4,054 research outputs found
Sharon Walsh Dance Studio Presents Hansel and Gretel and a Mixed Programme, April 16-17
No full textSharon Walsh Dance Studio Presents Hansel and Gretel and a Mixed Programme, April 16-1
Sharon Walsh Dance Studio Presents It's a Small World and a Mixed Program
No full textSharon Walsh Dance Studio Presents It's a Small World and a Mixed Progra
Supplemental Material - Exploring the link between Multimorbidity and direct healthcare costs in Ireland: A cross-sectional study
No full textSupplemental Material for Exploring the link between Multimorbidity and direct healthcare costs in Ireland: A cross-sectional study by Sharon Walsh and Paddy Gillespie in Journal of Multimorbidity and Comorbidity</p
From the IBPP Research Associates. Venezuela: Sharon Reimel de Carrasquel
No full textThe author, Sharon Reimel de Carrasquel, discusses the recently held presidential election in Venezuela
Dr. Sharon Feldman – Faculty Author Interview
No full textSharon Feldman, Professor of Spanish and Catalan Studies and Chair of the Department of Latin American and Iberian Studies discusses her new book, In the Eye of the Storm: Contemporary Theater in Barcelona. Barcelona is presently experiencing the most dynamic period in its modern theater history. This book describes some of the crucial moments and back stories, as well as some of the theatre companies and playwrights, that have shaped the theatrical life of the city of Barcelona in the aftermath of the Franco dictatorship
Letter from Sharon M. Tanihara, September 1990
No full textCorrespondence from Sharon Tanihara to Senator Daniel Inouye, Representative Norman Mineta, and Representative Robert Matsui regarding Tanihara's advocacy for amendments to the Civil Liberties Act of 1988 and her opinions on restitution payments for individuals previously excluded from that bill.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walsh
No full textCanadian playwright Sharon Pollock’s Walsh (1973) revisits the aftermath of the Battle of Little Big Horn (1876) when Sitting Bull led the Sioux to cross the Canadian border for seeking refuge, befriended Major John Walsh of the North West Mounted Police and yet was forced to surrender to the American forces despite diplomatic exchanges. Since the play roughly coincides with the centennial celebrations in Canada and marks a renewed interest in Canadian drama for national topics, it has been studied in terms of its critical perspective to official historiography and its metadramatic treatment of the mentioned historical events. However, less scholarly attention has been spared to the use of songs in the play. Prioritizing the song form in its musical structure, Walsh integrates the history of westward expansion with the emerging economy and technology of music, resulting in the commodification of music at the turn of the twentieth century
Peter Jaeger, The Shadow Line
No full textPeter Jaeger’s The Shadow Line literally and figuratively shadows Joseph Conrad’s 1917 novella The Shadow Line by reading the original and re-writing its non-identical twin.
Peter Jaeger has produced poetry, criticism, hybrid creative-critical research, and artists’ books. His most recent publications are John Cage and Buddhist Ecopoetics and A Field Guide to Lost Things. He is Professor of Poetics at Roehampton University.
Robert Hampson is Chair of the UK Joseph Conrad Society, the author of three monographs on Conrad, including Conrad’s Secrets, and the editor of a number of Conrad’s works. He has written several books of poetry and is Director of the MA in Creative Writing at Royal Holloway.
MA BIBLIOTHÈQUE was established by artist and writer Sharon Kivland in 2013. The publications are modestly yet attractively produced, usually printed in small editions, and include the seriesThe Good Reader, to which Kivland invites others to reflect on reading (forthcoming are works by Vanessa Place, Kate Briggs, Sarah Wood, and Annabel Frearson). Afterword by Robert Hampso
Sharon Patricia Holland, 41st Annual ODU Literary Festival
No full textSharon Patricia Holland is a scholar and associate professor of English, African and African American studies, and women’s studies at Duke University. She is the author of The Erotic Life of Racism, Raising the Dead: Readings of Death and (Black) Subjectivity, and a co-editor of Crossing Waters, Crossing Worlds: The African Diaspora in Indian Country
Sharon Bridgforth, 29th Annual ODU Literary Festival
No full textSharon Bridgforth is the Lambda Award winning author of the bull-jean and the Lambda nominated performance/novel, loveconjure/blues (both from RedBone Press). Bridgforth has been anthologized and produced widely and has received support from the National Endowment for the Arts Commissioning Program; The National Endowment for the Arts/Theatre Communications Group Playwright in Residence Program; National Performance Network; Rockefeller Foundation Multi-Arts Production Fund Award; and Funding Exchange/The Paul Robeson Fund for Independent Media. Bridgforth is the Anchor Artist for The Austin Project, sponsored by The Center for African and African American Studies (U.T. Austin) where she teaches a course on Black Empowerment and Community Internship
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