176,504 research outputs found

    Walton gravestone

    No full text
    A color photograph of a gravestone belonging to Charles and Margaret J. Walton. Charles was born in 1840 and died in 1923; Margaret was born in 1844 and died in 1909. The stone has a smooth front with a rough and rounded shape. The family name is carved into the square base. The photograph is taken at a distance, with many other stones visible, including Brown, Reed, and Woodward stones. Two vehicles are parked along pathways in the cemetery

    Walton gravestone

    No full text
    A color photograph of a gravestone belonging to Charles and Margaret J. Walton. Charles was born in 1840 and died in 1923; Margaret was born in 1844 and died in 1909. The stone has a smooth front with a rough and rounded shape. The family name is carved into the square base. The photograph is taken at a distance, with many other stones visible, including Brown, Reed, and Woodward stones. Two vehicles are parked along pathways in the cemetery

    The later orchestral works of William Walton: a critical and analytical re-evaluation

    Full text link
    Although the British twentieth-century composer William Walton enJoys a continuing presence in the international canon, the body of scholarship that seriously engages with his life and work is small. The post-war music, which includes the Cello Concerto (1956), Second Symphony (1961), Variations on a Theme of Hindemith (1963), Improvisations on an Impromptu of Benjamin Britten (1969), and the film score for Battle of Britain (1969), has been particularly underrepresented in critical and analytical writing. In this thesis, I give detailed analyses of these scores, alongside an investigation of the contemporary critical climate and reception history of these works. I argue that the series of significant lifestyle changes that Walton underwent in the years immediately following the Second World War - including exchanging the busy musical life of London and a series of affairs with high-profile figures for the 'dolce far niente' of an isolated Italian island and a stable marriage - are suggestive of a broad shift in the composer's social and cultural values with consequent changes in musical attitudes and compositional tendencies. Walton's later music is differentiated from the pre-war works by the presence of octatonic, twelve-note, hexatonic and other non-diatonic harmonic constructions in the foreground, and a change from teleological to network-based or rotational background structures. My analyses adopt a deliberately eclectic range of analytical strategies, combining aspects of set-class approaches alongside tools from the tonal tradition. This methodological pluralism reflects my argument that the vitality of these scores derives from a tension between modernist and traditional tendencies. I argue that Walton appropriates a wide range of influences, including to some extent that of the European avant garde, in contradistinction to the assertion prominent in contemporary reception literature that his music had stagnated into a single outmoded and rarefied style. I conclude that although Walton's post-war music was indeed conservative in comparison to that of several of his younger contemporaries, his music engages, through opposition and assimilation, with many of the most characteristic trends of twentieth-century concert music. Nevertheless, I argue that the temptation to label Walton as a 'modernist' should be avoided; his works should be judged on their own terms and not according to the regressive--progressive axis prominent in much of the contemporary reception literature. These scores may not have been progressive, but they have a distinctive sound-world and an invigorating vitality that makes them exceptionally engaging both as works of art and objects of study

    Frances Huffaker Walton

    No full text
    Frances Huffaker Walton, together with Wesley Walton, had thirteen children

    Hoplodactylus tohu Scarsbrook & Walton & Rawlence & Hitchmough 2023, n. sp.

    No full text
    Scarsbrook, Lachie, Walton, Kerry, Rawlence, Nicolas J., Hitchmough, Rodney A. (2021): Hoplodactylus tohu Scarsbrook & Walton & Rawlence & Hitchmough 2023, n. sp. Journal of Herpetology 10 (3): 385-395, DOI: 10.1670/20-142, URL: http://dx.doi.org/10.5281/zenodo.754211

    Report : Petition of J. Walton

    Full text link
    Report : Petition of J. Walton. [2827] Florida Indian war; 1836-37

    Report : Petition of J. Walton

    No full text
    2887 H.rp.353651-2PensionsReport : Petition of J. Walton. [2827] Florida Indian war; 1836-37.1891-10

    The Wesley and Frances Walton family om 1898

    No full text
    Picture of family before last two daughter were born. Standing left to right: Donal, Thad, Reuel, Paul, and Dyke. Front row: Lester, Mark, Hannah, Wesley, Sim, Arthur Frances and Charles. Picture source: waltonhistory.co

    Biographical notes on Esau Walton

    No full text
    Text document biographical information on Esau Walton and court ordered sterilization/eugenics in UtahConverted from .docx to .pdf for compatibilit

    Wesley Walton and children at the farmhouse c. early 1900s

    No full text
    The "farmhouse" was built in 1899. It cost $10,000 to build. Wesley Walton married Frances Huffaker and the land was inherited from Frances\u27 parents. It was listed on the National Registry on August 4, 1995. The picture source is the waltonhistory.com website
    corecore