No full textDorothea Braginsky is a contributing author, Schizophrenics in the psychiatric interview: a study of their interpersonal effectiveness
A Century of Psychology as Science
No full textDorothea Braginsky is a contributing author, Psychology: Handmaiden of Society\u27.https://digitalcommons.fairfield.edu/psychology-books/1000/thumbnail.jp
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Dorothea Donn-Byrne
Full text linkSilent films in Ireland from 1914 to 1935 focused on Irish rural life, the long struggle for independence from Great Britain, and the civil war that raged from 1922-1923 over the formation of the Irish Free State. Films like those from producers Ellen O’Mara and James Mark Sullivan’s indigenous Film Company of Ireland (1916-1920) specialized in romantic comedies/dramas of Irish life and historical melodramas on the Protestant Ascendency and its exploitation of Irish Catholic tenants. Screenwriter Mary Manning’s Guests of the Nation (1935) explored the Anglo/Irish War (1919-1921) and its devastating impact on the Irish countryside and its people. English-Irish author Dorothea Donn-Byrne worked in and outside this nationalist tradition. As Dolly Byrne, she provided the source material for Enter Madame (US 1922), a drawing room comedy about a self-absorbed opera singer and her troubled marriage, and, as Dorothea Donn Byrne, she wrote the original story for Land of Her Fathers (IE/US 1925), a romantic drama set against the backdrop of the Anglo/Irish War. In her prolific career, Donn-Byrne wrote for the stage and screen, and penned essays and short stories on a variety of topics that reflected the political and popular culture of the Anglo/Irish/American societies in which she lived. Her work in cinema points to the early dependence on source authors and story writers—particularly women—the nature of their contribution as cinematic authors, and the uncertainty surrounding their involvement in production
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